By Richard Winters
My Rating: 10 out of 10
4-Word Review: Someone is listening in.
Harry Caul (Gene Hackman) is a surveillance expert who specializes in listening into people’s private conversations and has a reputation of being quite good at it. Many wealthy clients hire him to record things from their enemies that they might not be able to attain otherwise. However, one of these assignments led to the death of three people and Harry, being a highly religious man, has felt guilty about it ever since. He begins to have the same concerns with his new assignment when he overhears a couple (Fredric Forrest, Cindy Williams) who he’s recording mention that ‘he’d kill us if he got the chance’. Harry is unsure if he wants to give the tapes up to his client as he’s frightened the same scenario as before will occur. Martin (Harrison Ford) the man representing the client becomes aggressive in getting the tapes and warns Harry that they’ll get their hands on them one way or the other. Harry, a private man, soon realizes that this client is just as sophisticated in surveillance technology as he and maybe even more so as he becomes aware that his phone and even his apartment is bugged.
Inspired by real-life surveillance expert Martin Kaiser, who was a technical consultant on the production, the film deftly explores how today’s modern technology has easily evaded our private lives and how no one is safe from prying eyes and ears a concern that has become even more pronounced in the decades following its release. Many presumed that it was a testament about the Watergate break-in, which occurred a year before the movie came-out and uses much of the same sound equipment used the by criminals in the real-life event, but in actuality the script, by Francis Ford Coppola, was already complete in 1965, but was unable to get any financial backing until his success with The Godfather.
The film scores on just about all levels especially with the way it captures San Francisco. I loved the bird’s eye-opening shot of Union Square as well as the terrific use of the fog that gets used to great effect during a memorable dream sequence. The soundtrack by David Shire is quite unique as it’s made to replicate sound waves changing frequency. I liked too that quite a bit of time is spent showing Harry inside his editing studio where he puts together the tape he’s recorded from different sources into a cohesive whole and watching him do it, even if it’s from equipment that would be deemed dated now, is impressive and makes you appreciate the expertise of the character.
Acting wise this may be Hackman’s best, and he stated in later interviews that he considers this to be his finest work, though at the time he felt it was an extreme challenge playing such an introverted person when he himself was highly extroverted, but the payoff is rewarding as he displays characteristics unlike any other role he’s played. What impressed me most was his body posture, which is hunched over, and he walks with a pensive gait, which reveals to the viewer the character’s inner angst without it ever having to be verbally explained. It’s interesting too how he’s mostly shy and stand offish during the majority of it making him seem like a wallflower, but when the subject of his sound expertise comes into discussion, he’s suddenly bragging about his state-of-the-art machinery showing how even the most unassuming of people can still have a big ego and helping to create a protagonist who’s three-dimensional.
There’s also great support from a young Harrison Ford, who appears with a scar on his chin, who despite presenting himself in a composed manner and speaking in a controlled tone of voice is quite menacing. Terri Garr is excellent as a prostitute that Harry frequents and acts as Harry’s only social outlet as well as Allen Garfield playing a huckster whose also Harry’s rival and clearly has a way about him that gets under his skin. Great work too by John Cazale who works as Harry’s assistant and their relationship runs hot-and-cold and there’s even Robert Duvall in a small, but pivotal part.
Spoiler Alert!
While the film is expertly crafted, I did find the scene where Harry’s landlady leaves him a birthday gift inside his apartment to be problematic. We see that Harry has three different locks on his door, which keenly reveals what a private person he is and how paranoid he is to protect it, and yet when he opens up his door there’s an item sitting on the floor left by his landlord. Through a subsequent phone conversation, he has with her we learn that she was able to get in by using her master key, but it’s highly unlikely that she would have three different keys for each lock.
Another issue happens at the end when Harry tears his apartment apart in desperate attempt to find the covert listening device that’s been planted by the client and is able to listen and record everything he says and does. He isn’t able to locate it despite a thorough and exhaustive search and then spends the rest of the time playing his saxophone as it’s the only thing he has left, which is where it finally dawned on me that was probably where they implanted the bug and the movie should’ve had him dismantle that too and then if he was unable to find it there, after destroying everything else, he could be seen lying in the barren, darkened room in a fetal position and completely defeated, which might’ve left an even more lasting and riveting final image.
My Rating: 10 out of 10
Released: April 7, 1974
Runtime: 1 Hour 53 Minutes
Rated PG
Director: Francis Ford Coppola
Studio: Paramount Pictures
Available: DVD, Blu-ray, Amazon Video, YouTube
Scopophilia 