Tag Archives: Review

12 + 1 (1969)

Posted on January 26, 2014 | 1 comment

twelve plus one 2

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Money in the chair.

Mario (Vittorio Gassman) is a struggling barber who gets word that his rich aunt has left him a large inheritance. When he gets to her estate he finds the place nearly empty except for some old chairs piled up into a corner. Angered he decides to sell the chairs to a local antique dealer so he can at least make some money off of them. After he sells them he finds a note from his deceased aunt stating that there was a large amount of money sewn up inside one of them. In a panic he goes running back to the shop, but finds that they have already been sold off to various customers, so he along with Pat (Sharon Tate) who worked at the shop and wants to help him as long as she gets a part of the take go on a mad dash to seek out the chairs and retrieve them one-by-one until they can find the money.

The film is based on the classic 1928 Russian novel that has been made into several film versions including one by Mel Brooks that came out a couple of years after this one. I’ve never read the novel, but this film clearly does not do it any justice. The humor is lame and cartoonish and barely able to equal a weak Tom and Jerry cartoon or uninspired Disney flick. The budget is low and the scenes all have a perpetually cheesy, schlocky feel. The Herb Alpert-like music sounds like it was edited in off of an audio cassette recording. The whole thing is quite derivative and dull despite the wide variety of characters and locales.

The film’s biggest claim to fame is being Tate’s only starring vehicle and this didn’t get released until well after her death. She is very beautiful and surprisingly engaging and comical and her presence is the best thing about the movie. She even does a nude scene along with the equally tantalizing Ottavia Piccolo when they both go topless and then get into bed on either side of Gassman, which is the film’s one and only provocative moment.

The supporting cast is full of some old pros that get badly wasted. Terry-Thomas is one of the funniest character actors of all-time, but here he is shockingly boring and forgettable. Orson Welles hams it up in make-up as a pretentious stage actor whose play he is performing in becomes a catastrophe in the film’s only slightly amusing moment.

The color is faded and shot with no imagination or flair. Although there is some nudity the filmmaker’s would have been better served had they cut it out and aimed it solely for the kids as the humor is so broad and silly that only a three-year-old could possibly find it entertaining and even that is no guarantee.

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My Rating: 2 out of 10

Released: October 7, 1969

Runtime: 1Hour 34Minutes

Rated R

Director: Nicholas Gessmer

Studio: AVCO Embassy Pictures

Available: VHS

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Posted in 60's Movies, Farce, Foreign Films, Italian Films, Movies Based on Novels, Movies with Nudity, Obscure Movies

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Smokey and the Bandit (1977)

Posted on January 24, 2014 | 5 comments

smokey and the bandit 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: On the road again.

Hal Needham is to bad movies like a cow is to milk and yet when compared to his later efforts this really isn’t too bad especially when you factor in that the main goal was to create light entertainment, which is what this amounts to.

The ‘story’ involves truck driver Cledus (Jerry Reed) bootlegging beer across state lines. Partner Bandit (Burt Reynolds) acts as a decoy by driving in front of the truck in a car with a souped up engine. Jackie Gleason plays the sheriff out to get them.

The set-up could have been played out more and would have been funnier if it had. Sally Field is a nice addition and has a rare turn of being portrayed as a sexy lady. Her initial banter with Reynolds is fun, but having their relationship immediately turn romantic bogs everything down. It would have worked better had things stayed slightly antagonistic and then turned lovey-dovey only at the very end.

Reynolds has always had great charm and it’s played to the hilt here. His laugh alone is infectious, but he seems a little bit too laid back and detached. He goes through all sorts of wild car chases, but neither he nor is car ever receive even a little scratch. The police are also too inept and it would have been nice if they had, even momentarily, apprehended Reynolds just too prove they were a viable threat and given this thing a little tension.

Gleason is fun and his presence gives this film most of its points. Unlike Reynolds he isn’t so detached and he infuses his part with a lot of energy. His ad-libbed scatological lines at the beginning are great as is his coined “sumbitch” phrase. Seeing him stubbornly continue to drive his squad car even as it becomes increasingly smashed up is a good piece visually.

However, the film tends to water-down his character, which was a mistake. The biggest problem is the fact that he is initially portrayed as an intimidating figure. Then it proceeds to show him constantly out ranked and out managed by the other police forces in all the other counties he goes into while chasing Reynolds. Eventually it makes him seem too ineffectual and stupid. It would have worked better had the chase taken place solely in Gleason’s county, therefore having him stay funny, but still maintaining his menacing presence. It also would have been nice to have more direct confrontations between him and Reynolds although the one they do have is pretty good.

