By Richard Winters
My Rating: 6 out of 10
4-Word Review: Life in pre-war Germany.
Sally Bowles (Liza Minnelli) is a singer at a seedy Berlin nightclub called the Kit Kat Klub in pre-war Germany. She meets and falls in love with Brian (Michael York) who is a bi-sexual. The two begin a relationship only to have Max (Helmut Griem) enter who seduces them both and gets Sally pregnant.
This is a very stylish look at the pre-war years of Germany when it was still under the rule of the Weimer Republic and not yet succumbed to Nazi authority. The dramatic storylines are spliced in-between musical numbers done at the club, which are visually fun and have just the right amount of sensuality and theatrics. In many ways this looks like an obvious inspiration to the later hit Chicago and netted Bob Fosse the Academy Award for best director.
Joel Grey is amazing as the club’s emcee. He has no speaking lines and yet gives a one-of-a-kind performance that also got him the Academy Award for best supporting actor. His distinguished presence gives the film its unique flavor and personality and has to be seen to be fully appreciated.
Unfortunately the stories between the songs seem awfully trite. There is nothing really profound or interesting about them and they tend to bog the whole thing down while making Germans look uniformly dopey.
Minnelli won the Academy Award for best actress, but it is hard to see why. Yes she certainly does command the stage when she is singing and dancing, but seems misplaced otherwise. For the most part she seemed to be continuing the insecure, kooky character that she already created in The Sterile Cuckoo without adding any new spin to it. One really can’t sympathize with her nor really wants to and I felt the character became overdone and pushed the viewer’s patience.
Pairing her with refined English teacher York helps…a little yet their romance seemed hard to believe. Having this educated, good looking guy become jealous every time she talks to another man seemed unnatural given the circumstances.
Technically it is sound with a good eye for detail, but falters dramatically and isn’t strong enough to be anything more than a slight diversion. The only interesting scene to me was when a young clean-cut teen wearing a Nazi uniform gets up and sings an impassioned pro-German song as it perfectly illustrated visually all the rampant nationalism and brain washing that went on and is both creepy and sad at the same time.
My Rating: 6 out of 10
Released: February 13, 1972
Runtime: 2Hours 4Minutes
Director; Bob Fosse
Studio: Allied Artists Pictures
Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube
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I first saw Cabaret as part of an assignment at a dance school. Unlike the two other films that we were assigned, which were West Side Story and Hairspray, I found that Cabaret didn’t quite have much offer the dancing projects that we were all working on. But it was certainly worth it to enjoy Joel Grey’s Oscar winning performance. Thanks for your review.