Tag Archives: June Allyson

Blackout (1978)

blackout

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Criminals invade apartment complex.

Inspired by the actual power blackout that occurred in New York City on July 13-14, 1977 the story centers on a group of felons lead by Christie (Robert Carradine) who are being transported to another prison. Along the way their police van crashes and the van drivers are killed instantly, but the felons survive. When they climb out they find that the city is without power. Using the police uniforms of the two dead drivers as well as their weapons they’re able to sneak their way into a nearby apartment complex under the pretext that they’re policemen and therefore the security guard allows them in only to be immediately killed once he does. The crooks then terrorize the residents by conning their way into each of the apartments the same way they did to get into the complex. Once they’re inside they rob the tenants and at certain points even kill them. Dan (James Mitchum) is an off-duty police officer who breaks into the complex to help save Annie (Belinda Montgomery) who’s being attacked and screaming for help from her balcony. He then single-handily goes about trying to track down the armed group despite being outnumbered.

This was yet another example where the entry in Leonard Maltin’s book does not accurately describe what occurs as whoever wrote the review states that it’s ‘balanced with black comedy’ though there’s really no comedy in it except for a brief exchange between a husband and wife attending a Greek wedding, which occurs at the beginning, but after that it’s all gritty drama.

The production was directed by Eddy Matalon who started his career doing music videos for Bridgette Bardot during the 60’s before graduating to soft-core porn in the 70’s under the pseudonym Jack Angel. He eventually, in 1977, tried his hand at horror with the universally derided Cathy’s Curse before following-up with this one, which fares better and as a grim thriller even succeeds though it’s not perfect.

My biggest complaint is that it cuts out too many pivotal moments. It shows how they enter into one apartment and even choose another because it has triple locks cluing them in that a rich person with a lot of expensive stuff must live there, but there’s other times when it does not show why they break into the apartments that they do. There’s hundreds of dwellings inside the complex and they weren’t going to be able to bust into all of them, so the reason for why they choose the ones that they do needed to be shown each time. There’s also a segment where Mitchum shoots and kills one of the perpetrators in the hallway, but it’s never documented where they take the body, or if they just leave it there for all to see.

Some of the stuff gets a bit over-the-top like when they kill the guard and then stage it to look like a suicide, but why would these desperate crooks care to take the time to do that? They’re in a rush to rob as many residents as they can before the power comes back on, who why not just put the dead guard’s body into a back room and be done with it? Tying Mitchum up into a contraption that would electrocute him once the power came back-on seemed too similar to the campy predicaments that would be the cliffhanger for each episode of the ‘Batman’ TV-show. These two-bit thieves wouldn’t have the care, or sophistication to do that. Either kill the guy, or tie him up the conventional way, but getting excessively overboard with it seemed too theatrical and predictably gives him just enough time to escape.

Mitchum is enjoyable. I liked how at the beginning he tries to chase down a purse snatcher, but fails, which shows that he’s not perfect and relatable, which makes you want to root for him even more to stop the bad guys. I did though have misgivings with Montgomery’s character who gets raped, but immediately after that she saves two people trapped in an elevator and even delivers a baby, which is too quick a recovery from such a traumatic event.

Aging stars from Hollywood’s gold era appear as the residents, but are given little to do especially June Allyson who’s seen for less than 5-minutes. Ray Milland’s segment had potential as he plays this rich, stuffy guy who refuses to give the intruders the combination to his safe even as they torture his wife. Eventually he gives in, but it would’ve been fun had he remained stubborn. They’d burn-up his place, which they do anyways, and kill his wife, but he’d still refuse to give it out. Then when the cops finally do arrive he could say in his last dying breath amidst the burned cinders “At least they never got the combination.”

My Rating: 6 out of 10

Released: August 25, 1978

Runtime: 1 Hour 32 Minutes

Rated R

Director: Eddy Matalon

Studio: Cinepix Film Properties

Available: DVD, Blu-ray

They Only Kill Their Masters (1972)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Dog turns on owner.

Abel Marsh (James Garner) is the police chief of a small west coast seaside town who’s put in charge of investigating a baffling case where a dog inexplicably turned on its owner and killer her. The clues though don’t match up convincing Abel that the dog is innocent and used simply as a ruse to cover-up an even more sinister crime.

This is the first of four films all written by Lane Slate to feature the character of Abel Marsh. All of the subsequent films featured the same small town setting and quirky themed murders, but where made for TV instead featuring Alan Alda in the role of Abel for Isn’t it Shocking and then Andy Griffith playing the part in The Girl in the Empty Grave and Deadly Game.

The mystery here has its share of intriguing elements and I liked the methodical pace, which is reminiscent of actual police work where the clues don’t just come easily and quickly. I also liked how the viewer remains just as in the dark about who did it as the investigator. The subplot involving the doberman is interesting as well and like in the film To Kill a Clown, which came out the same year, the dog ends up being the ultimate scene-stealer from his human counterparts.

Due to this being the last film made on MGM’s famous backlot many former stars from Hollywood’s golden age agreed to appear in small roles including Ann Rutherford in an amusing bit as a old-school secretary who can’t figure out how to work an electric type writer. The best bit though comes from June Allyson who doesn’t have any speaking lines until the very end where she gets a bravura-like finale similar to Betsy Palmer’s in Friday the 13th and even sports the same type of hairstyle as hers and sweater/pants, which makes it all the more ironic.

The thing though that I found annoying was the formulaic romance that starts almost immediately between Garner and Katherine Ross. For one thing the mystery could’ve worked just as well had Ross’ character not been in it at all, but if they did feel the need to throw in a romantic subplot it’s always more interesting when there’s some friction or resistance at first only to have it evolve into a relationship later versus making it a ‘love at first sight’ scenario, which is too quick and unrealistic especially when there’s a 15-year age difference between the two.

What gets even more aggravating is that after spending the night with her Garner then starts to suspect that she may know more about the crime than she lets on, so the next day he storms into her apartment and quite literally starts strangling her to get the info. Then when he realizes he may have jumped to the wrong conclusion he leaves her place in a huff without even bothering to apologize. Several hours later he sheepishly returns, but instead of slamming the door in his face she asks if he’s alright?!

Later near the end of the film she returns to his office and acts like somehow it was all her fault and seems to leave things open to rekindling the romance, but why? Unless she’s desperate (and she’s way too beautiful for that) or has extremely low self-esteem she should’ve ended things right when he attacked her because it was an obvious red flag and the fact that she doesn’t shows how dated and out-of-touch the film is in regards to modern day relationship dynamics.

The scenery is nice especially the Malibu location of the victim’s house and seeing it get burned quite literally to the ground is kind of cool too. However, the quirky elements don’t gel and overall the film ends up being transparent and flat.

My Rating: 5 out of 10

Released: November 22, 1972

Runtime: 1 Hour 37 Minutes

Rated PG

Director: James Goldstone

Studio: MGM

Available: DVD-R (Warner Archive), YouTube