Tag Archives: Pam Grier

On the Edge (1986)

ontheedge

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Disqualified runner enters race.

Wes (Bruce Dern) was at one-time a star, long distance runner who ended up in 1964 being banned from competition after calling out the secret practice of paying amateur athletes under-the-table. He’s now nearing 40 and wants to take one last stab at entering the grueling Cielo-Sea cross-country race and hires his old coach, Elmo (John Marley), to help him train for it. The runners are much younger than him by a couple of decades, but they’re aware of his history and look up to him. Unfortunately the race organizers still use what he did in the past against him and refuse to allow him to enter, but Wes decides to join the race anyways illegally, which forces the organizers to try and knock him out of it as the race is going on and being broadcast live.

Surprisingly for a movie that is so little known and hard-to-find the quality isn’t bad. Director/writer Rob Nilsson conveys some wonderful bird’s-eye shots of the climactic race including seeing the runners going along a winding route as it scales a high hill, which is dramatic and exciting. The character building and his personal mission is fairly well done and the strenuous preparation that he must go through to get ready for the race is handled in a way that makes it quite vivid for the viewer. After watching what he must go through you feel as mentally and physically drained as he does especially the shots showing the things from the runner’s point-of-view as they bound down the rugger trails with the camera tied directly to their bodies.

Dern, who was at one time a long distance runner himself and actually ran the race that gets depicted here, which in real-life it’s called the Dipsea race the oldest race run in America, back in 1974, does a fine job though his dialogue is limited and I missed-out on some of his patented, ad-libbed ‘Dernisms’. His character is marginally interesting though in a lot of ways not all that well defined. There’s no real explanation of what he’s been doing for the past 20 years that he’s been away from the sport and the film makes it almost seem like he’s been wandering around as a vagabond all that time. It would’ve been interesting had we seen him stuck in some boring office job and his secret longing to ‘break free’ and do something, no matter how high the odds, that he felt passionate about, which would’ve helped the viewer get more into his mission that is otherwise emotionally lacking.

It would’ve been intriguing too had he been married with a family and the wife was not in agreement to what he was doing, which would’ve added some extra dramatic conflict. Instead we get treated to his casual relationship with Pam Grier, who’s a marvelous actress in her own right, but here is mostly wasted. She pops in and out almost like a fantasy character who’s dialogue is limited, so we learn little about her as a person, and their semi-erotic love-making is cheesy. Their moments together was considered so inconsequential that the distributors cut-out her scenes entirely for the theatrical release only to restore them for the DVD version, but overall they really don’t add much.

The movie is only marginally captivating for the first third, but it does become more appetizing when it finally gets to the actual race.  I’ve never seen a race movie where the person we’re meant to be rooting for isn’t even supposed to be in the event in the first place. The attempts by the organizers to ‘take him down’ and literally drag him out via physically tackling him, or at least trying to, at various points in the race, are memorable particularly as they fail each time. My only gripe is that the other runners intervene to protect him, which I wasn’t sure was completely plausible. After all he wasn’t wearing a number, so it was obvious he shouldn’t be there, and he was competing with them for the title, so one less person would better their chances, so why not allow him to be taken out? Of course there is a scene earlier where Dern hitches a ride and everybody inside the van, made up of young runners who recognize him and even treat him as a sports hero, could explain that he was idolized by his competitors and therefore decided to stick-up for him, but in the moment where you’re only focus is winning you’d think some of them might not care what happens to him and more concerned about getting to the finish line and not doing anything that might slow them up.

Spoiler Alert!

The film ends with the seven runners all holding hands as they cross the finish line. While some could consider this novel, as most movies dealing with competitions will rarely celebrate a tie, it still seems hard to imagine that all seven of them would, in the spur-of-the-moment, agree to share the prize and there wouldn’t be at least one of them who would take advantage of it and run out in front at the last second in order to achieve all the glory and money, or at least lean his head out to get that ‘photo finish’. Maybe having one, or two hold hands and agree to finish it together might come-off as passable. It’s Dern who slows up to let the others catch-up to him, so they might be grateful that he let them share the spotlight, but let’s face it there’s always a black sheep in every bunch who for selfish reasons, these are athletes conditioned and trained to win after all, who would attempt to exploit the situation making the final image too romanticized for its own good.

My Rating: 5 out of 10

Released: May 2, 1986

Runtime: 1 Hour 35 Minutes

Rated PG-13

Director: Rob Nilsson

Studio: Skouras Pictures

Available: VHS, DVD (Out-of-Print)

Fort Apache, The Bronx (1981)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Cops on the beat.

Murphy (Paul Newman) is a middle-aged cop working a beat in a tough Bronx neighborhood while partnered with Corelli (Ken Wahl) who is much younger. Murphy has become jaded to the corruption around him, but still feels a sense of purpose about coming forward when he witnesses a fellow cop killing an innocent bystander. Corelli, who also witnessed it, feels they should keep quiet about it, fearing the backlash they will inevitable get if they don’t, but Murphy quarrels with his conscious and considers risking his own safety and career in order to do the right thing.

While the film opened to mainly positive reviews and did quite well at the box office it was not without controversy as author Tom Walker, who had written the novel ‘Fort Apache’ which had a similar theme and storyline as this one, sued the production company claiming they had stolen many ideas from his book. However, the courts decided in the film’s favor arguing that the movie was filled with a lot of generalized stereotypes that is present in just about every cop film and therefore could not be signaled out as copyright infringement, which seemed more like a backhanded victory as it admits that a lot of what  you’ll see here is just one giant cliche.