Needham was a former stunt man so the actual star of the picture is supposed to be the stunt work, but this area seems pretty derivative and features stuff that has been done hundreds of times before. The chases should’ve been extended and shot from more exciting angles. The climatic chase sequence is weak and can’t even hold a pinkie to the one used in The Blues Brothers.

Overall though it has enough good banter and star chemistry to be amiable.

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My Rating: 7 out of 10

Released: May 27, 1977

Runtime: 1Hour 36Minutes

Rated PG

Director: Hal Needham

Studio: Universal

Available: VHS, DVD, HDDVD, Blu-ray, Amazon Instant Video

5 Comments

Posted in 70's Movies, Farce, Fast Cars/Car Chase, Movies that take place in the South, Road Movies, Romance

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Serial (1980)

Posted on January 23, 2014 | 4 comments

serial

By Richard Winters

My Rating: 4 out of 10

4-Word Review: He doesn’t like fads.

The world has turned into one giant fad and everyone and everything is a part of it. Martin Mull is the one remnant of sanity as he tries to survive in it while still keeping his balance.

There is hardly anything cinematic about this picture. Take out some of the ‘dirty’ references and you have a TV-movie. In many ways it’s barely a movie at all, but more of a compilation of skits running along the same theme.

Mull is definitely a good anchor as his glib, sardonic comments help keep this thing churning. The rest of the characters though don’t resemble real people in any way and many of the fads shown weren’t really followed by that many to begin with. It’s pretty restrained and soft and fails to attain the acidic wit of the Cyra McFadden novel of which it is based.

Attacking trendy people isn’t too difficult and this film fails to supply any new perspective on the subject. This is probably the most annoying thing about it, which is that it is as vapid and superficial as the people and lifestyles it tries to mock.

The film does manage to be fast paced and there are a few slightly amusing bits, which could prove entertaining to those on a really, really slow night. Of the good stuff there is a dog groomer who shouts to his barking dogs to “Shut up you sons of bitches.” There is also Mull going to an orgy and having to step through a whole mass of naked bodies before he can find his girlfriend. Kudos also must go out to the climatic finale that features a gay biker gang lead by Christopher Lee who rampage (on their motorbikes!) the home of a religious cult. The running gag of having Tuesday Weld constantly referring to the Pamela Bellwood character as a ‘cunt’ isn’t bad either.

Also, Ed Begley Jr. can be heard on the radio as a DJ in the opening sequence.

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My Rating: 4 out of 10

Released: March 28, 1980

Runtime: 1Hour 26Minutes

Rated R

Director: Bill Persky

Studio: Paramount

Available: DVD

4 Comments

Posted in 80's Movies, Movies Based on Novels, Satire

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Sweet Movie (1974)

Posted on January 22, 2014 | 2 comments

sweet movie

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Every fetish is shown

Unfairly labeled as excessive and perverse, this film is really a fascinating and intricate study into the recesses of the sexual mind. It looks at sex in all its complexities and exposes it as a very primal need with a personality of its own.

The film starts off with an amusing satire on the media and how they have commercialized sex. It involves a game show were a rich millionaire must choose which female virgin he would like for a wife and even has a doctor on hand to examine them and make sure each one is genuine.

This becomes the ongoing theme, which is how society loves to ‘package’ sex and yet really can’t. Director Dusan Makavejev feels that the sexual instinct is too deep to be able to channel completely. The rest of the film goes off on wild tangents that may not make sense to some, but the intent is not to tap into the logical mind, but instead the sexual senses. In the process it tries to bring out the sexual side of the viewer by digging deeply into their own subconscious mind.

The final result is an almost non-stop barrage of unique, lasting visuals. Some are funny, stimulating and at times even grotesque. Yet sex has all these qualities so any movie realistically dealing with it should have it as well. Overall despite the controversial approach it becomes lyrical, compelling, and quite well-shot.

By not boxing sex into any type of ‘standard’ is what makes this different from just about any other erotic film out there. Most directors seem to feel that two sweating bodies between satin sheets are all you need to make a film ‘sexy’. Here you get something much more daring and expansive by showing sex in both its beauty and ugliness. Outside of bestiality and necrophilia just about every other fetish gets examined including interracial sex, sex with minors (never shown, but strongly implied), food sex, vomiting, scatology, water sports, and even violent sex. Sometimes it gets vulgar yet still remains provocative and fascinating to the more open-minded.

