Tag Archives: Robert Kaufman

Nothing Personal (1980)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Saving seals from slaughter.

Roger (Donald Sutherland) is a college professor who becomes aware by one of his students, Peter (Michael Wincott), that seals are being systematically slaughtered by a construction company trying to build homes in an area populated by them. Roger then goes on a crusade to stop this and hires the services of Abigail (Suzanne Somers) a young lawyer bent on proving herself. The two though come up with major roadblocks when they attend the stockholder meetings of the company. While the CEO Ralston (Lawrence Dane) seems to listen to their concerns the company still decides to push through their construction agenda prompting Roger and Abigail to find other ways to prevent the homes from going up, which then causes the heads of the company to resort to nefarious means to stop them.

The screenplay was written by Robert Kaufman and sold in 1972 but then languished in the studio’s slush pile as it couldn’t find any director interested in filming it. Then in 1980 after the success of Love at First Bitewhich had also been penned by Kaufman, director George Bloomfield decided to take a stab at this one, but for tax write-off purposes it was filmed in Canada despite the setting being Washington D.C.

A lot of the issue with the movie, which was not well received by audiences or critics alike, and ended up tanking at the box office, is that it’s just not all that funny. The humor is dry and amounts to a few throwaway lines said by the characters just before the scene cuts away and if you’re not listening carefully enough, you’ll miss it though even if you do catch it it’s nothing that’s going have you rolling-in-the-aisles. Would’ve worked better had it been done as a drama, or even a thriller, as neither the comedy or romantic elements add much and in a lot of ways detracts from the main story.

While Sutherland is traditionally a good actor his presence here hinders things. He comes off initially as completely oblivious to what’s happening and only manages to get informed by Peter who’s very passionate about the cause and even interrupts a class that Sutherland is teaching to inform him about it. Sutherland immediately poo-poo’s the news and only after doing more research does he decide to take on the cause, but I felt that Peter, who gets largely forgotten and not seen again, should’ve been the one to lead the charge since he was already heavily into the issue and being a student would have more time on his hands while Sutherland was working a job and therefore shouldn’t have been able to devote his full attention to it like he does. Having a romantic relationship grow between Peter and Somers would’ve worked better as they seemed more around the same age while Sutherland looks to be more like her father.

Somers’ character is quite problematic. Initially she’s someone that wants to prove herself and be taken seriously but then turns into a complete slut almost overnight as she gets in bed naked when she invites Sutherland into her room and immediately makes overtures that she wants to get-it-on. This though is not a proper way that someone who wants to gain the respect of her peers and clients as she moves up in the business world should be behaving and therefore it’s hard for the viewer to take anything that she says or does seriously.

Too much time also gets spent on them fooling around to the point that it seems they’re more into sex than saving the seals. The movie should’ve waited until the very end to introduce some romantic overtures after they had succeeded with their mission when it would’ve been more appropriate, but the way it gets done here makes them seem like vapid juveniles with hyper hormones and not much else.

The film though really jumps-the-shark when the CEO of the company and his trusted assistant, played by Dabney Coleman, resort to criminal means in an effort to stop Sutherland and Somers from shutting down their project. Even going as far as trying to kill them by trapping them inside a barn and then setting it on fire. There are certainly CEO’s out there that can be corrupt, but they have enough money that they’d pay someone else to do their dirty work and would most certainly not be doing it themselves. Supposedly these are successful businessmen that have worked their way up the corporate ladder, so why throw it all away by so obviously going after their foes, which is something that could easily be handled through bribery.

Spoiler Alert!

The ending, which was described by one IMDb reviewer as being of the ‘surprise’ variety and makes sitting through the rest of the movie ‘worth it’, had me more confused than anything. It has Dane and company planning to build more homes on a different site that would require them to kill off more wildlife. They then get a knock at the door and when they open it, it reveals a smiling Sutherland and Somers, but it’s not clear whether they appear in order to stymie this new project or are somehow in on it. Since Dane and Coleman have annoyed expressions when they see them I think it’s meant to show the former, but the IMDb reviewer thought it meant the later and I really couldn’t blame anyone for not being sure, which makes this yet another problem for a movie that already had a ton of them.