From my perspective though I still enjoyed it especially the street scenes where the two protagonists find themselves dealing with petty crimes that makes up a lot of what real-life policemen have to deal with, as opposed to the sexy murder mysteries that cops in other police dramas get to investigate. The scene where Newman chases a suspect, but then runs out of breath and is unable to catch him nicely examines the exhausting physical nature of the job as well.

My biggest gripe has to do with a scene that comes right away, which involves a prostitute, wonderfully played by Pam Grier, who shoots and kills two unsuspecting cops sitting inside a squad car. The excuse is that these two were rookies and therefore not seasoned enough to catch the warning signs of what was going on, but I felt right away that something was off by the way the prostitute was fishing around her purse making me sense even before it happened that she was going for a gun and if I the viewer could’ve caught on to this then the two cops, whether they were new on the job or not, should’ve too.

Spoiler Alert!

I was disappointed that this storyline involving the psycho prostitute does not get fully played-out as she ends up getting killed in the middle of the film in a very random and uninteresting way, which ruins the anticipation/suspense of seeing her and Newman ultimately confront each other, which is what the viewer is primed into believing will happen.

The storyline dealing with the cop killing a defenseless man gets botched too as it occurs during the middle, but with no satisfying conclusion. We never get to see how Newman’s decision to come forward ultimately effected his life and safety.

I had problems with the sequence of events concerning Newman’s girlfriend, played by Rachel Ticotin, as well as we see her die from a lethal drug overdose, but this occurs before some gunmen take over the hospital where she worked as a nurse and held everyone hostage. It would’ve been far more suspenseful had the viewer at least thought that the girlfriend was one of the hostages instead of knowing upfront that she wasn’t, which ultimately makes this sequence less emotionally compelling.

End of Spoiler Alert!

Newman as usual gives a great performance and this marked the last role he played where his age was not a factor as his roles after this all dealt in some way with him becoming elderly. However with that said he still looks very much to be in his 50’s and he states at one point that he’s divorced with two daughters making me believe that they were most likely young adults, but instead we see a brief scene where he picks them up from school showing that they’re still young children, which given his very middle-aged appearance looked ridiculous.

Wahl is good as his young partner, but I felt his character should’ve been the one that was idealistic and wanted to go to the authorities while Newman, being older and more desensitized the one who tries to talk him out of it. Ed Asner, as the cantankerous new police chief gets wasted as does Pam Grier who’s real creepy and should’ve had both her character and motives explored much more.

My Rating: 7 out of 10

Released: February 6, 1981

Runtime: 2 Hours 5 Minutes

Rated R

Director: Daniel Petrie

Studio: 20th Century Fox

Available: DVD

Class of 1999 (1990)

class of 1999 1

By Richard Winters

My Rating: 3 out of 10

4-Word Review: The teachers are robots.

The year is 1999 and American high schools are running rampant with drugs and gang warfare. In an attempt to try to regain some control administrators have hired on a company run by Dr. Bob Forrest (Stacy Keach) who has created teachers who look human, but are actually robots capable of exerting extreme punishment on those students who get out-of-line. A Seattle high school is chosen as a venue to test these robots out with Miles Langford (Malcolm McDowell) being the only human instructor made aware of these other teacher’s identities. At first things go well and civil behavior from the unruly teens is attained, but then the teachers get out-of-control where even their creators are unable to rein them in, so it is up to some rebel teen students lead by Cody (Cody Culp) to fight them off and stop them.

This is a sort-of sequel to writer/director Mark L. Lester’s earlier Class of 1984 and in many ways on a low budget scale it’s alright. I watched this film with my Cinema Terrible group here in Austin where we get together each month to watch two really bad movies. Usually everyone spends the time making fun at what they are watching, but this film surprisingly kept them quiet and captivated, which no one had initially expected. Lester has directed 33 of these types of films since 1971 and he knows how to deliver. His product certainly isn’t on an Academy Award winning level, but for those looking for some cheap non-think entertainment with a fast pace and decent effects then this ain’t too bad.

The best element of the film is John P. Ryan, Pam Grier and Patrick Kilpatrick as the three teacher robots. Ryan especially owns the screen during all of his scenes and the part where he takes some difficult students one-by-one over his knee and gives them a nice long, hard spanking is without question the best moment of the whole movie. Grier though is good too and during the climatic sequence she runs around essentially topless with her chest ripped open and her computer parts exposed, which I found to be well done. McDowell is the only one of the familiar names who is wasted and apparently only worked 2 days on the production.

The film’s biggest issue is that it has no sense of humor despite its over-the-top campy premise. The teen cast show minimal acting ability and their characters come off like walking, talking clichés. In a lot of ways this film would have been better had the evil teacher robots been portrayed as ‘the good guys’ and instead of being annihilated at the end by the students they were the ones who eradicated all of the mouthy, crude and disrespectful teens, which some would consider to be much more of a ‘happy ending’.

My Rating: 3 out of 10

Released: May 11, 1990

Runtime: 1Hour 33Minutes

Rated R

Director: Mark L. Lester

Studio: Vestron Pictures

Available: DVD, Amazon Instant Video, YouTube