Star Carole Laure is incredibly beautiful and submits herself to her demanding role with a reckless abandon that is refreshing if not unprecedented and helps make the film impactful.

There’s some really amazing sequences including having Laure carted around in a suitcase with only her head sticking out. This is also one those rare films outside of Paul Morrissey’s Trash that features more shots of the male genitals than the females.

Obviously there will be those that will find the whole thing disgusting and offensive as it is very explicit even by today’s standards. This film could very well go beyond most people’s ‘comfort zones’ so I don’t want to suggest it to anyone unless they are fully prepared for what they are about to see, but for those who are game it could come off as a unique one-of-a-kind experience.

My Rating: 8 out of 10

Released: June 12, 1974

Runtime: 1Hour 38Mintues

Rated NC-17

Director: Dusan Makavejev

Studio: Maran Film

Available: DVD (The Criterion Collection)

2 Comments

Posted in 70's Movies, Crude Comedy, Erotica, Exploitation, Foreign Films, French Films, Movies with Nudity, Sex

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10 to Midnight (1983)

Posted on January 21, 2014 | Leave a comment

10tomidnight

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Killer in the nude.

Warren Stacy (Gene Davis) has little luck with women and kills those who have previously rejected his advances and does so while being in the nude. Leo Kessler (Charles Bronson) is the cop on his case, but doesn’t have enough evidence to arrest him, so he decides to steal some of the blood sample from Warren’s latest victim, which is being stored at the police lab and is the very rare AB type and plant it on Warren’s clothing when he is not in his apartment. Warren is then brought in for questioning and when police find the clothing and blood evidence he is arrested, but Leo eventually admits to planting the evidence and is fired. The incensed Warren decides to get his revenge by going after Leo’s grown daughter Laurie (Lisa Eilbacher) and it is up to Leo to try and stop him before it is too late.

The film has an interesting twist to the Dirty Harry police-type dramas that too many times were solely focused on the renegade cop doing whatever it takes to bring in the bad guy no matter how many rules he broke in the process. However, this film nicely explores to an extent the reason for due process and how an overzealous cop can sometimes be more of the problem than the solution. Unfortunately it is not enough to save it as the majority of the movie is too routine and mechanical.

The action segments are unexciting and poorly directed. The scene where one of Warren’s victims just stands there whimpering while making no attempt to struggle and fight back seems artificial and dull. The final foot chase between Warren and Laurie looks staged and photographed in a way that offers no tension.

Davis is boring as the villain and has a deer-in-headlights look. His body movements are stiff and robotic and he delivers his lines in a monotone fashion. His pretty-boy male model face adds nothing and his nude scenes, which are shown only from the back does not add the spark that was intended. A good thriller needs a bad-guy actor that commands the screen, but Davis doesn’t even come close and makes Bronson who isn’t considered all that strong of an actor to begin with look brilliant by comparison. This film could have been much stronger had an established and talented character actor been given the role like John Malkovich or John Turturro.

Andrew Stevens is adequate as Leo’s young by-the-book partner, but Eilbacher is quite dull. Wilford Brimley adds some personality as an investigator, but is underused and Geoffrey Lewis scores a few points as Steven’s conniving lawyer.

There is a scene where Leo and Andrew are driving alone and having a conversation inside an unmarked squad car that brought to mind one of my biggest pet peeves, which are characters in movies never wearing their seat belts. I have always worn mine whether I am in my car or someone else’s and of course these days it is the law, but it seems almost insane that police characters wouldn’t especially since they could be careening down the street at high speeds at any second if they are suddenly dispatched to a crime scene. Having them not wear seat belts does not make them look anymore macho and instead makes them come off as stupid and reckless.

My Rating: 3 out of 10

Released: March 11, 1983

Runtime: 1Hour 41Minutes

Rated R

Director: J. Lee Thompson

Studio: Cannon Film Distributors

Available: VHS, DVD, Amazon Instant Video

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Posted in 80's Movies, Movies with Nudity, Police Drama, Thrillers/Suspense

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Don’t Make Waves (1967)

Posted on January 19, 2014 | 3 comments

dont make waves 1

By Richard Winters

My Rating: 5 out of 10

4-Word Review: House slides down cliff.

