Tag Archives: Paul Lynde

The Villain (1979)

villain

By Richard Winters

My Rating: 2 out of 10

4-Word Review: An inept western robber.

Cactus Jack (Kirk Douglas) is an aging western outlaw who’s hired by Avery Simpson (Jack Elam) to commit a robbery. Charming Jones (Ann-Margaret) is a beautiful, young woman who’s being escorted west by Handsome Stranger (Arnold Schwarzenegger) and is also carrying a large sum of money. Cactus Jack sets up an array of elaborate traps to try and rob them, but fails each time, so he enlists the help of a local Indian tribe headed by Nervous Elk (Paul Lynde) to assist him.

After the box office success of Smokey and the Bandit and Hooper executives at Columbia Pictures were apparently convinced that stunt man-turned-director Hal Needham could do no wrong and thus gave him a ton of money to direct a movie of his choice. Needham decided to do a send-up of the Road Runner cartoons, but as a live-action. The result though isn’t amusing, or lively with not enough stunt work and what you do see had already been shown many times before in other movies. The script by Robert G. Kane, who was a former joke writer for Dean Martin, is unimaginative and gets stuck in a one-dimensional gear where Cactus Jack continually tries to rob the two, but fails, which takes over 90-minutes to play-out while the old Road Runner cartoons where able to do it in less than 5.

There’s also quasi-surreal moments where Jack paints a tunnel opening onto the side of a mountain with black paint and yet Arnold and Ann are able to drive through it like it were a real tunnel. There’s another segment where Jack pours glue onto some train tracks, which Arnold and Ann are able to drive over without getting stuck while Jack does, but why? I realize this is supposed to be a silly movie and logic should not be demanded, but it just shows how lame it is where the director and writer do not challenge themselves to come-up with a clever way, that works within the realm of reality, for the protagonist to get out of their jam and instead lowers the bar to such an extent that they throw-out anything stupid and figure it will suffice.

Kirk for his part has a lot of fun. Some may feel he took it because his career was waning, but Needham had been the stunt coordinator on many of his movies back in the 60’s, so the two were friends and Douglas eagerly accepted the offer. At age 61 he looks great and did many of his own stunts, which is even more impressive, but no matter what the pratfall his character never gets injured. Despite the common belief many cartoons do at times show the antagonist like Wily E. Coyote getting banged-up and wearing bandages, bruises, and even walk with a crutch, so having Jack get that way and yet still determined to commit the crime would’ve been funnier.

Schwarzenegger is funny too simply for being this big, brawny guy who’s painfully naive though why someone would be walking around in the old west speaking with an Austrian accent needed to be questioned. Mel Tillis does mention at one point that he ‘talks funny’, but I felt that should’ve been a running joke where all the characters mention it when they meet him. It also would’ve been nice to have seen his character evolve and not remain so clueless by upping-the-ante with an exciting climactic battle/gunfight between he and Kirk at the end, which doesn’t happen.

Famous character actors like Strother Martin, Ruth Buzzi, and Foster Brooks are completely wasted. Mel Tillis does his stuttering routine (twice), which I’ve never found amusing though he also does the soundtrack and his singing is great. Initially I thought Ann-Margaret was miscast as she was too old for the part, but they make her look convincingly young and by the end I appreciated her presence.

The best by far is Paul Lynde as Indian Chief Nervous Elk, or as he says it N-e-e-e-e-rvous Elk. Today’s more sensitive audiences may not like a white guy playing a Native American, nor wearing an Indian styled head dress. I don’t know this for sure, but I suspect it’s the reason why the movie has never received an official studio DVD/Blu-ray release nor is it available on streaming, which is unfortunate. Yes, it’s political incorrect, but it’s done in such a goofy, campy way that it manages to become stupid funny and the only part that had me chuckling.

Everything else borders on being pathetic and all it succeeds at doing is getting you wanting to watch an actual cartoon, which will be far more sophisticated and entertaining than anything you’ll see here.

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Alternate Title: Cactus Jack

My Rating: 2 out of 10

Released: July 20, 1979

Runtime: 1 Hour 29 Minutes

Rated PG

Director: Hal Needham

Studio: Columbia Pictures

Available: DVD-R

Bye Bye Birdie (1963)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Teen idol gets drafted.

Based on the hit stageplay of the same name, the story deals with Conrad Birdie (Jesse Pearson) a rock ‘n’ roll teen idol who gets drafted into the army.  As a big send off Conrad is chosen to perform in Sweet Apple, Ohio on the Ed Sullivan Show. As a special treat one lucky teen girl (Ann-Margaret) gets picked to give him a kiss while he sings the song ‘One Last Kiss’ written by Albert (Dick Van Dyke) a fledgling songwriter who hopes that the publicity of having a song sung by a big star will be just the ticket he needs to find success and enable him to finally marry his secretary (Janet Leigh) and get away from the clutches of his meddlesome mother (Maureen Stapleton).

