Tag Archives: Victor Lanoux

The Dogs (1979)

dogs

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Canines on the attack!

Henri (Victor Lanoux) is a doctor who opens up a clinic in a planned community. He finds to his surprise that many of his patients are coming in complaining about dog bites. He then becomes aware of Morel (Gerard Depardieu) who runs a club were participants learn how to train their dogs to protect them from attacks. However, these same dogs have now become more of a menace that’s putting other citizens in the town in danger including the mayor who becomes a victim. Henri is soon at odds with his girlfriend Elisabeth (Nicole Calfan) who gets a guard dog after she is raped and she is more attached to the dog than him.

The story certainly has some interesting ingredients including the fact that the dogs themselves  aren’t really the threat, but more their owners who train them to be aggressive, which is a nice change of pace from other films from that era that would show animals attacking for seemingly no reason, or that they had become possessed by something evil. Here the set-up is more realistic and plausible and the residents are wealthy living in plush homes helps convey the idea that even ‘nice’ neighborhoods can have evil dwelling underneath and no place is ever completely ‘safe’.

Depardieu goes against type playing the villain and he approaches the part in a fascinating way where he’s not outwardly creepy at the start, but more just an awkward individual who genuinely believes, which is a mindset that he continues to have to the very end, that he’s the ‘good guy’ who’s simply helping vulnerable people find ways to adequately protect themselves. He also has a profound love for his dogs whom he likes more than people, that comes to prominence during a graphic birthing seen where the mother dog isn’t able to come through it. His performance is even more impressive when you factor in that he suffered a dog attack of his own in real-life just a few months before being offered the role and he took the part hoping it would alleviate his pent-up fears and he certainly goes all out here including allowing the dogs to attack and bite him while wearing protective clothing during the training exercises that he conducts.

On the other end, as his adversary, I didn’t find Lanoux to be half as impressive. For one thing he never comes-off seeming like much of a doctor nor ever seen wearing a white physician jacket and works inside a place that resembles a rented out business office than a legitimate clinic. He looks and behaves more like a detached business man walking through his role and never being as emotionally charged as the part demanded.

Calfan, as the girlfriend isn’t convincing either. She leaves her job late at night all alone even though she’s well aware of the crime in the area, which makes it seem like she’s foolishly walking into trouble and the subsequent rape attack gets played-out in a cliched and mechanical way. He recovery is too quick as she’s back to be her normal self again almost instantaneously without showing any of the post traumatic effects that victims of the crime typically do. Her character’s arch offers some intrigue as she at one moment ‘jokingly’ tells her dog to attack Lanoux and then at the last second calls him off, which understandably frightens Lanoux and made me believe she was mentally moving into a dark mindset and she would become the source of danger, but this doesn’t lead to anything. By the end she ‘snaps out of this phase’ and goes back to being her normal self even to the extent turning into the hero, which I didn’t find interesting at all and it would’ve been far more memorable had she slowly became the threat.

The film is too leisurely paced. We know upfront that these dogs, and the people who own them, are something to be feared, but the actual attacks take too long to get going and when they do they’re too quick and ultimately start to play-out in a redundant fashion. The chills and thrills are limited and there’s not enough surprises or twists. There are also some disturbing segments including a dog getting kidnapped and then bound with a muzzle while dangling in the air by a rope as it whimpers, which many viewers including animal lovers will most likely find highly unsettling.

Alternate Title: Les Chiens

My Rating: 4 out of 10

Released: March 7, 1979

Runtime: 1 Hour 40 Minutes

Not Rated

Director: Alain Jessua

Studio: A.J. Films

Available: DVD (French), DVD-R (dvdlady.com)

One Wild Moment (1977)

one wild moment 1

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Fling with friend’s daughter.

Pierre and Jacques (Jean-Pierre Marielle, Victor Lanoux) are longtime friends who decide to take a vacation together along the French Riviera and both bring along their 17-year-old daughters. One night Pierre and Victor’s daughter Francoise (Agnes Soral) attend a late night wedding party and the revelry and energy of the moment culminates with them having a tryst along the beach. Although Pierre has feelings for Francoise and vice-versa he wants to keep it from going any further for fear that it will jeopardize his friendship with Victor. Francoise though wants it to continue and the two quarrel with their mixed feelings as they ponder telling Victor about it.

Although this is not a great film it is still far superior to its American remake Blame it on Rio. For one thing it works more as a drama while the remake was played strictly for laughs. The dialogue has more of a realistic conversational quality and the characters are better rounded and more dimensional. The structure is  leisurely paced given it a day-in-the-life feel without having every scene forced to conform to contrived comedy like in the other one. The scene where the two make love has much more of a natural quality to it and less stagey. I also enjoyed more of an emphasis on subtly where the characters are not compelled to verbally describe their feelings, but instead it relies on their facial expressions, which is much more powerful.

Marielle gives a far better performance than Michael Caine did in the equivalent role who seemed awkward, stiff and uncomfortable throughout. The rift that the character has with his daughter Martine (Christine Dejoux) gets better fleshed out here while in the remake it is only briefly touched on. I also thought it was interesting that at one point Marielle’s character slaps his daughter during an argument when she comes back well after her curfew, which doesn’t get shown in the American film and I presume this is because of Hollywood’s concern that it might make the character less appealing as they always want to make their protagonists are wholly likable and politically correct, but in the process it also makes them less real.

The two daughters are much more believable and like young women ready to enter adulthood instead of a middle-aged man’s sexual fantasy like in the other one. I also found it amusing how when Francoise tells her father about her tryst he doesn’t immediately become upset about it like in the American film where sexual mores are more stringent, but only after she tells him it was with a man over 40.

Thankfully there is also no silly side-story involving one of the men’s wives having an affair with the other, which was the dumbest part about the remake and in fact there is no wife character here at all. The only real problem with this version is its abrupt ending that leaves open all sorts of loose endings and is quite unsatisfying and becomes unfortunately a major mark against it.

My Rating: 5 out of 10

Released: December 21, 1977

Runtime: 1Hour 28Minutes

Rated R

Director: Claude Berri

Studio: Quartet Films

Available: VHS