Carlo (Tony Curtis) is a single 40-something man traveling through coastal California when he decides to pull his Volkswagen beetle over to the side of the road and get out to enjoy the gorgeous view. Problem is that Laura (Claudia Cardinale) is pulling out and her car’s bumper hooks onto his and his car goes speeding down the hill and crashes. All of his money was in the car, so Laura agrees to allow him to stay at her place for a while, but then her boyfriend Rod (Robert Webber) shows up who throws Carlo out onto the beach where he becomes acclimated with the beach bums including beautiful Malibu (Sharon Tate). He wants to date her, but she has a muscular boyfriend named Harry (David Draper). Carlo though has a plan to steal her away as well as getting a cushy job as a pool salesman and a beachfront home that ultimately goes crashing down the cliff just like his car did.

Curtis is engaging in the lead and shows great flair for frantic comedy, but his character has no backstory, which makes him generic and undistinguished. His constant conniving including tricking Harry into no longer having sex with Malibu so he can get his hands on her isn’t all that appealing since Harry is a rather nice guy and I was hoping he would give Curtis a much deserving punch in the face in the end, which unfortunately doesn’t happen.

Cardinale is sexy. Her tan, sleek figure, Italian accent and feisty temper make every scene that she is fun and sensuous. The fact that the character is at times quite oblivious to her surroundings and at other points very observant makes her interesting and quite human.

Tate’s performance is weak and her amount of speaking lines quite limited. The part was originally intended for Julie Newmar who might have been a bit better. However, the scene showing her bouncing up and down on a trampoline while wearing a bikini that even gets shown in slow-motion and freeze frame will be more than enough to satisfy most males.

The film features some impressive stunt work. The opening bit where Curtis tries to catch up with his rolling car and even gets his pants leg caught on fire isn’t bad. The part where Curtis falls from a plane and goes free falling into the air without a parachute is quite vivid even though stuntman Bob Buquor ended up getting killed during the sequence. The best part though is at the end when Curtis’s ritzy home and pool go sliding down a steep cliff during a rainstorm and subsequent mudslide. The special effects are outstanding even by today’s standards. The mud flowing through the place and the shots showing five occupants forced to survive in the home in a Poseidon-like scenario when it gets turned upside down before finally sliding down onto the cusp of the ocean is entertaining enough to make sitting through the rest of it almost worth it.

Unfortunately outside of this and the breathtaking scenery the film is quite vapid. The story is too unfocused and doesn’t seem to know what kind of message it wants to make. The scenarios and situations are trite and offer no momentum or plot progression. The theme of a middle-aged man trying to get in with the young mod generation of the time was handled much more effectively in I Love You Alice B. Toklas, which starred Peter Sellers and came out around the same time.

My Rating: 5 out of 10

Released: June 20, 1967

Runtime: 1Hour 37Minutes

Not Rated

Director: Alexander Mackendrick

Studio: MGM

Available: DVD (Warner Archive), Amazon Instant Video

3 Comments

Posted in 60's Movies, Comedy, Movies Based on Novels

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Hair (1979)

Posted on January 17, 2014 | 3 comments

hair 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hippies versus the establishment.

A young draftee (Savage) goes to New York to join the army. Along the way he inadvertently walks into a ‘happening’ of hippies in Central Park who begin to socialize with him and the rest of the film looks at their efforts at trying to get him not to go.

It is easy to see how during its era this stage play would have been an exciting even vibrant experience. It perfectly captures the moods, thoughts and uniqueness of the period. However this film version doesn’t. It’s made ten years too late and the spirit just isn’t there. Even the protest rallies seem mechanical and manufactured. The period was known for its bright psychedelic colors and yet here everything is gray and bland. The camera angles should have been more unconventional and Twyla Tharp’s much ballyhooed choreography looks like nothing more than jumping around with song renditions that are horrible.

The hippies themselves are also a problem. For one thing Treat Williams looks too old as their leader. They also appear too clean-cut as these guys are literally sleeping on the streets and yet none of them have a beard.

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A few good moments do abound. Williams’ constant confrontations with the establishment are fun. Having them crash a society party and then having Williams dance on a table with Charlotte “Facts of Life” Rae is great. The dramatic twist at the end is powerful and really hits home at how impersonal and sad that war really was.

