Tag Archives: Dick Richards

March or Die (1977)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Battle in the desert.

French Foreign Legion Major William Foster (Gene Hackman) suffers from memories of leading 8,000 of his own men into a failed battle, which has driven him to alcoholism. Now he and his regiment are assigned to protect an archaeology dig lead by Francois Marneau (Max Von Sydow) that sits in the middle of the Moroccan desert and is under constant threat  by an army of Arab revolutionaries lead by El Krim (Ian Holm).

The film was a labor of love for director Dick Richards who grew up watching the French Foreign Legion films in his youth and wanted to recapture that magic, but like with his earlier and much acclaimed western flick The Culpepper Cattle Company do it with a revisionist slant. Aesthetically it looks gorgeous and all the more impressive when you factor in that the majority of it was filmed in Nevada, but because the dunes in Morocco had a  different shade of color than the ones in North America the sand was flown in to camouflage this and you’d never know the difference. Watching the harsh treatment that the men had to go through as they trained to become soldiers is quite revealing as well and made the first hour of the film captivating.

Hackman though looks uncomfortable in his role and this could be attributed in large part to the fact that he fell off his horse during filming and was suffering from a great deal of back pain during the shoot. In either case he ends up getting sorely upstaged by Italian star Terence Hill, who up until this time had mainly done comedic styled westerns with his onscreen pal Bud Spencer, but here shines as a soldier who challenges authority and galvanizes the rest of the troops.

Marcel Bozzuffi is equally memorable as the cruel Lieutenant Fontaine who treats the men under him quite harshly most notably Top Hat played by Andre Penvern, but the theatrical/DVD release omits a crucial scene with him that was only shown in the TV print.  In that version he and his men chase after two deserters and then get involved in an ill-advised battle with some tribesmen, which ultimately causes him to break down in fear and kill himself, which would’ve been an interesting transition to witness since for the majority of the movie he remains cold and aloof otherwise.

Despite being a great actor Von Sydow’s presence here is a detriment as it will only remind viewers especially during the archaeology dig sequence of his work in The Exorcist where in the beginning of that film where scenes of him doing essentially the same thing. Catherine Deneuve is another excellent talent who is wasted in a part that doesn’t allow her much to do and only helps to slow down the already sluggish film with each scene that she’s in.

Spoiler Alert!

The film’s most disappointing aspect though is with its ending, which should’ve been its strong point. The final battle is exciting and the shots of hundreds of chanting Arab soldiers coming over the dunes to attack is indeed impressive and even harrowing to see, but watching the systematic slaughter of the French soldiers and ultimately learning that they walked themselves into a trap is quite dispiriting. I know I’ve complained about the formulaic happy endings from time-to-time in some other films, but this one is too much of a downer and offers the viewer no payoff at all for having to sit through it. It’s almost like giving someone a reasonably enjoyable ride only to drive the car off the cliff at the end and expect them to thank you for it.

My Rating: 4 out of 10

Released: August 5, 1977

Runtime: 1 Hour 47 Minutes

Rated PG

Director: Dick Richards

Studio: Columbia Pictures

Available: DVD, Amazon Video

Rafferty and the Gold Dust Twins (1975)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Lost souls go traveling.

Rafferty (Alan Arkin) works as a driving instructor and is also an alcoholic. One day while relaxing at a park he meets him up with a kooky lesbian pair known as Frisbee (Mackenzie Phillips) and Mac (Sally Kellerman) who have both been recently released from prison. Initially the pair kidnap Rafferty at gunpoint and force him to take them to New Orleans, but Rafferty soon develops a bond with them as they go jaunting around the west looking for excitement and diversion from their otherwise boring lives.

This film works differently from the usual road movie as there’s no real structure to it at all. In some ways this is more realistic as the romanticism is erased and we’re left with nothing more than random events that leads to no conclusion other than dispelling the myth that hitting-the-road will somehow lead to some new self-awareness as these character’s lives remain just as directionless upon their return as it was when they left. Watching the petty crimes that they commit in order to survive ends up being the film’s only entertaining value in what is otherwise a meandering and flat story.

