By Richard Winters
My Rating: 5 out of 10
4-Word Review: Kid doesn’t like nanny.
Bette Davis plays a nanny to an upper-class British family whose oldest son Joey (William Dix) is accused of accidently killing his younger sister. Joey, who is only 10, is sent away to a home for disturbed children. When he returns he accuses the nanny as the one who did the killing and a psychological game of cat-and-mouse ensues.
Davis is sensational. She plays a type of character that she has never done before and the results are fascinating. She is much more subdued and evasive than usual and she falls into the role of the unassuming nanny in a seamless fashion. The different setting works well for her and I commend her tenacity for taking on a project that was not glamorous. She even puts on some thick eyebrows for her part and at times, especially at the beginning, she starts to resemble her most hated rival Joan Crawford.
Dix is amazingly good as the kid and it is a shame that he did only one other picture after this one. I liked the independent nature of the character and he plays off Davis quite well and showed no signs of being intimated by her. Making the adversaries have such extreme age difference and personalities gives the story an interesting edge that helps carry the picture.
The evocative black and white photography helps accentuate the dark-tone. The British setting along with the expected formalities of that culture, particularly that from the father character Bill (James Villers) give the film some distinction.
The first act though goes on way too long. We are given the general premise right up front and then have to spend the whole first hour going through the scenario that Joey doesn’t like his nanny and is suspicious of her again and again until it becomes derivative. When the second act does finally come about it seems too late. The revelation isn’t all that clever or creative and the climactic sequence desperately needed more action and punch. The final result is unsatisfying. The viewer is given an intriguing premise that it can’t sustain to the end ultimately making this a misfire despite the outstanding presence of Davis and some high production values.
There is also the issue of the three-year-old girl who is adorable and an absolute scene stealer and yet right up front you are made aware that she is killed, which makes the proceedings rather depressing. Having to then watch her actual death is disturbing and, for its time period, rather vivid and startling.
My Rating: 5 out of 10
Released: October 27, 1965
Runtime: 1Hour 31Minutes
Rated: NR (Not Rated)
Director: Seth Holt
Studio: Hammer Productions