Savage looks and talks like the country boy he is playing, which is good, but his brief attempt at singing is downright awful. Brad Dourif was the original choice for the part and I think he would have done better.  Beverly D’Angelo is enticing as a snooty girl who transforms into a hippie one and Miles Chapin is amazing simply because he was a 28-year-old man that managed to convincingly look and act like a 17-year-old.

One quibble involves the wearing of the same army outfit by several different people. The uniform is originally worn by a general who is on the short side. They steal it and put it on Williams who is much taller and yet it still fits perfectly. They then put it on Savage who is much thinner and yet strangely it fits perfectly on him as well.

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My Rating: 5 out of 10

Released: March 14, 1979

Runtime:  2Hours 1Minute

Rated PG

Director: Milos Foreman

Studio: United Artists

Available:  DVD, Blu-ray, Amazon Instant Video

3 Comments

Posted in 70's Movies, Comedy/Drama, Movies Based on Stageplays, Movies that take place in the Big Apple, Musical, War Movies

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Echoes (1982)

Posted on January 16, 2014 | Leave a comment

mercedes mccambridge 1

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Haunted by dead brother.

Michael (Richard Alfieri) is a young artist who is plagued by reoccurring dreams dealing with a menacing man out to get him. He goes to a psychic and learns that this is actually his dead twin brother who died at birth and is now reaching out in attempt to possess him.

This is a unique idea that is reminiscent of the later film (and book) The Dark Half and is some ways more intriguing. Unfortunately instead of approaching it like a thriller, occult, sci-fi, or mystery it instead treats it like a social drama(!?!). The majority of the film is spent on how his obsession with these dreams affects his relationship with his girlfriend, job, and other friends. There is no suspense or chills whatsoever. The ‘visions’ are unremarkable and non-distinctive. The music is too loud and way too heavy for what ends up being very dramatically trite stuff. The climax is hooky and laughable and there is never any explanation for why this happened or how.

There are also a lot of dramatic lulls that really hurt the film’s momentum. The whole first half hour is spent on his budding relationship with his girlfriend Christine (Nathalie Nell) before it even gets to the story and the way they get together is quite stodgy to begin with. By and large the characters and dialogue are bland even the menacing spirit of the dead brother is sterile.

Star Alfieri, who also co-wrote the screenplay, just doesn’t have a strong enough presence to really carry a picture. He also has one of those annoyingly pouty pretty boy looks. Co-star Nell helps add a little contrast by having a French accent and some very practical sensibilities.

Gale Sondegard, Ruth Roman, and Mercedes McCambridge whose picture you see at the top of this post and is probably best known as the voice of the demon in The Exorcist give the film some distinction and are fun to watch even if they are given little to do. This was for all three their final film appearance. Mike Kellin has a great part as a terse art teacher who has a rather intense confrontation with student Alfieri during one of his classes that is pretty good and ends up being the film’s best moment.

You also get a chance to see a John “West Wing” Spencer. He is much younger here with more hair and a mustache and you might only recognize him through his voice.

Overall the movie is ineffective. The direction is competent enough to make it watchable, but there’s no excitement or thrills. With such an interesting idea it could have been and should have been a lot better.

My Rating: 5 out of 10

Alternate Title: Living Nightmare

Released: May 31, 1982

Runtime: 1Hour 29Minutes

Rated PG

Director: Arthur Allen Seidelman

Studio: Film Corp

Available: DVD as ‘Living Nightmare’

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Posted in 80's Movies, Drama, Ghost Story, Movies that take place in the Big Apple

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Rollercoaster (1977)

Posted on January 15, 2014 | 8 comments

rollercoaster

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Extortionist blows up rollercoasters.

A young man who is never given a name and is played by Timothy Bottoms is able to make home-made radio controlled bombs that he attaches to roller coaster rides at amusement parks. He threatens to blow up a major one during a big event unless he is given 1 million dollars. It is then up to Harry Calder (George Segal) the chief investigator to find the extortionist and the two end up playing an elaborate game of cat-and-mouse.

The film’s pacing is poor. It opens with the extortionist blowing up a roller coaster and Segal coming to investigate and then all of a sudden it cuts to an uninspired ten minute segment involving Segal’s family life before it finally gets back to the investigation. Outside of seeing a young Helen Hunt as his daughter, the family scenes offer nothing and should have been scraped completely.

Despite having ‘disaster epic’ written all over it the filmmaker’s unwisely decided to make this more of an ‘intellectual thriller’ with very little action or special effects. The only real action/special effects come at the beginning when Bottoms blows up a coaster and everyone on it comes crashing down. However, it looks too sanitized and fake as it is far too obvious that it is dummies inside of the coaster cars and not real people.

