By Richard Winters
My Rating: 6 out of 10
4-Word Review: A babysitter gets kidnapped.
Michelle (Maria Schneider) is an artist who works part-time as a babysitter and is roommates with Ann (Sydne Rome) who’s an aspiring actress. Ann is upset that her career isn’t taking-off as quickly as she’d like and her frustrations cause her to get involved with her co-star Stuart (Robert Vaughan) who schemes to kidnap the 8-year-old son, Boots (John Whittington), of a wealthy food mogul (Carl Mohner) and then hold him for ransom. He hires Ann to disguise herself as Michelle while taking on a babysitting assignment of looking after Boots. She enters the place wearing a wig that resembles Michelle’s hairstyle and then forces Boots to drink something that will put him to sleep. He is then taken to another location where Lotte (Nadja Tiller), who is also in on the plan, pretends to be the boy’s mother and hires Michelle to babysit. When Michelle arrives at the alternative address she’s completely unaware of what’s going on, but soon finds herself trapped by the criminals forcing her to work with the distrustful boy to find a way out.
This was the final film directed by Rene Clement who did many acclaimed movies throughout his long career, but towards the end focused on kidnapping stories that had an offbeat touch like The Deadly Trap and And Hope to Die. This one is similar to those as it features in elaborate scheme that gets presented in fragmented style requiring the viewer to piece it all together. For the most part it works particularly with Clement’s use of eccentric characters and moody atmosphere though it’s not a complete success.
Although just few years removed from having done Last Tango in Paris Schneider looks much more mature here and I liked seeing her in such a different setting even if Leonard Maltin, in his review, complained about her acting, which he described as ‘abysmal’. I didn’t find her performance to be as bad and in a lot of ways it works particularly her expressive eyes that helps convey an innocent pleading look in an environment where she’s surrounded by otherwise sordid types. Maltin also criticized the casting of Renato Pozzetto, who gained fame in Italy as a stand-up comedian. I found his presence interesting as his pudgy body type went against the chiseled features that most men who play a love interest in a movie have and his unpolished thespian skills meshed with his confused and dim-witted character.
Vic Morrow scores as the short-fused kidnapper though he’s played this type of role a bit too often. Vaughan is okay as the sinister mastermind and the kid, whose only acting role this has been, is quite endearing. Yet out of everyone it’s Rome, an American born in Akron, Ohio who came to Italy in the late 60’s to break into showbiz and never left, that’s the standout. She’s probably better known for her modeling, singing, and early 80’s aerobic videos, but here she’s quite diverting as a desperate young thing ravaged with insecurities and whose wide-eyed, breathless delivery hits the bullseye.
The plot is intriguing up to the scene where the ransom gets paid-out, but the wrap-up is unsatisfying. Michelle had gotten tricked into making it look like she was a part of the scheme, she really wasn’t, but to an outsider it would seem that she was, so the fact that she doesn’t get questioned by the police about it was confusing. Having her go back to her boyfriend’s art studio and then having him arrive with a locksmith while she’s inside wasn’t clear either. Was he going to change the locks on the door and trap her in there without knowing it? If so this should’ve been explicitly shown and not just eluded to.
Alternate Title: The Babysitter
My Rating: 6 out of 10
Released: October 15, 1975
Runtime: 1 Hour 50 Minutes
Director: Rene Clement
Studio: Cite Films
Available: DVD, Tubi