Tag Archives: Myrna Loy

Airport 1975 (1974)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Stewardess pilots the plane.

A businesses man (Dana Andrews) suffers a fatal heart attack while piloting his private plane causing his aircraft to fly directly into the cockpit of a Boeing 747, which kills the co-pilot (Roy Thinnes), the navigator (Erik Estrada) and seriously injures the pilot (Efrem Zimbalist Jr).  This forces the plane’s head stewardess (Karen Black) to take control of the plane even though she has no experience. Those at the control tower try to direct her via a headset on what to do, which helps steady the jet while they devise a way to get a professional pilot onto the craft in order to land it.

Compared to Airport this is a real letdown. In the first film the individual passengers came off like real people all suffering from their own personal dilemmas, but here they’re more like cardboard caricatures that barely have any speaking lines and there only to show panicked expressions and not much else.

The dialogue and ‘drama’ quickly becomes inadvertently campy. Linda Blair plays a Pollyanna-like girl suffering from an undisclosed illness who befriends a nun (Helen Reddy) who breaks out into an impromptu song on a guitar that would have most passengers complaining of noise pollution. Playing herself is aging silent film actress Gloria Swanson who dictates her autobiography into a tape recorder as she is on the plane, which seems dumb because it allows the other passengers to overhear it although at least for their benefit it will allow them to avoid having to buy the book once it’s published since they will know all about the juicy details already. The only entertaining passenger is Myrna Loy as a tipsy old lady who enjoys drinking boilermakers.

The plane’s excessively wide interior and its large seats make it seem more like the inside of a luxury train. The plane even has a winding stairwell at the center of it for people to walk up. I’ve flown on many jets in my life and have never seen one with an upstairs/downstairs. If you’ve been on a plane that has had one then please let me know. (Note since this review was written one of the followers to this blog, Rob, has supplied us with pics of an actual 747 from that era and proves that indeed these things described above did exist at one time in a plane, so please be sure to check-out his links to pics in the comments section.)

The special effects get badly botched. The sequence involving the small engine plane crashing into the jet looks fake as the plane gets shown through the cockpit window and is quite obviously matted in on a bluescreen. You can clearly tell too that an inflatable dummy was used as the co-pilot when he gets sucked out through the hole that is formed from the crash. The scene where the replacement pilot (Ed Nelson), who tries to board the plane to help land it, is killed when his release cord becomes caught in the jagged metal, comes-off as unintentionally  funny instead of horrific.

The outdoor aerial footage shot over the Wasatch Mountains is the film’s one redeeming element. I also enjoyed Karen Black in what is likely her definitive role. She has played so many kooky, offbeat characters that it’s interesting seeing her portray a normal one. I just wished that she would’ve piloted the plane the whole way through and even landed it. Having Charlton Heston, as a professional pilot, literally ‘drop-in’ and takeover is far less compelling. It also seems quite sexist by intimating that women aren’t capable of taking on challenges to their completion and at some point a man must step-in even when the women seem to be handling the situation quite well without them.

My Rating: 3 out of 10

Released: October 18, 1974

Runtime: 1Hour 47Minutes

Rated PG

Director: Jack Smight

Studio: Universal

Available: DVD, Amazon Video, YouTube

Just Tell Me What You Want (1980)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Rich tycoon gets dumped.

Max Herschel (Alan King) is a rich and successful businessman who’s used to getting what he wants. He’s rude and crude and doesn’t mind displaying his anger or contempt for others at a moment’s notice. After 14 years Bones (Ali MacGraw), his mistress, has decided she’s had enough. She leaves him for a much younger man (Peter Weller). This enrages Max who does whatever he can to win her back, or at the very least ‘punish’ her for leaving him.

The film, which is based on a novel by Jay Presson Allen has a delicious New York flavor with the majority of the action taking place at the Old Westbury Gardens estate that fronts as Max’s home. The interiors of the stately mansion are at times more interesting than the conversations and the exteriors coincidently were also used in Love Story, which was another MacGraw vehicle. Director Sidney Lumet gives the dark comedy a classy air with a rousing, distinctively jazzy score by Charles Strouse, which I wanted to hear more of and wouldn’t have minded if it had been played all the way through the movie.

The story has sharp dialogue and a deliciously acerbic edge, but becomes preoccupied with Max’s business dealings, which most viewers may find too complex to follow and aren’t that integral to the story. The first hour is spent focused on Max, whose obnoxious ways quickly become off-putting and tiring. The catalyst is his love-hate relationship with Bones and more scenes should’ve been shown with them together while having her break-up with him come much sooner.

King was a comedian known for angry monologues and that emotion gets channeled into his character. I’ll give them props for creating an unlikable lead and not holding anything back as too many times films create abrasive people only to soften them too soon or not go all-the-way with it. Here it gets pushed to the limit, but I was still hoping for Max to have more of an arch and was disappointed that he remains for the most part a callous jerk to the very end.

MacGraw’s restrained approach works well off of King’s flamboyance and the highlight is when she corners him at a luxury department store, which was filmed on-location at the Bergdorf Goodman, and tackles him while destroying everything in sight. However the character’s nickname of ‘Bones’ I did not care for especially with no explanation for why she was given it. Was she called this because she was thin, or was it for some other reason? An attractive female should be given a pleasant name not something that sounds demeaning.

Legendary actress Myrna Loy, who had been around since the silent film era, plays Max’s long suffering secretary and earns her pay here. Loved the scene where King cries right into her bosom while she holds his head and acts like his mother, but also the part where he shouts directly into her face even throws out the C-word and she doesn’t flinch. Keenan Wynn is likable and speaks with an accent in a sympathetic role as a Russian businessman and Dina Merrill’s emotional breakdowns as Max’s mentally fragile wife are impressive and could’ve been extended.

Spoiler Alert!

Overall though it fizzles and it’s not because it’s filled with a lot of extraneous dialogue and scenes that should’ve been cut, but more because it plays itself as this sort-of anti-romance only to sell-out at the end. There is simply no way anyone could truly fall-in-love with Max because there was nothing about him to love. Having him do one nice thing shouldn’t erase all the other bad things he did before. Bones had already spent 14 years with him which should be more than enough time to realize things won’t be any different moving forward. Having them reconcile by working together as business partners maybe, but a marriage is simply a disaster waiting to happen. Just because audiences long for the ‘happy ending’ doesn’t mean that’s what you give especially by having two people magically find love for each when none had ever existed before.

End of Spoiler Alert!

My Rating: 6 out of 10

Released: January 18, 1980

Runtime: 1 Hour 53 Minutes

Rated R

Director: Sidney Lumet

Studio: Warner Brothers

Available: DVD (Warner Archive), Amazon Video, YouTube