Tag Archives: Sebastien Japrisot

The Lady in the Car with Glasses and a Gun (1970)

lady in the car

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Dead body in trunk.

Dany (Samantha Eggar) works as a secretary for Michael (Oliver Reed) who asks her to come to his place one evening to help him type an urgent report that needs to go out the next day. She agrees and then spends the night in his guest bedroom. The next morning she travels with his family to the airport where they board a plane for a vacation while she is instructed to drive their car back home, but along the way she takes a wrong turn and begins to come upon people who say they’ve seen her before even though she can’t remember them. Then she finds a dead body in the trunk and things get really bizarre.

The film, which is based on the novel by Sebastien Jasprisot and remade in 1992 and then again in 2015, has a certain appeal as the story is offbeat enough to keep you intrigued and manages to give a logical, or at least an attempted one, explanation at the end for why everything that occurs to Dany happened and the reason behind it. Unfortunately Anatole Litvak’s direction is bland despite a colorful opening montage and Reed, with his hair dyed gray, is miscast as a stuffy businessman.

One of the biggest issues though is the main character who behaves in ways that make little sense. Going to her boss’s place after work hours to write a report and even be instructed to drive his car back from the airport seems to be going well beyond the normal duties of an ordinary secretary and one that most likely would be met with resistance by anyone else and yet Dany obliges to his demands without question like she is a robot. Later a strange man (John McEnery) enters her car and makes an aggressive pass at her. Instead of leaving or running for help she instead gets into the car with him and takes him back to her hotel and goes to bed with him before she even knows what his first name is.

Spoiler Alert!

At the end we find out that Dany’s boss has set the whole thing up to make it look like Dany shot the man, whose dead body was in the trunk, in order to cover up for his wife (Stephane Audran) who was the one who really did it. Apparently she had been having affairs with many different men and shot this one when he refused to continue to see her. The husband was aware of all of these transgressions and would pay off the men to quit seeing her and when he found out that his wife had killed this one he concocts an elaborate scheme to get her off the hook, but why? Most men would not feel the need to come to the defense of an unfaithful wife especially one that continues to do it over and over again, which makes the whole storyline quite weak since it’s completely off-the-mark in terms of realistic human behavior.

End of Spoiler Alert!

My Rating: 5 out of 10

Released: October 22, 1970

Runtime: 1Hour 38Minutes

Rated R

Director: Anatole Litvak

Studio: Columbia Pictures

Available: None at this time.

Rider on the Rain (1970)

rider on the rain

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Chuck is in control. 

Supposedly the inspiration of The Doors song ‘Riders on the Storm’ this stylish mystery deals with Mela (Marlene Jobert) a beautiful young woman who finds herself being stalked by a strange bald headed man carrying a mysterious red bag. He follows her to her home where he then rapes her. She manages to get her hands on one of her husband’s rifles and shoots the man dead. She throws his dead body over a cliff and into the sea where she thinks that will be the end of it, but then an American by the name of Harry Dobbs (Charles Bronson) shows up who seems to know all about it and will not leave Mela alone until she confesses to the whole thing.

Director Rene Clement is a master at his craft. Every shot and scene has an evocatively stylish flair particularly at the beginning. The lighting, camera work, editing, and moody score by Francis Lai are first rate and help grab the viewer in right away and keep them hooked. There are strong shades of Hitchcock, but like with Hitch the performers become nothing more than pawns to the director’s vision. The actors seem a bit stifled and unable to create any nuance to their characters. Everything is done to propel the story, which is fine, but sometimes expanding the scenes to allow the actor’s to expound more gives a film a fresh and natural flow, which is lacking here. The rape sequence relies almost completely on the breathing sounds of Mela and some interesting edits, which I felt was good, but it could have been even more provocative and cutting edge had this part been extended and a little more graphic.

While the script by Sebastien Japrisot is full of intriguing twists and nicely complex the middle part dealing with Harry’s seemingly unending interrogation of Mela goes on much too long and bogs things down. I would have liked to have seen a little more variation of their roles where at times Mela would get the upper-hand, but for the most part Harry remains in complete control and Mela is dominated and confused throughout, which isn’t as interesting.

rider on the rain 2

Jobert is sexy and adds a definite sparkle to the film. Normally I prefer women with long hair, but her short cut gives her a youthful appeal. Her blue emerald-like eyes make a great contrast to her reddish hair and her freckles helps accentuate the youthful and naïve quality of the character. Her husband Tony played by Gabriele Tinti, has the chiseled boyish looks of a male model with a pair of baby blue eyes that is almost as stunning as Marlene’s making this couple enjoyable to watch for their looks alone for both male and female viewers.

Bronson is at his tough guy best. He takes on seven men in a room and kicks their ass without breaking a sweat. Unfortunately that is all the action that there is and there needed to be more of it. Jill Ireland appears briefly as a character that has little to do with the plot, but looks gorgeous nonetheless.

The film’s final plot twist is rather boring and the conclusion is weak and non-eventful. Mystery fans may enjoy the film’s winding story, but Bronson enthusiasts will be disappointed at the film’s lack of action.

rider on the rain 3

My Rating: 5 out of 10

Released: January 21, 1970

Runtime: 1Hour 55Minutes

Rated R

Director: Rene Clement

Studio: AVCO Embassy Pictures

Available: VHS, DVD