The story was loosely based on the real-life incident in 1957 when Elvis Presley got drafted and in fact the part was originally intended for him, but his agent turned it down. While some may consider the humor here to be engaging satire I really felt it was lame and uninspired and only saved by the song and dance sequences. My main gripe was the way the teens get portrayed as being overly clean-cut kids, no leather jacket crowd here who smoked cigarettes even though they did exist, who are too benign and show no evidence of individuality. It would’ve been nice for the sake of balance to have at least one girl that was not into the rock star and didn’t faint or swoon the second she saw him, like all the others, and instead looked on with disdain at everyone who did.

While I did like Janet Leigh, who wears a black wig, and enjoyed her dance number at a Shriner’s convention I did feel overall that the adults here, with the exception of Paul Lynde, were boring and not needed. Van Dyke again gets straddled in another Rob Petrie type role who shows no pizzazz and having him a ‘mama’s boy’ at the age of 38 is more pathetic than funny. What’s worse is that Stapleton who plays his mother was in reality Van Dyke’s same age and despite some white in her hair really didn’t look that old and having the part played by an actual old lady would’ve given it more distinction.

The story should’ve centered around the teens, but in a more interesting way by entering into all the side dramas that almost always occur in these types of situations, but doesn’t get explored here. For instance there could’ve been some jealous classmates of Ann-Margaret’s upset that she got picked to kiss Birdie and not them and devised a scheme to ruin her big moment, or having all the boys, who admitted to hating Birdie because their girlfriends were so into him and not them, kidnapping him in revenge.

Despite having his name in the title Birdie has only a few lines of dialogue and needed more to do than just swiveling his hips, which becomes a derivative running joke. One idea would be to have him scared about going off to the army and secretly coming up with a plan with his fans to go undercover, so he could escape going, which would’ve added more depth to the satire, which is too placid, by showing how celebrities in private can be the opposite of their public image.

Beyond my many grievances with the story, which is even more flimsy than most musicals, I still found the songs, dances, and colorful sets to be fun and Paul Lynde has a few great lines. If one watches it for the musical quality while treating it as a relic of its time then it should still go over modestly well.

My Rating: 6 out of 10

Released: April 4, 1963

Runtime: 1 Hour 52 Minutes

Not Rated

Director: George Sidney

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Rabbit Test (1978)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: The first pregnant man.

Lionel (Billy Crystal) is a lonely young man of 24 who lives next to his obtrusive mother (Doris Roberts) and has never been with a woman. When his friend Danny (Alex Rocco) comes home from the service they go out to a war veteran’s social where he has sex with actress Sheree North on top of a bowling pinball machine and inexplicably becomes pregnant. This creates an uproar in both the media and medical world and turns Lionel into an unwanted celebrity.

This was the one and only movie directed by Joan Rivers. Like with her personality it can be mildly funny at times, but is mostly abrasive and crass. The film lacks any cinematic style and was originally shot on video. The plot is limp and the whole thing seems more like a gag reel than a movie. Her attempts at recreating the comic style of Mel Brooks, Woody Allen or even John Waters fails miserably and the viewer is left with one big amateurish mess.

Ninety-nine percent of the humor is crude and stupid and deals heavily in racial stereotypes making one almost thankful for political correctness. Some of the worst bits include the portrayal of Lionel’s Mexican-American students as being utterly infantile and the only way to get rid of them is to yell ‘immigration’. There is also a segment where Lionel travels to Africa and watches a ventriloquist act where a black man has a dummy on his lap that is played by midget actor Billy Barty in blackface. The film also takes potshots at elderly people, fat people, people with disabilities and even Jews. None of the jokes are funny and are often cruel and in the poorest of taste.

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Crystal in his film debut is the only good thing about the movie and is likable enough to help elevate it to some degree. Paul Lynde is amusing as a gynecologist and had he had more screen time it would have helped. Roberts score a few points in the caricature of a meddlesome mother as does George Gobel as the hick president. Michael Keaton also makes his film debut here, but it is in a non-speaking role as a sailor and if you blink you’ll miss him.

There is also never any explanation for exactly how Lionel becomes pregnant nor do we see the delivery or what type of baby it is which is annoying and dumb. It is almost like a bunch of twelve-year-olds got together to write the script and in many ways I think they could have done better. The film’s posters are funnier than anything you’ll see in the actual movie.

My Rating: 2 out of 10

Released: April 9, 1978

Runtime: 1Hour 26Minutes

Rated PG

Director: Joan Rivers

Studio: AVCO Embassy Pictures

Available: VHS