Tag Archives: Mel Tillis

Uphill All the Way (1986)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Bumbling cowboy con-men.

Ben (Roy Clark) and Booger (Mel Tillis) are two con-men living in the old west, who don’t have a dime between them. After getting kicked-off a train for not having tickets they then venture to a saloon in order to win some money at poker, but even though they attempt to cheat, they still end up losing. In desperation they try to trade in their rifle for a loan, but the bank teller (Richard Paul) mistakenly thinks they’re trying to hold him up and sounds the alarm. The two then go on the run while being chased by a posse of sorts that includes the sheriff (Burl Ives) two prostitutes (Elaine Joyce, Jacque Lynn Colton) and the town drunk (Frank Gorshin).

The film is a misguided effort to replicate the campy, rural humor of the TV-show ‘Hee-Haw’, which Roy Clark hosted for almost 17years and which Mel Tillis made several guest appearances, and try to turn it into something resembling a movie. While the show never met any critical acclaim it still managed to succeed because all the humor, much of it being ribald and corny, was set-up into brief segments that only lasted for a few minutes if even that long and relied almost exclusively on one-liners. As soon as the punchline was uttered it would quickly move to another segment much like the variety show ‘Laugh-In’ was styled. However, trying to expand that format and silly comedy into a feature length film is virtually unworkable. Instead of a plot we get a collection of goofy situations coupled with goofy characters saying and doing cartoonish things that gets strung along with a mind numbing 90-minutes before it finally, mercifully manages to end much like putting a sick horse out of its misery.

Had the chemistry between the two stars been better it might’ve had some chance, but Tilis and Clark, both better known as country singers of which they’re very good at, don’t have what it takes to carry a movie. I was thankful at least that Tillis didn’t rely on his old stuttering routine for cheap laughs and here for the most part he articulates quite well, but he fails to have much to say that is amusing. Clark with his tubby physique coupled with his high-pitched voice seems all wrong for different reasons and his attempts at being exacerbated comes-off as affected. The banter between the two is stale and with both being in their 50’s they lack the fresh boyish charm that they might’ve otherwise been able to exude had they done this when they were in their 20’s.

The supporting cast falls equally flat. Burl Ives looks old and tired here and like he’s just phoning-it-in. Gorshin, a great and versatile talent if given the right material, is completely wasted as a drunk who does and says very little. Trish Van Devere, who during the early 70’s was considered a leading lady, reveals how sadly her career had fallen, she officially retired after doing just one more movie after this one and I think it was because she was no longer getting any quality offers, doesn’t appear until 55-minutes in and almost becomes like a background character with not much to do. Burt Reynolds does appear briefly near the beginning, he apparently accepted no fee for his work here, but is quite amusing and had he been in more scenes might’ve saved it. Elaine Joyce stands-out too as she usually played bubble-headed blondes, but here is a bitchy, angry type and does surprisingly well with it though if she’s going to be the best thing about a movie then you know it must be in real trouble.

The story is disjointed too as it starts out as a playful chase comedy then strangely diverts into an extended shoot-out where the two become hold-up in a home with another family trying to fend-off a group of bad guys that are separate from the ones chasing after them making it seem like two different, poorly realized plots meshed into one. I will give it some credit for being a movie with a Texas setting that was actually filmed in Texas unlike some other movies that say the setting is Texas when it really isn’t. You can tell that it is the Lone Star state because of the prickly pear cactus that is seen all about, which is different from the upright variety that’s seen in the deserts of Arizona and California. Though on the negative end it was shot in the month of October when the searing heat of the region was over and any good Texas movie should have the heat play a factor since that’s very much a strong characteristic of the state.

My Rating: 2 out of 10

Released: January 21, 1986

Runtime: 1 Hour 26 Minutes

Rated PG

Director: Frank Q. Dobbs

Studio: New World Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

The Villain (1979)

villain

By Richard Winters

My Rating: 2 out of 10

4-Word Review: An inept western robber.

