Tag Archives: Katharine Ross

Get to Know Your Rabbit (1972)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Businessman becomes a magician.

Donald (Tom Smothers) is tired of the rat-race and decides one day to impulsively walk off of his job  and become a trained tap dancing magician under the tutelage of Mr. Delasandro (Orson Welles). While the pay isn’t good he enjoys the freedom of being on the open-road and avoiding the stress of climbing up the corporate ladder despite the efforts of his former boss (John Astin) who tries anything he can to get Donald to come back and work for him.

This was Brian De Palma’s first studio made venture and he borrows heavily from the same type of surreal comedy that he used in his two earlier independent films Hi Mom! and Greetings. While not all of the gags hit there’s enough inventive camera work and editing to keep it interesting making the fact that the studio ultimately hated the final product and fired De Palma from the project all the more perplexing. This film follows the exact same blue print of De Palma’s earlier work. Had they not watched those films and just hired him based on recommendation? If so then they have no one else to blame but themselves.

While I enjoyed the eclectic energy there are too many comic bits that veer way off from the main storyline and have absolutely no connection to the main plot. The script, by Jordan Crittenden, would’ve been stronger had all the humor been focused around a main theme as it ultimately comes-off as too much of a hodgepodge with no connecting message to it at all. What’s even worse is that some of the gags have a lot of comic potential that aren’t played-out to the fullest, which makes it even more frustrating.

Smothers is quite boring and seems unable to convey any other expression except for a smiling deer-in-headlights look. Apparently behind-the-scenes he didn’t get along with De Palma and refused to show-up for necessary retakes making me think he should’ve been the one fired as he could’ve been easily replaced by a wide array of other comic actors who would’ve done a far better job. Even Bob Einstein, who appears very briefly as a brash fireman, gets far more laughs than anything Smothers does throughout the entire movie.

Fortunately the supporting cast is excellent and one of the reasons that helps keep the film afloat. Welles is especially good as the washed-magician with the scene where Smothers and he get stuck inside their escape sack while trying to perform the trick being the funniest moment in the movie. Astin is amusing too as Smother’s former boss who slowly turns his room inside a seedy hotel into a thriving office. Katharine Ross is also a delight in a perfect send-up of a starry-eyed groupie.

Spoiler Alert!

The ending though in which Smothers finds himself back working inside the same type of corporate office job that he had tried to escape from at the beginning is a disappointment. Sometimes cyclical endings can be clever and ironic, but here it’s more of a cop-out. We never get any sense of how the experiences that the character goes through changes him making it all seem quite shallow and pointless. It also completely forgets about the Orson Welles character, who gets written-out after the second act even though his presence was one of the most entertaining aspects of the movie.

My Rating: 6 out of 10

Released: June 7, 1972

Runtime: 1 Hour 31 Minutes

Rated R

Director: Brian De Palma

Studio: Warner Brothers

Available: DVD-R (Warner Archive), Amazon Video, YouTube

Hellfighters (1968)

hellfighters

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Put out the fire.

Chance Buckman (John Wayne) runs a company specializing in putting out oil well fires. His loyal assistant is the young and dashing Greg Parker (Jim Hutton) who on his off-hours is known to be quite the ladies’ man. When Chance is injured during a freak accident and sent to the hospital Greg call’s Chance’s estranged daughter Tish (Katherine Ross) to come visit him. When Tish arrives her and Greg fall in love and get married even though there is no initial chemistry and after only knowing each other for five days. The rest of the film deals with Chance and Greg quarreling over having his daughter, or any woman for that matter, on-site watching them put out fires as he feels it’s ‘not the proper place for a woman to be’.

If this were a documentary on the real Red Adair, which is who the Chance Buckman character is modeled after, this would have been an exciting and fascinating film. Unfortunately the drama in-between the fire scenes is lame and hooky. The characters and situations are generic and boring and the 2-hour runtime becomes almost interminable to have to sit through.

Politics aside I have always enjoyed Wayne as an actor. Yes he can basically only play one type of part, but he does it well. He knows how to have an onscreen presence, can usually own every scene he is in and can sometimes surprisingly show a good self-depreciating sense of humor as well. However, here he looks old, tired and washed-up. He goes through his scenes like he is sleepwalking and as bored with the threadbare material as the viewer. The silly barroom fight that he and his pals get into becomes ridiculous when you realize that it is old geezers in their 60’s and 70’s that are throwing the punches. The only good scene he has is during a humorous throwaway where he sits on a committee and much to his annoyed reluctance must decide what color to paint the company’s 1,400 nationwide bathrooms.

Despite the fact that she later told reporters that this film was “The biggest piece of crap I’ve ever done!” it is Ross who is the most engaging and quite beautiful in her bob haircut. I enjoyed the way her character stands up to Wayne and apparently behind the scenes the two did not get along and had quite a few arguments. Vera Miles as Wayne’s wife is badly miscast as she was 23-years younger than him and looks more like Ross’s older sister than her mother.

The opening 20 minutes where you see step-by-step how the men put an actual oil rig fire out is quite compelling and even educational, but it goes completely downhill from there and never recovers. By the end the whole thing becomes redundant and having the climatic finale takes place in South America where the men risk being shot at by guerrilla snipers adds little tension or interest making me conclude that the one thing that should’ve been set on fire was the script, but unfortunately it wasn’t.

My Rating: 3 out of 10

Released: November 27, 1968

Runtime: 2 Hours 2 Minutes

Rated G

Director: Andrew V. McLaglen

Studio: Universal

Available: VHS, DVD, Blu-ray (Region B)