Tag Archives: Samuel Fuller

White Dog (1982)

white dog1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Dog attacks black people.

Late one night while driving home aspiring actress Julie (Kristy McNichol) hits a stray dog, which she takes immediately to an emergency vet. They find that his injuries were minimal and she’s allowed to take him home until his owner can be found. She soon starts to bond with the White Shepherd dog, who at one point saves her from a would-be rapist. She also becomes aware that he attacks black people when he goes after one of her African American friends unprovoked. She takes him to an elderly dog trainer named Carruthers (Burl Ives) who advised that the dog should be put to sleep, but another trainer named Keyes (Paul Winfield), who is black, wants to rehabilitate the animal, but finds this undertaking far more challenging than he initially expected.

The story is based on a real-life incident of novelist Romain Gary and his actress wife Jean Seberg, who during the early 60’s took in a stray dog that had previously been an Alabama Police dog, who they later learned, was trained to attack black people. Gary wrote about this experience in a short story that was published in Life Magazine in 1970 and this was eventually turned into a novel. The novel though incorporated many things that had not occurred in real-life, nor in the movie, including having the dog trainer being an angry black Muslim who gets the dog to start attacking white people including Gary himself.

The story rights were purchased by Paramount in 1975 with Roman Polanski set to direct, but when he was forced to flee the country due to statutory rape chargers the projects was put on hold. Then after the success of Jaws producers decided to turn it into a ‘jaws with paws’ storyline with the racism angle taken out, but when director Samuel Fuller was signed on he returned the plot to its original theme, which caused controversy when the NAACP, without ever having seen the film, accused it of being ‘racist’, which frightened Paramount executives enough that they gave the movie a very limited engagement with no promotion, which led to it recouping only $46, 509 out of its original $7 million budget. Despite eventually getting released on VHS and shown sporadically on cable outlets such as Lifetime, it languished in obscurity until finally getting a DVD/Blu-ray issue in 2008 where it’s now seen in a totally different light.

For me the biggest problem is the hackneyed drama starting with the dopey way the dog gets hit by a car and yet miraculously healed enough to go home that very same night and never showing any lingering injuries. The potential rape scene is too manufactured as well as it has the rapist magically appearing in the apartment without showing how he broke-in and later having one of the cops state that he had just arrested the same guy earlier that year for another rape attempt, so if that’s the case then why wasn’t he still in jail? It also has the dog sleeping as the bad guy sneaks in, but I’ve found dogs have a keen sense of awareness and would’ve heard the guy trying to bust in and growling or barking long before he actually made it into the apartment. Having Kristy go on a late night jog with the dog and then being chased by a masked assailant, which the dog would scare away, would’ve been a better way to have done it.

I also didn’t like the part where Kristy meets the dog’s owner and he openly admits to training him to attack black people, which to me didn’t seem believable. I liked the idea of having the owner being this seemingly kindly old man, played by Parley Baer best known for voicing the Keebler Elf, that you’d never expect as being someone who’d train an animal to do such a thing. However, freely admitting this to a stranger is like a murderer admitting to their crime. Most won’t fess up because they know it would get them into a lot of trouble if they did. Movies should also not be obligated to explain everything and like in real-life should leave a few things open-ended. When Kristy accuses him of this he could reveal a funny look on his face, giving the viewer insight that he most likely was guilty, but then have him verbally deny it like most people would.

While I could’ve done without the slow motion and booming music I did find the dog’s retraining sessions with Keys to be the film’s best moments and Winfield’s strong presence is excellent. However, trying to use a dog as a metaphor to racism doesn’t really work, nor hold-up to logic. Winfield explains that the dog was most likely beaten by a black person hired by a white man to get the dog to become the way he does, but I don’t think this could be achieved as the dog would just hate that one individual and not connect it to the man’s skin color unless he was abused by a whole group of black people. We’re also told that the dog does not hate black people he just fears them, but if that’s the case then why does he go out of his way to attack and kill them. Animals will only go on the attack if they feel threatened, but if the perceived threat keeps their distance then the dog shouldn’t feel the need to be aggressive making the blood splattering attacks that the dog does come off as quite over-the-top.

