Tag Archives: Richard Harris

The Molly Maguires (1970)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Spy infiltrates secret group.

In 1876 a group of Irish immigrants form a secret society known as the Molly Maguires. Their aim is to retaliate against the cruel and unfair working conditions of the mining company that they work at by secretly sabotaging the company’s work site whenever they can. Police Lieutenant Davis (Frank Finley) hires undercover detective James McParland (Richard Harris) to infiltrate the group and find out who the culprits behind the vandalism are. He becomes friends with the group’s leader Jack Kehoe (Sean Connery) which puts into question whether he will turn them in or become a part of the protest.

The story is based on the real-life incident that occurred in 1876 in Reading, Pennsylvania and an actual James McParland who infiltrated a group of Mollies and brought them to justice after their actions ended the lives of several men. The term Molly Maguire comes from the name of an actual woman who lived in Ireland during the 1700’s and helped lead a revolt against rent collectors.

On the technical end the film is well done. The majority of it was shot in Eckley, Pennsylvania whose authentic buildings remained virtually unchanged from when they were built in the 1870’s making it easy for the filmmakers to recreate the period without much effort. The coal plant was built specifically for the film and still stands today, but what impressed me most was that director Martin Ritt allows the natural ambiance of the working conditions to permeate the soundtrack to the point that not a word of dialogue is spoken until 15 minutes in and Connery, who gets shown on and off, never speaks a word until the 40-minute mark.

Despite being made on a large budget of 11 million it managed to only recoup 2 million of its investment at the box office. Personally I feel this was a direct result of exposing the Harris character as an undercover agent right from the start. Usually movies try to keep this element a mystery, which then allows for a surprise reveal at the end, but here that gets ruined.

What’s worse is that the Harris character never changes in any way. He stoically sticks to his mission of turning the men in and betraying the trust that he had earned from them, which I found frustrating. As a viewer you start to bond with Connery and his men and connect to what they’re fighting against. Yes, they do commit crimes of vandalism, but for good reason as they were clearly being exploited by their corporate masters. You’d expect Harris to internally quarrel with this as he becomes friends with them, but he doesn’t and without any insight given to his background it becomes, despite the otherwise high production standards. off-putting and emotionally defeating to have to sit through.

Ritt later directed Norma Rae which dealt with the same subject of worker unions, but that film made unions the center point of the story. Here the union issue seems to be only a side element while Harris’ ongoing con game the main drama, which ultimately creates a nebulous point-of-view.  I walked away wondering what message if anything the film was trying to convey, which could be yet another reason why viewers never warmed up to it despite being otherwise well executed.

My Rating: 6 out of 10

Released: January 27, 1970

Runtime: 2 Hours 5 Minutes

Rated M

Director: Martin Ritt

Studio: Paramount

Available: DVD, Amazon Video, YouTube

The Cassandra Crossing (1976)

cassandra-crossing-2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Virus on a train.

A terrorist (Lou Castel) who’s infected with the pneumonic plague sneaks onto a train in order to escape capture, but in the process infects the other passengers. U.S. Colonel MacKenzie (Burt Lancaster) devises a plan to have the train rerouted to a quarantine camp in Poland, but this will require the train to go over a bridge known as the Cassandra Crossing, which has not been used since 1948 and could be structurally unsound. When the passengers realize what the plan is they revolt and make an attempt to stop the train before it gets there, but will it be too late?

The way the bridge gets photographed is excellent and helps make it seem like a third character. An actual working bridge known as the Garabit Viaduct was used and is still in operation today, so the filmmaker’s ability to effectively make it look old and weakened is impressive. The climactic sequence showing the train going over the bridge is very exciting and well shot even if certain angles look conspicuously like a toy train instead of a real one it’s still a showstopper and well worth sitting through just to get to that point.

The film though fails on many other levels. For one thing the characters are not likable, or even all that interesting, so the viewer has little empathy as to whether they are able to make it through their quandary or not. The train is too ordinary looking with little pizazz or visual appeal and more attempts should’ve been made to have a luxury one used instead. The fact that the patients begin to miraculously recover from the disease during the second half makes sitting through the first part almost pointless.

The cast is filled with a lot of familiar faces. Ava Gardner is great in a role that allows her to show some key comic touches, but Sophia Loren, who was cast because her husband at the time was the producer, is completely wasted and forgettable. Lancaster is equally stymied in a role that has him virtually locked inside a control room with not much to do except look perpetually worried. Having his character decide to not panic the passengers by telling them about the virus, but instead he chooses to lie and inform them that the train is being rerouted to avoid bombs planted onto the railway line by terrorists ends up inadvertently getting the passengers just as upset to the point that it’s unintentionally funny.

Richard Harris who plays a doctor trying to treat the infected people while also working to prevent the train from driving into an impending disaster is the only cast member who gives the film any life. Like in the similarly themed Juggernaut his brash and irreverent approach that openly stands up to authority without hesitation helps to make his anti-hero persona seem genuine and refreshing, which in turn makes the film more gripping. His attractive real-life wife Ann Turkel, who plays a singer in a hippie band here, isn’t bad either, or at least not on the eyes.

My Rating: 6 out of 10

Released: December 18, 1976

Runtime: 2Hours 8Minutes

Rated R

Director: George P. Cosmatos

Studio: 20th Century Fox

Available: DVD