Tag Archives: Lois Chiles

Creepshow 2 (1987)

creepshow2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Three stories of terror.

Due to the success of the 1982 installment Stephen King and George Romero got together to write a second script based on three of King’s short stories and directing duties were turned over to Michael Gornick who had been the cinematographer on the first one. The budget was much lower than the first, which hampered the special effects and critical reception though it still made $14 million at the box office and has garnered a cult following amongst contemporary audiences.

The first, which is the weakest, stars George Kennedy and Dorothy Lamour, in her last film appearance, as owners of a small-town general store that’s no longer making any profit. An Indian tribe elder (Frank Selsado) gives the couple a bag filled with jewelry as repayment for a debt and then later that night three hooligans lead by the long-haired Sam (Holt McCallany) rob the store and kill the couple. The three think they’ve gotten off scot-free, but then the cigar store Indian that stood in front of the store comes to life and avenges the couple’s deaths by murdering the three boys one-by-one.

This segment takes a while to get going and really doesn’t get interesting until the robbery happens, which should’ve occurred sooner. While the effects of showing the wooden Indian moving around is impressive as it really looks like he’s made of wood and not just somebody in a costume it would’ve been more intriguing had it not given away who the killer was. Simply shown the three being hacked by some mysterious, shadowy figure and then only at the very, very end alluded to it being the Indian.

The second story is better and deals with four college friends (Paul Satterfield, Jeremy Green, Daniel Beer, Page Hannah) going for a swim on a remote lake. They leave their car running and then all dive into the water and swim out onto a wooden raft, but then notice a black, gooey substance that surrounds them. The four feel trapped and when one of the young ladies puts her hand into the water the blob sucks her in and drowns her. The blob then seeps its way through the cracks of the raft and kills another one leaving only two left.

This one is genuinely creepy and I liked how it’s shot under a bright sunny sky making the area appear inviting and no need for anyone to be guarded until it’s too late. The constant shots of the running car sitting on the beach not far from where the swimmers are on the raft, but still unable to get to it, heightens the tension as well as the fact that there’s never any answer to just what this substance is, which in this case accentuates the intrigue. The only thing that I didn’t like is that after being stuck on the raft for an entire day the guy holding the sleeping girl lays her down onto the raft floor, but then uses the opportunity to undress her and admire her breasts, but I’d think with the situation they were in he’d be too exhausted and frightened to think about sex. The ‘twist’ at the end, which shows a No Swimming sign posted in a grove of trees, which the young adults hadn’t spotted, doesn’t totally work because if there’s no swimming in that lake then why would there be a wooden raft in the middle of it and who put it there?

The third story is the best and features a middle-aged woman, played by Lois Chiles, who goes on a drive late one night and accidentally kills a hitchhiker (Tom Wright) when her car goes spinning out-of-control. Instead of offering aid to the man she just drives-off, but then becomes plagued by visions of him constantly reappearing during the rest of her trip making her panic as she attempts to ‘re-kill’ the man, so she can be rid of him once and for all.

Initially this one seemed like a redo of the classic ‘Twilight Zone’ episode that featured actress Inger Stevens who went on a car trip and kept seeing the same hitch-hiker at various intervals on her drive, but this one takes it a step further by having Chiles use her car to literally smash the guy again and again, which gives it a gruesome over-the-top quality that deftly mixes in gore and black humor perfectly.

The film was set to have two other stories, ‘Cat from Hell’ and ‘Pinfall’, but due to budgetary limitations it was decided not to proceed with those and they were never filmed. In the ‘Cat from Hell’ one a hitman gets paid $100,000 to kill a cat that’s supposedly killed three other people. The ‘Pinfall’ one deals with competing bowling teams where the one team kills the other one, by tinkering with the van they ride in, and then the dead team coming back to life as zombies and killing the other team in unique ways by using things only available in a bowling alley, which sounded really cool and it’s a shame this segment wasn’t made as it would’ve been the best of the bunch.

My Rating: 6 out of 10

Released: May 1, 1987

Runtime: 1 Hour 30 Minutes

Rated R

Director: Michael Gornick

Studio: New World Pictures

Available: DVD, Blu-ray, Amazon Video, Plex, Pluto TV, Tubi, Roku, YouTube

Say Anything (1989)

say anything

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Geek dates honors student.

Lloyd Dobler (John Cusack) is a classic underachiever living with his sister Constance (Joan Cusack) and no real idea what he wants to do with his life after graduation. He has a crush on Diane Court (Ione Skye) who is a valedictorian. Lloyd manages to ask her out, but finds that she is set to go to England in the fall on a scholarship. Her father (John Mahoney) feels that Diane can do better and tries to convince her to dump him, but it turns out he has some serious problems of his own.

The film is a refreshing change of pace from most Hollywood romances that tend to portray relationships in too much of a shallow way. Here you see things build slowly and are full of all the awkward moments and obstacles that come into play with any blossoming relationship. The two don’t just jump into the sack right away either. In fact after their first date they don’t even kiss, but instead share a nice little hug, which I really liked.

Both characters are likable, but in opposite ways and I enjoyed how the film cuts back and forth between the two during the beginning and shows the viewer just how different their personalities and lifestyles are. Skye has a highly appealing face and the fact that she is not some partying ditz, but instead a studious student who even enjoys working with old folks at a retirement home makes her all the more interesting. Cusack’s inability to decide on a career path is quite relatable and it is nice seeing him share some scenes with his real-life sister, who strangely appears unbilled.

The humor is subtle, but amusing. I loved the part where Diane accepts a date with Lloyd after he calls her up and then when she hangs up the phone she takes out her yearbook to see what he looks like. The best moment though is where Lloyd is getting advice about women from his guy friends only to turn around and ask them why if they know so much about women are they sitting on a street corner all alone on a Saturday night.

The talented Lili Taylor appears in an early role as Lloyd’s friend and famous model-turned-actress Lois Chiles can be seen briefly as Diane’s mother. I was a bit shocked to see Eric Stoltz in such a small and insignificant role that had only a few lines as he was at the time only four years removed from his starring role in Mask.

The only complaint that I have about this otherwise gentle slice-of-life flick is the secondary story thread concerning Diane’s father who gets into trouble for embezzling money from the senior citizens at the retirement home that he runs, which when compared to the romantic angle seemed very jarring and out-of-sync. In a way it kind of tarnishes the coming-of-age quality of the story and I felt the film would’ve have been more successful had this part been left out completely. I also wasn’t quite sure what the meaning was for the title or how it had anything to do with the story.

My Rating: 7 out of 10

Released: April 14, 1989

Runtime: 1Hour 40Minutes

Rated PG-13

Director: Cameron Crowe

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Netflix streaming