Tag Archives: Susan Swift

Harper Valley PTA (1978)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: She gets her revenge.

Based on the hit 1968 song the story centers on Stella Johnson (Barbara Eden) whose liberated single life style and provocative way of dressing is considered ‘scandalous’ by the prudish members of her local school board. They give a letter  to her daughter Dee (Susan Swift) to be send home for Stella to read, which informs her that if she doesn’t ‘clean up her act’ they’ll have her daughter expelled. Stella then goes to the school board meeting and exposes all of their dirty secrets and then continues the harassment by playing dirty pranks on them one-by-one.

The song, which was written by Tom T. Hall and sung by Jeannie C. Riley, was a cute novelty ditty that encompassed the social rebellion of the late ‘60s through the scope of small town southern life. The film though ruins the song’s appeal by overplaying its theme and losing touch with its core issue.

The song had a very heavy country tinge to it making it seem that the setting should’ve been the Deep South, but for some reason the film takes place in Ohio instead. It also has the time period as being the present day, late ‘70s, which makes some of the lines in the song, which Stella reiterates pretty much word-for-word when she tells the board members off, seem dated and out-of-touch. Stuff like sock-it-to and ‘Peyton Place’ referred to hit TV-shows that by the late ‘70s had already been off the air for years, so the film should’ve either updated the script to make it more topical to the times, or had the time period be in the ‘60s, which like with the southern locale would’ve given the film a far stronger atmosphere.

Having Stella tell off the board members like in the song seemed sufficient, but having her continue her efforts by pulling elaborate pranks on them made it come off like overkill and in some cases borderline cruel and even criminal. The fact that other people in attendance at the board meeting clap and cheer when Stella humiliates the PTA board makes it seem that these people are on their way out and don’t have much of a hold over anything, so watching Stella continue to humiliate them further is not emotionally satisfying. They’re also so easily taken advantage of that the pranks cease to be either entertaining or funny.

The only segment that is genuinely fun is the one where a sex ed. film gets shown to the high school students. The film seems to be an actual product from the early ‘60s and features rather graphic animated illustrations. We unfortunately only get treated to a couple of minutes of it even though it was the funniest thing in the movie without ever actually trying to be.

Eden looks gorgeous and probably even hotter than she did in ‘I Dream of Jeannie’ minus the harem outfit. If you watch this for basic eye candy then you’ll be satisfied, but she speaks initially with a southern accent that she ends up losing by the second half.

John Fiedler gives good support by appearing fully nude in one segment despite not having the physique for it, so I commend his bravery. Audrey Christie shows equal regard by exposing herself with her head completely shaved, but overall the only character that I really liked was Susan Swift’s who seems the most relatable and like with the song her character should’ve been the central one and not Eden’s.

The threadbare premise gets stretched out far longer than it should. The story and the many pranks have a very redundant and mechanical quality to them that quickly becomes old. I’m not sure whose idea it was to try to turn the song into a movie, but it was one that should’ve been shot down quickly and never seen the light-of-day.

My Rating: 3 out of 10

Released: June 2, 1978

Runtime: 1 Hour 42 Minutes

Rated PG

Director: Richard C. Bennett

Studio: April Fools Productions

Available: DVD

Audrey Rose (1977)

audrey rose 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Dead daughter gets reincarnated.

On October 3rd, 1965 at precisely 8:20AM a young Audrey Rose dies in a fiery car crash. At 8:22AM on that same day Ivy (Susan Swift) is born to Janice and Bill Templeton (Marsha Mason, John Beck). Several years later after talking to a couple of psychics Audrey’s father Elliot (Anthony Hopkins) becomes convinced that his dead daughter has been reincarnated in the body of Audrey. When he approaches Ivy’s parents about it they scoff and then when he tries to take her they have him arrested. He then goes on trial where he tries to get 12 jurors to believe that reincarnation is a reality.

Based on the Frank De Felitta novel, and who also wrote the screenplay, this odd hybrid of a horror film never really takes-off.  Director Robert Wise does a terrific job of capturing the Manhattan skyline and a late 70’s New York City ambience as well as the gorgeous classic paintings that line the ceiling of Janice’s and Bill’s apartment, but he has a story that is light on action. The restrained and genteel narrative creates a film that seems more like a conventional drama than a horror film despite a storyline that is brimming with supernatural elements.

Every effort is made to keep the proceedings as realistic as possible only to have the entire second hour delving into a court room drama with a defense strategy that is so outlandish it becomes almost ludicrous. Having Elliot become convinced of the reincarnation through talking to psychics is another weak point. The few so-called psychics that I have been to have proven to be inaccurate and unreliable and most people that I know have had the same experience. In the past few years several famous psychics have been outed in the media as being frauds and charlatans. Having the film treat these people like they are a reliable source puts the entire premise on poor footing from the very beginning.

Mason can play a distraught and beleaguered character about as well as anyone and her teary-eyed presence helps give the film a few extra points. Beck is also good as her husband and their contrasting personalities and approaches to the situation add an interesting subtext.

Not to necessarily sound cruel but Swift as the young girl has a big pair of buggy eyes that to me became more of a distraction as it went along. Also, with her long brown hair she starts to resemble the Linda Blair character from The Exorcist, which was a far more intense, scary, and exciting film than this one. The producers would have done well to have cast a blonde or redhead in the role simply to avoid the comparison.

The scares are almost non-existent and the only slightly spooky moment is the scene where Swift looks into a mirror and chants the Audrey Rose name repeatedly, which is the only time where her buggy eyes come into good use. The several scenes showing her running around the place and banging onto the widows while screaming become old pretty fast. The direction is slick and the production values good. It is compelling enough to be entertaining, but the ending is very unsatisfying and as a thriller it is transparent and unmemorable.

My Rating: 6 out of 10

Released: April 6, 1977

Runtime: 1Hour 53Minutes

Rated PG

Director: Robert Wise

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video