Cactus Jack (Kirk Douglas) is an aging western outlaw who’s hired by Avery Simpson (Jack Elam) to commit a robbery. Charming Jones (Ann-Margaret) is a beautiful, young woman who’s being escorted west by Handsome Stranger (Arnold Schwarzenegger) and is also carrying a large sum of money. Cactus Jack sets up an array of elaborate traps to try and rob them, but fails each time, so he enlists the help of a local Indian tribe headed by Nervous Elk (Paul Lynde) to assist him.

After the box office success of Smokey and the Bandit and Hooper executives at Columbia Pictures were apparently convinced that stunt man-turned-director Hal Needham could do no wrong and thus gave him a ton of money to direct a movie of his choice. Needham decided to do a send-up of the Road Runner cartoons, but as a live-action. The result though isn’t amusing, or lively with not enough stunt work and what you do see had already been shown many times before in other movies. The script by Robert G. Kane, who was a former joke writer for Dean Martin, is unimaginative and gets stuck in a one-dimensional gear where Cactus Jack continually tries to rob the two, but fails, which takes over 90-minutes to play-out while the old Road Runner cartoons where able to do it in less than 5.

There’s also quasi-surreal moments where Jack paints a tunnel opening onto the side of a mountain with black paint and yet Arnold and Ann are able to drive through it like it were a real tunnel. There’s another segment where Jack pours glue onto some train tracks, which Arnold and Ann are able to drive over without getting stuck while Jack does, but why? I realize this is supposed to be a silly movie and logic should not be demanded, but it just shows how lame it is where the director and writer do not challenge themselves to come-up with a clever way, that works within the realm of reality, for the protagonist to get out of their jam and instead lowers the bar to such an extent that they throw-out anything stupid and figure it will suffice.

Kirk for his part has a lot of fun. Some may feel he took it because his career was waning, but Needham had been the stunt coordinator on many of his movies back in the 60’s, so the two were friends and Douglas eagerly accepted the offer. At age 61 he looks great and did many of his own stunts, which is even more impressive, but no matter what the pratfall his character never gets injured. Despite the common belief many cartoons do at times show the antagonist like Wily E. Coyote getting banged-up and wearing bandages, bruises, and even walk with a crutch, so having Jack get that way and yet still determined to commit the crime would’ve been funnier.

Schwarzenegger is funny too simply for being this big, brawny guy who’s painfully naive though why someone would be walking around in the old west speaking with an Austrian accent needed to be questioned. Mel Tillis does mention at one point that he ‘talks funny’, but I felt that should’ve been a running joke where all the characters mention it when they meet him. It also would’ve been nice to have seen his character evolve and not remain so clueless by upping-the-ante with an exciting climactic battle/gunfight between he and Kirk at the end, which doesn’t happen.

Famous character actors like Strother Martin, Ruth Buzzi, and Foster Brooks are completely wasted. Mel Tillis does his stuttering routine (twice), which I’ve never found amusing though he also does the soundtrack and his singing is great. Initially I thought Ann-Margaret was miscast as she was too old for the part, but they make her look convincingly young and by the end I appreciated her presence.

The best by far is Paul Lynde as Indian Chief Nervous Elk, or as he says it N-e-e-e-e-rvous Elk. Today’s more sensitive audiences may not like a white guy playing a Native American, nor wearing an Indian styled head dress. I don’t know this for sure, but I suspect it’s the reason why the movie has never received an official studio DVD/Blu-ray release nor is it available on streaming, which is unfortunate. Yes, it’s political incorrect, but it’s done in such a goofy, campy way that it manages to become stupid funny and the only part that had me chuckling.

Everything else borders on being pathetic and all it succeeds at doing is getting you wanting to watch an actual cartoon, which will be far more sophisticated and entertaining than anything you’ll see here.

villain2

Alternate Title: Cactus Jack

My Rating: 2 out of 10

Released: July 20, 1979

Runtime: 1 Hour 29 Minutes

Rated PG

Director: Hal Needham

Studio: Columbia Pictures

Available: DVD-R