By Richard Winters
My Rating: 8 out of 10
4-Word Review: Brought back to life.
Stanley (Timothy Hutton) is an anthropologist working in the arctic where his team of explorers discover a neanderthal man (John Lone) frozen in the ice from 40,000 yeas ago. The man is taken inside a block of ice to the base where he gets thawed out and resuscitated and then placed inside a simulated environment where he can be studied, but Stanley insists on treating him like a human versus a specimen. He initiates an encounter, which leads to a bonding and Stanley gives him the name of Charlie. Despite the inability to speak the same language, but through the use of a linguistics specialist who is brought in, he begins to learn more about Charlie and how he was on a lonely walk where he was trying to sacrifice himself to the gods in order to save his tribe. When Charlie sees a helicopter flying overhead he races towards it in the belief that it was the mythical god he was looking for called ‘Beedha’ and this motivates him to escape from the lab sending everyone else into a panic in an effort to find him.
Initially, the story does have a ‘roll-your-eyes’ effect with the way Charlie gets revived, which seems too effortless and causes no side effects as he becomes as ‘good-as-new’ even 40,000 years later. Outside of his face he has no body hair, in fact his skin appears baby smooth, even though the presumption would-be that men would’ve had more hair on them than they do now.
Fortunately director Fred Schepisi keeps the proceedings as authentic looking as possible, which helps overlook the story’s implausible leanings. I thought the close-ups the of the red laser cutting through the ice sheet was pretty cool (no pun intended). Filming it on-location in Churchill, Manitoba reflects the arctic climate and far better than having it done on a sound stage. Even the way their personal living quarters where furnished had a nice homey feel though I was confused why there would be a TV present in Lindsay Crouse’s room as I don’t think there’d be any TV station signals in the arctic and thus nothing to watch. (No video stores, satellite dishes, especially in the mid-80’s, or cable either.)
The acting is all-around terrific. Hutton manages to finally lose his boyish appeal that post Ordinary People he had trouble shaking. I liked the curly hair and the grungy post-graduate persona and I enjoyed the short-hair of Lindsay Crouse whose presence does not precipitate a romance, or sexual interest between the two leads. The film intimates that it’s because the Crouse character is supposedly gay, which I didn’t think was needed as it’s quite possible someone could be straight, but still not magically ‘fall-in-love’ with members of the opposite sex even if working closely with them over an extended period of time. The best performance though is that of Lone, who’s Asian, but you’d never have known it and his ability to recreate a troglodyte behavior in a way that seems quite organic is excellent.
The ending created some behind-the-scenes controversy as Schepisi agreed to film the original concept as intended, but then pulled-back on that promise and went ahead and did a different one without informing the studio, which got him canned. I’m not sure what the original ending was like, but the one that gets shown here is perfect as it keeps all the action in the arctic since moving the story off to a different location, or trying to continue the drama of having Charlie enter into modern civilization would’ve been a whole other movie into itself and made the script overly cluttered. Whether the viewer considers Charlie’s ultimate fate to be a happy or sad is up to personal perspective, but for me I found it satisfying.
My Rating: 7 out of 10
Released: April 13, 1984
Runtime: 1 Hour 40 minutes
Rated PG
Director: Fred Schepisi
Studio: Universal
Available: DVD, Blu-ray, Amazon Video, YouTube
Scopophilia 