By Richard Winters
My Rating: 6 out of 10
4-Word Review: Replacing a red buggy.
Kid (Terence Hill) and Ben (Bud Spencer) are two race car drivers who participate in a race that ends in a tie that forces the two to settle on sharing the prize, which is a red dune buggy. The two though want the vehicle all for themselves and decide to settle on who gets to keep it by having a hot dog eating contest at a local bar. As they busily eat their hot dogs a local mobster known as The Boss (John Sharp) orders his men to destroy the place in an effort to get local businesses to leave, so that they can then use the land to build a giant skyscraper. Ken and Ben don’t mind the chaos, but when the mobsters then destroy the buggy they get mad…really mad! They confront The Boss and his equally nefarious psychiatrist (Donald Pleasence) insisting that the buggy MUST be replaced and it MUST be the same red color, or there will be trouble. The mobsters initially scoff, but find that these two men are far more resourceful and determined than they could’ve imagined.
This is the seventh teaming of Hill and Spencer who did their first movie together in the 1967 spaghetti western Blood River. They work well together and it is clear that they share a deep camaraderie. The film is full of all sorts of zany slapstick and I enjoyed most of it particularly the bar scene as well as a bumper car segment at a carnival. The best moment though is when they ram their car through the doors of a ritzy restaurant where the mobsters are dining and proceed to drive the car through every inch of the place while popping hundreds upon hundreds of giant balloons that lay all over.
The biggest issue though it that it doesn’t make any sense why these two would be so cocky and arrogant in the face of otherwise dangerous mobsters. Yes, it’s funny that these two ordinary schmucks seem oblivious to danger and can more than handle themselves, but it would’ve worked better had they been initially intimated and then slowly evolved into being more confident. You also have to question how these men acquired such powerful fighting skills, which made me believe that the characters should’ve been portrayed as police or government agents with some kind of combat training instead of just ordinary car mechanics that would not in any way be able to fight these bad guys off as consistently as they do.
The story is one dimensional and there really isn’t much of a third act with the broad plot simply an excuse to showcase a lot of slapstick. The humor is clearly on a kiddie level, but funnier than you might think even though there are certain routines that go on longer than they should and some that seem to repeat themselves. Still it’s refreshing to watch a film made in an era where slapstick was still considered a legitimate form of entertainment and not simply relegated to kid flicks and cartoons.
My Rating: 6 out of 10
Released: March 29, 1974
Runtime: 1Hour 37Minutes
Rated G
Director: Marcello Fondato
Studio: Columbia Pictures
Available: DVD
Scopophilia 
“You also have to question how these men acquired such powerful fighting skills”
You already mentioned that this was their seventh movie together. Hill & Spencer were an established comedy team whose main trademark was their cartoon-like invincibility. Explaining this further would be like giving Lou Costello a backstory revealing why he gets scared so easily.
It may have been their 7th movie together, but they didn’t play the same characters in each film. In the context of this specific story it’s still a legit question to ask how do these specific characters, who were ordinary car mechanics, acquired the fighting skills that they did. Their trademark may have been their cartoon-like fights, but the story would’ve been stronger had the reason for their fighting prowess been written into it. (agents with combat training, or something like that.)
They actually kind of played the same characters since Trinity. They fight the same way since that film, same stock characters, independently of the era, and that was assumed by the audience, which saw nothing weird about the lack of backstory.