By Richard Winters
My Rating: 7 out of 10
4-Word Review: Life in a newsroom.
Jane (Holly Hunter) is a television news producer married to her work who breaks down crying when nobody is around. She starts falling for Tom (William Hurt) the good looking new anchorman even though he does not share her same drive or integrity. Aaron (Albert Brooks) is a behind-the-scenes news writer who wishes to get more exposure in front of the camera. Secretly he is in love with Jane and envies the budding relationship that he sees starting between her and Tom, but feels virtually powerless to do anything about it.
The film marks another tour-de-force effort by writer/director James L. Brooks who hits the nail-on-the-head in just about every scene when it comes to revealing the inner workings of a local TV newsroom. I found some of the procedures that are shown including how a producer can continue to feed the anchorman things to say through an earpiece even as he is live on the air and interviewing someone to be quite fascinating. From dealing with a harsh layoff of the news division to the extremes people are willing to go to get promoted prove to be quite insightful. Even the little things are interesting like watching two musicians (Glen Roven, Marc Shaiman) trying to plug their song as the new theme to the news show, which is probably the funniest moment in the movie.
Initially I was turned off by Hunter’s strong southern twang, you would think someone who wanted to make it big in Hollywood would’ve worked harder to soften that, but she gives such a strong all-around performance that eventually I was able to overlook it. I felt though that her character was more compelling when she was fretting about her work, which seemed almost like an obsession to her. Having her chase after a guy, who she really didn’t have much in common with anyways, was far less interesting. She seemed like someone who immersed herself in her job simply to avoid social contact and the film would’ve worked better had Tom been the one doing all the chasing.
Brooks was an odd casting choice. He’s a funny comedian and has done some great satires, but not someone who is warm and likable. The movie wants us to feel sorry for his character because he is always getting passed over both professionally and romantically, but I felt the opposite way about him. His many sarcastic lines makes him seem bitter and vindictive and the way he screams at Jane to ‘get out’ when she confides with him about her feelings for Tom made him seem downright psychotic.
Director Brooks seems to have a personal vendetta against anchormen as his productions always portray then as being dumb and shallow most notably the Ted Baxter character in the ‘70s TV-series ‘Mary Tyler Moore Show’, which he also produced. In that show the character’s stupidity was clearly over exaggerated, but here Tom gets played with a believable balance as he’s is savvy enough to make up for his lack of intelligence by overcompensating on his image.
I loved how the film starts off with vignettes of the characters when they were kids and then ending it by revealing where they end up 7 years after the main story ends, but overall the plot lacks any major impact. The whole thing is just too gentile and needed another dramatic arch to give it more verve. Jack Nicholson appears unbilled as the station’s top anchor and I would’ve loved seeing him become a major player in the story as he owns every scene he is in especially the part where he enters the newsroom to offer his condolences to those who were laid-off.
My Rating: 7 out of 10
Released: December 16, 1987
Runtime: 2Hours 12Minutes
Director: James L. Brooks
Studio: 20th Century Fox
Available: DVD, Blu-ray, Amazon Video, YouTube
Hunter is much better and far more Oscar worthy than she was in the dreadfully overrated The Piano. Though BN is overly long and has 3 endings it’s one of the few adult comedies of the 80s and better than Working Girl!
I think that this was the first time I saw Holly Hunter and it was a very good first impression. It never occurred to me at the time how overrated The Piano might have been, as with many films that might not have been as deserving of their Oscar nods for Best Picture. But I would certainly praise Holly for taking brave chances for films like David Cronenberg’s Crash.