As the villain Bottoms has got to be one of the dullest you will ever see. Absolutely nothing about him is interesting and there is no back story given as to why he is doing this or how he manages to be so very clever. Henry Fonda is wasted in a ridiculously small and insignificant role and one wonders why he would have even taken it.

Segal plays his part with a good ‘everyman’ quality that makes him easily relatable and it is nice to see him living in an apartment that is reasonably sloppy. It is also fun to watch him ride a roller coaster while everyone else is screaming he just sits there looking bored. Richard Widmark is equally good and possibly at his most gruff and abrasive and the sparing relationship that he has with Segal is entertaining. The intricate cat-and-mouse game that Segal plays with Bottoms isn’t too bad either. There are a few impressive shots where the camera is mounted on the front roller coaster car and then is glided along the tracks at high speeds giving the viewer of a very realistic feeling of actually being on a roller coaster.

Ultimately the film just does not live up to expectations and needed more special effects, more action, more suspense, and just plain more disaster. The bad guy should’ve been more distinctive and a much more prominent role for Fonda as some feel he may be one of the great actors of all time so if you got him use him.

My Rating: 5 out of 10

Released: June 17, 1977

Runtime: 1Hour 59Minutes

Rated PG

Director: James Goldstone

Studio: Universal

Available: DVD

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Posted in 70's Movies, Disaster Flicks, Thrillers/Suspense

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Murphy’s Law (1986)

Posted on January 13, 2014 | 1 comment

murphys law

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Psycho frames arresting cop.

Jack Murphy (Charles Bronson) is an aging cop who drinks too much and has lost a bit of an edge as he even ends up getting taken advantage of in embarrassing fashion by a young female carjacker named Arabella (Kathleen Wilhoite). Now he is being stalked by Joan Freeman (Carrie Snodgress) a criminal he put into jail ten years ago, but is now free and out for revenge. When she frames him for the murder of his ex-wife Jan (Angel Tompkins) he goes on the run. The problem is that he is now handcuffed to that same gal he arrested for carjacking and not only is there a big difference in their ages, but they also can’t agree on anything nor get along.

This is a fun and lively action flick that manages to put a new spin on the Bronson formula. The pairing of Chuck with a young actress is great and the main reason this is so diverting although the idea of having female psychotic wasn’t bad either. The action is pretty good including a nifty chase inside an airport as well as the exciting climactic sequence filmed inside the famous Bradbury Building that takes full advantage of the building’s multi-level balconies in its central atrium.

Wilhoite is peppy and engaging and seems to have no problem holding her own with a much older and more established actor. The wide variety of insulting adjectives that she uses on everyone and anybody is fun although it ends up getting a bit overplayed.

Bronson looks tired and washed-up, but it works great with his character and I thought this was one of his best latter career performances and when he needs to he can still kick-some-ass which is also fun. My only complaint is the character’s tendency to somehow ‘humiliate’ certain people by implying that they are gay which makes him seem homophobic and the film dated and out-of-touch.

Snodgress is excellent in a rare turn for her as a heavy. The age lines on her plain, but still uniquely attractive face has a certain odd sexual appeal especially as the blood of her victim’s splatters across it. The only issue I had with her character is that she enters one of her victim’s homes without a weapon of her own and instead uses the victim’s own rifle which is hanging on the wall to shoot him and although she is shown loading it with bullets that she apparently brought along my question would be how would she know they were the right bullets for that type of gun especially since she had never been to that place before?

Richard Romanus plays Frank Vincenzo another one of Jack’s nemesis and I got a kick out of his sobbing when Jack plays a game of Russian roulette with him. The character is also unique in that he wears a very visible hearing aid, which is interesting to one extent, but it never comes into play so I wasn’t sure why it was put in.

Despite some interesting variations it still ends up being rather one-dimensional and mechanical. It is entertaining to watch, but nothing memorable. Bronson’s wife Jill Ireland does not appear here, but gets listed as the film’s co-producer.

My Rating: 6 out of 10

Released: April 18, 1986

Runtime: 1Hour 40Minutes

Rated R

Director: J. Lee Thompson

Studio: The Cannon Group

Available: VHS, DVD

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Posted in 80's Movies, Action/Adventure, Buddy Movies, Police Drama, Thrillers/Suspense

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