Tag Archives: Edward Andrews

How to Frame a Figg (1971)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: Tricking a dumb bookkeeper.

Hollis Fig (Don Knotts) is an inept bookkeeper working as an accountant at City Hall. The place is run by the Mayor (Edward Andrews), his staff, and the richest man in town who is also quite elderly, Charley Spaulding (Parker Fennelly). Together this bunch, unbeknownst to Figg, are skimming city funds. They decide though that they must cover their tracks by firing all of the other accountants and keeping only Figg who they deem as not smart enough to catch-on to what they’re doing. They also install a computer to do the bookkeeping and tell Figg it’s his job to maintain it, but nothing more. However, Figg and his friend Prentiss (Frank Walker) become suspicious when the computer readouts involving the city’s budget show that much of the money has gone missing. When Figg brings these findings to the mayor they divert his attention by hiring him a sexy secretary (Yvonne Craig) who will flirt so heavily with him that he’ll forget about everything else that’s going on, but this doesn’t sit well with Figg’s girlfriend Ema Letha (Elaine Joyce) who works across the street as a waitress.

This was the final movie produced from Knotts’ 6-picture deal that he signed with Universal in 1964 after he rose to fame in the ‘Andy Griffith’ TV-show. While none of the movies produced from that contract were very good this one has to be the weakest. The story is slow moving and lacks any action, or sight gags, which will bore most kids who are the intended audience. Visually it’s quite banal and looks like it could’ve easily been an episode for a TV-show with the biggest failing being that it was shot on a studio backlot, so the town is nothing more than propped up buildings. While it would’ve cost more shooting it in a real town it would also have given the production more of a distinct look, but at least it uses the same courthouse that was eventually also in Back to the Future.

Knotts is a funny guy, but he’s just playing the same Barney Fife caricature over and over and thus making everything that he does here quite predictable. Edward Andrews and Joy Flynn are both talented character actors, but together they end-up negating the other. In this instance Andrews totally dominates making Flynn’s efforts negligible and not worth appearing at all. Frank Welker, who later became a very famous voice artist including speaking for the Fred character in the ‘Scooby-Doo’ cartoons, makes for a strange buddy to Knotts since there was over a 20-year difference between the two and it shows. It would’ve been better if they were around the same age and Welker’s character not so painfully stupid as having two dimwits becomes tiring and monotonous.

I did however enjoy Yvonne Craig, best known for playing Batgirl on the ‘Batman’ TV-show, here she enlivens things as the vixen.  Parker Fennelly, who was 80 at the time, but looking more like 100, is very funny, and in many ways the best thing in the movie, as the crotchety, but still conniving codger, who violently slams down his cane when he gets angry and has everyone else at his beck-and-call.

Spoiler Alert!

Had the script not spelled everything out right at the start and instead had the viewer to see things completely from Figg’s perspective would’ve allowed for a few twists and surprises, but the way the plot gets presented here is quite routine. The ending, in which Figg and his new bride travel to Rio de Janeiro for their honeymoon and explicably bump into the Mayor and his staff who are hiding-out there is disappointing.  Do the bad guys ultimately escape justice, or does Figg figure a way to take them down? Or do they kill/kidnap Figg to keep him from talking? Either way none of this gets answered, which is a letdown. At least with the Disney films of that era everything would end with one big car chase, or ultimate showdown of some kind, which is what this film, as dull as it already was, sorely needed.

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My Rating: 1 out of 10

Released: February 2, 1971

Runtime: 1 Hour 43 Minutes

Rated G

Director: Alan Rafkin

Studio: Universal

Available: DVD

Gremlins (1984)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Don’t get them wet.

During his travels through China gadget salesmen Randall (Hoyt Axton) spots a furry little creature called a mogwai at a Chinese antique shop run by Mr. Wing (Keye Luke) and decides to purchase it as a Christmas present for his teenage son Billy (Zach Galligan). The mogwai, which they name Gizmo, comes with three simple rules that must never be broken. The first is that the creature must never be exposed to sunlight or bright lights of any kind, he must never get wet or be given water and most importantly he should never be fed after midnight. Unfortunately all three of these rules end up getting broken and the result is the creation of ugly little monsters called gremlins that create havoc and destruction on a peaceful town during Christmas Eve.

The concept is great with a nice mix of horror and dark comedy and I loved the idea of having this Norman Rockwell small town besieged with an ugly underbelly. The creatures look amazingly real and Gizmo is especially cute with special effects that are both creative and effective.

However, in the filmmaker’s effort to be humorous and ‘clever’ the film goes off-the-beam a bit by adding in stuff that isn’t logical and hurts the plot’s overall integrity. I didn’t get where these monstrous gremlins were finding all these hats and clothes that they are seen wearing nor how they were able to read signs, or know how to drive vehicles. Their tiny arms would be too small to be able to hold a chainsaw let alone run it and if you look closely during the bar scene you can see that the beer mugs that they are holding have been miniaturized in order to conform to the dimensions of the puppet. Also, the part where Gizmo gets into a remote controlled toy car and ‘drives’ it makes no sense since they are solely powered by a remote run by someone else that is not present.

Since water is the basic fluid for the survival of most living organisms it was peculiar that this one couldn’t be given any. What liquid was he supposed to drink instead? If he can’t eat after midnight then when exactly can he eat  since theoretically any time is after midnight whether its 3 AM or 3 PM. To me though the dumbest part is when Gizmo’s original owner Mr. Wing reappears at Billy’s and Randall’s home looking to take the creature back, but how would he know where to locate Randall as he left him no address and the film makes it seem that somehow he walked all the way from orient to get there, which is really dumb.

The film was also in its day considered quite controversial since it features a scene where Billy’s mother (Frances Lee McCain) traps one of the gremlins in a microwave and then heats it up until it explodes, which many people considered ‘too violent’ for a PG film and it helped to usher in the PG-13 rating. To me I felt this scene was actually the best moment in the movie as it’s the one part where it actually becomes like a horror film and has some genuine tension.

Dick Miller is fun as a maintenance man who despises foreign made products and Polly Holliday is equally amusing as a scrooge-like landlord whose over-the-top death is a highlight. I also liked Hoyt Axton as the father, but the running joke dealing with all of his inventions and gadgets that constantly breakdown gets old real fast and I was confused how he was able to afford such a nice big house when he made such a menial living trying to sell things that nobody wanted and didn’t work.

This also marks the last acting appearance of two great character actors, which include Scott Brady who is amusing as the alcoholic sheriff who refuses to believe that a bunch of gremlins are on the loose until it’s too late. Many consider this to be Edward Andrews, whose role here as the bank manager was greatly reduced when the runtime was trimmed by over 50 minutes for the final cut, last onscreen appearance as well even though Sixteen Candles, where he had a much more prominent role, was filmed later, but released to theaters earlier.

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My Rating: 6 out of 10

Released: June 8, 1984

Runtime: 1Hour 46Minutes

Rated PG

Director: Joe Dante

Studio: Warner Brothers

Available: DVD, Blu-ray, Amazon Video, YouTube