By Richard Winters
My Rating: 7 out of 10
4-Word Review: Fly like a bird.
Al (Nicholas Cage) becomes friends with an introverted neighborhood boy (Mathew Modine) nicknamed Birdy due to his fascination with birds. Al begins to follow Birdy around as he collects pigeons and stores them inside an aviary that he has built in his backyard. The two share a strong bond, which is broken when they both get drafted and have to go off to war. Al returns from battle with facial injuries, but Birdy is sent to a mental hospital because after missing in action for a month, he refuses to speak. Al spends time with Birdy trying to get him to talk again, but finds it futile and fears that if he can’t get him to talk the Dr’s will confine Birdy permanently.
The film is based on the William Wharton novel of the same name that was initially rejected by director Alan Parker as a possible movie because he considered the story to be ‘uncinematic’, but after the screenplay was commissioned to writers Sandy Kroopf and Jack Behr who were able to restructure the thoughts of the main character from the novel into dialogue and action Parker was then willing to sign on. The result is a interesting drama that manages to have some touching, quirky moments, but it’s also quite reminiscent of Brewster McCloud and comes complete with the same winged flying contraption which Birdy uses to fly briefly over a junkyard that Bud Cort also used to fly around the Astrdome in that film.
While both Cage and Modine give excellent performances I found the friendship between the two to be confusing. They had very little in common and why Cage would want to follow Modine around all the time as he collected pigeons, which he himself thought to be kind of ‘weird’, did not make much sense. Had they both had an interest in birds then it would’ve worked, but they don’t, so what’s the bond that keeps them together? Having them portrayed as being gay would’ve been the solution and at times it seems that is what Birdy is since he shows no interest in women at all and in one amusing scene watches in boredom while Cage has sex with another women on a beach. Cage could’ve been portrayed as being bi-sexual, or not fully aware of his secret attraction to Birdy, but could later eventually come out and that could help explain why he’d stick with someone that he otherwise found ‘kooky’.
Despite the film’s length and having some definite slow parts including Cage’s ‘conversations’ with Birdy when he’s inside the mental hospital, which are quite static and should’ve been trimmed, there’s still some memorable moments including a scene showing baby canaries hatching out of their eggs. I also like the tracking shot where Birdy imagines himself flying and done from the point-of-view of a bird, which gives one a very authentic feeling/experience of what it would be like and it was shot with a Skycam, at least partially, which is the first time that had ever been used in a movie.
I also enjoyed how the film examines the different dynamics of both Cage’s and Birdy’s family life and the contrasting personalities of the parents where in Cage’s family the father, played by Sandy Baron, was the dominant force while with Birdy it was his mother (Dolores Sage). My only complaint in this area is that there’s a running subplot dealing with the fact that Birdy’s mother would take all the baseballs that the neighborhood kids would accidentally hit into her backyard and keep them, but no one knew where she hid them. Cage then, years later, asks the Dr’s at the hospital to convince the mother to send the hidden balls to Birdy in an effort to get him to talk again and the mother complies, but the scene showing her retrieving the balls is never shown. So much time is spent talking about where she hid the balls that the film should’ve revealed the hiding place while also showing a tender side to the mother who otherwise came off as being quite cold, so not having this scene at all really hurts the film.
There’s also complaints by some viewers and critics about the ending, which some, like critic Leonard Maltin, refer to as a ‘gag’ ending. For me this wasn’t an issue as it offered some much needed levity in what is otherwise a very dramatically heavy film, but I was frustrated that there’s no conclusion given to what ultimately happens to the two characters. They’re shown trying to escape from the hospital, but never whether they were able to break-free permanently. After spending two hours following these two around the viewer deserves more concrete answers as to their ultimate fate and keeping it so wide-open is a bit of a cop-out/letdown.
My Rating: 7 out of 10
Released: December 21, 1984
Runtime: 2 Hours
Director: Alan Parker
Studio: TriStar Pictures
Available: DVD, Blu-ray, Amazon Video, YouTube