My Rating: 2 out of 10

Released: March 28, 1980

Runtime: 1 Hour 40 Minutes

Rated PG

Director: George Bloomfield

Studio: American International Pictures

Available: DVD-R, Tubi, Amazon Video

I Love My…Wife (1970)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: He’s bored with marriage.

Richard (Elliot Gould) is a medical student when he meets Jody (Brenda Vaccaro) and the two quickly fall-in-love and get married. She then gets pregnant while he’s still in school and they don’t believe they have enough money to financially support a child, so they initially consider an abortion, but at the last minute Richard changes his mind and feels they should have the child. Jody though gains a lot of weight during the pregnancy, which Richard finds unattractive. Once the baby is born she’s unable to burn-off the excessive pounds causing their sex life to go even further into the tank. He has a few flings with some of the nurses before finally setting his sights on Helene (Angel Tompkins) a beautiful model who’s married to a baseball star (Dabney Coleman). At first she resists his advances, but the two eventually bed and then fall-in-love. She insists that Richard leave his wife, so that they can be together and no longer have to meet-on-the-sly. Richard tries to break-up with Jody, but because they have two kids finds that he can’t and instead begins lying to Helene as he plays both women at the same time, which soon turns into a losing situation.

The odd way this thing opens really hurts it and although it does improve a bit as it goes along some viewers may not be patient enough to stick with it. Having the opening credits deal with Richard’s relationship with his mother (Helen Westcott) and the sheltered way that she raised him isn’t funny and because the mother never appears again in the movie it wasn’t worth introducing her at all. Since the wife is the main focus I felt the opening scenes should’ve dealt with their dating period, which the movie breezes over too quickly. The clips from old movies, which get spliced in from time-to-time, add nothing and make it seem too much like Myra Breckenridge, which came out around the same time and best left forgotten. At least in that movie the clips came at predictable intervals, but here it’s sporadic making it seem, when they do get shown, as jarring and out-of-place.

Gould certainly excels at this type of role and he’s quite possibly the only actor who could play a shallow person and still manage to make it come-off as semi-likable. Vaccaro though is the real surprise as she’s usually best at drama and initially I felt she was miscast, but she comes through in making her character complex and even amusing as she goes through her tirades, some of it justified, at Gould. This is also the first movie to ever explore the issue of women who gain weight during their pregnancy, but can’t lose it afterwards and how this could affect their sex life, which I felt deserved kudos for being ground-breaking. The film makes the mistake though of showing too much from her point-of-view to the extent that we start to sympathize with her over the main character and almost start to dislike him in the process.

The introduction of Helene really does help as it’s her presence that gives the story a unique angle. Before this it comes-off more like your typical run-of-the-mill flick about a cad of a husband who can’t stay faithful, which has been done a lot and this movie doesn’t add anything insightful in that vein. However, the affair itself is interesting. For one thing she plays hard-to-get and doesn’t just jump immediately into the bed sheets at Gould’s beck-and-call, which is good as too much of the time, especially in 70’s movies, the women seem way too easy in a way that isn’t realistic. What I liked even more though is that the affair really doesn’t solve anything. Sure he finds her hot and sexy and they do get along, but she also has demands of her own and Gould finds himself in the same quandary as with his wife showing how extra marital flings really aren’t the ‘escape’ that they’re intended, but instead more of a problem.

Spoiler Alert!

The script by Robert Kaufman brings out many harsh truths about marriage and doesn’t insult us with any placid answers. Yet when the movie should go hard it goes soft instead. I liked how Vaccaro, who spent the whole time trying to win him back, finally gives up and starts seeing someone else, but Gould though upset and rebuffed, doesn’t learn anything from it. He goes back to the bar and tries picking-up an attractive stewardess he meets like he’s now making some sort of ‘fresh start’ when the film spent its entire running time exposing how this ‘cruising for chicks’ is a vicious cycle that just leads to more emptiness. Seeing Gould’s character change, or learn from his mistakes and display some regret would’ve been a far better way to have ended it.

My Rating: 6 out of 10

Released: December 21, 1970

Runtime: 1 Hour 38 Minutes

Rated R

Director: Mel Stuart

Studio: Universal

Available: DVD-R (dvdlady.com, modcinema.com)