white dog2

My Rating: 6 out of 10

Released: November 12, 1982

Runtime: 1 Hour 30 Minutes

Rated PG

Director: Samuel Fuller

Studio: Paramount

Available: DVD/Blu-ray (Criterion Collection)

A Return to Salem’s Lot (1987)

return to salems lot

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Town full of vampires

Joe Webber (Michael Moriarty) is a documentary filmmaker who is always looking to tackle the next shocking topic if it will help advance him and his film career. While vacationing in a small New England town of Jerusalem’s Lot with his teenage son Jeremy (Ricky Addison Reed) he becomes aware that the entire town is made up of a population of vampires led by elderly Judge Axel (Andrew Duggan). They are aware of Joe’s film career and give him an offer to film a documentary on them so as to give future generations a better understanding of the vampire lifestyle. Initially Joe is intrigued with the idea, but when he finds out that they want to turn his son into one of them he refuses and spends the rest of the time trying to escape and with the help of elderly but tenacious vampire hunter Van Meer (Samuel Fuller) save his son.

This flick is complete disaster from the beginning. It opens with Joe filming a documentary on a jungle cannibal tribe that looks like a real tacky rip-off of Cannibal Holocaust. The gore and special effects are abysmal and the story and characters have nothing to do with the Stephan King novel to which it is based nor the 1979 TV-Movie. Had the plot gone more with Joe filming a documentary on the populace it might have been interesting in an offbeat way, but the script brings up the idea and then never follows through with it.  There are shades of dry humor here and there and had it been more consistent with it the film could have been viewed and possibly enjoyed as a parody, but as it is it is nothing more than cheap straight-to-video fare.

The characters are poorly defined and at times even contradictory. Joe starts out as this callus man who puts his directing career first and has no concern for his son and hasn’t seen him for years, or even mentioned him to his friends. Then suddenly they get to this town and he will stop at nothing to save him. The son also does not like the father when he first sees him and yet magically and quickly bonds with him the minute they get to town. He is also described to be deeply troubled psychologically, but shows no sign of it during the course of the movie.

There is also the issue of Van Meer shooting Judge Axel in the head twice with a gun, but even as bullet holes spew out blood from his forehead he still goes on walking and talking like nothing happened. Supposedly this is to signify that the only way to kill a vampire is to stick a wooden stake through their heart and if you try to kill them any other way it won’t work, but this still doesn’t make sense. For instance if you break a vampires kneecap wouldn’t that effect the way they walk? If so then the same logic should hold true if you put two bullet holes into their brain. It would more than likely turn them into a complete vegetable a vegetable that may go on living forever until you drive a wooden stake through its heart, but a vegetable nonetheless.

Moriarty gives another great performance that completely exceeds the quality of the material. This one is even more impressive because he actually plays a normal person here and does so effectively, which is interesting given the nature of his sometimes offbeat behavior off-camera. The person though that really steals it is famed film director Fuller as the elderly vampire hunter. The guy shows an amazing amount of charisma and energy and plays up the character to an amazingly amusing degree and helps save what is otherwise a disaster.

Veteran actresses June Havoc and Evelyn Keyes appear as two of the elderly women vampires. Keyes really plays-it-up and the way she sucks the blood from one of the victims off her fingers looks down right erotic. The scene where Havoc, Keyes and writer/director Larry Cohen’s then real-life wife Janelle Webb chew on the dead body of Cohen’s real-life daughter Jill Gatsby gets a few points for audaciousness. This is also a great chance to see Tara Reid in her film debut as one of the vampire children.

The final thirty minutes is an improvement namely because of Fuller’s presence, but it does nothing to hide the film’s many other flaws, which is a perfect example of bad 80’s horror.

My Rating: 3 out of 10

Released: May 18, 1987

Runtime: 1Hour 41Minutes

Rated R

Director: Larry Cohen

Studio: Warner Brothers

Available: VHS, DVD (Warner Archive), Amazon Instant Video