Phillips gives a good performance as a tough, street smart juvenile delinquent who I felt was channeling her own precarious upbringing as the daughter of singer John Phillips in order to have been able to play the part with such a vivid authenticity. If anything she gives the film a much needed edge and is the only real good thing about it.

Kellerman is okay and even sings a country tune, but what impressed me most was how young they made her appear as she was nearing 40 at the time, but she looked more to be in her early 20’s. Arkin surprisingly manages to stay restrained and never once goes into one of his patented hyper rants, but in the process comes off as too mellow and allows his two female co-stars to act circles around him.

The film also features some good supporting work by a cast full of faces who you’ve seen before, but don’t quite know what their names are. Alex Rocco is particularly engaging as a shyster that Arkin meets in a casino who clings to the trio as a hanger-on before getting inadvertently dumped, which was a shame as I liked his energy. Charles Martin Smith has an engaging bit as a naive soldier on a 15-day army leave who gets robbed by Phillips and then tries to relentlessly track her down.

Director Dick Richards won many accolades for his first flick The Culpepper Cattle Company and the realism it gave to the old west and he seems to be taking the same approach here by connecting the modern-day road movie to the rugged individualism of the bygone cowboy, but it doesn’t come off as effectively as it could’ve. A stronger cinematic approach that captured the western landscape would’ve made it more visually appealing as well as having a soundtrack that wasn’t so generic.

Spoiler Alert!

The ending is a bit perverse by today’s standards as Kellerman leaves them so Arkin then poses as Phillips’ father in order to get her out of the orphanage and allow the two to travel to Uruguay. The intent at the time may have seemed innocuous as Arkin was simply filling the role as her surrogate father, but these days many viewers will consider it ‘creepy’ and presume that the middle-aged man was trying to take advantage of this 15-year-old’s desperate situation in order to have a sexual relationship with her.

My Rating: 5 out of 10

Released: February 2, 1975

Runtime: 1 Hour 29 Minutes

Rated R

Director: Dick Richards

Studio: Warner Brothers

Available: VHS

Death Valley (1982)

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Kid tangles with psycho.

Before Peter Billingsley played Ralphie Parker he was Billy Stanton a 10 year-old-kid who gets shipped off to Death Valley with his mother (Catherine Hicks) and her new boyfriend (Paul LeMat) for a vacation. Once there he spots a sinister man (Stephan McHattie) driving around in a creepy old car. The man has just committed double homicide and fears Billy may have been a witness. Now he proceeds to silence the kid who proves to be surprisingly ingenious.

The screenplay was written by Richard Rothstein who later went on to write the script for Universal Soldier as well as producing the HBO anthology series The Hitchhiker. Apparently he came up with the concept for this story after vacationing in Death Valley and seeing a mysterious old car, the first car they had seen in miles, driven by an odd looking man. The story though is quite one-dimensional and offers little intrigue. It might’ve worked better had the killer’s identity and motivations been kept a mystery, or the viewer made to question whether Billy was just making the whole thing up.

Everything seems strangely sanitized particularly the killings which amounts to nothing more than a quick slash to the victim’s throats and it’s over. It was almost like they were trying to make a horror movie that was ‘kid-friendly’ or something that the ‘whole family could watch together’, which was a mistake. Having the protagonist as a kid instead of an adult doesn’t add any interesting perspective and the twist that comes at the end is not clever and something that I had actually predicted.

Hicks, in her film debut, is wasted and LeMat has about as much screen presence as your local garbage collector. Billingsley is cute, but he’s always put into a situation that he can figure his way out making the tension quite minimal.

The film was shot in Death Valley National Park, which allows for a stark ambience that doesn’t get taken advantage of enough. Director Dick Richards who burst onto the movie scene in the ‘70s with The Culpepper Cattle Company seems to have lost his way here. It could’ve been that after the financial failure of March or Die, which lost over 5 million at the box office, he was happy to get any film opportunity at all, but his heart was clearly not into this one and the result is a flatly told Hitchcock-like misfire .

My Rating: 1 out of 10

Released: January 22, 1982

Runtime: 1 Hour 24 Minutes

Rated R

Director: Dick Richards

Studio: Universal

Available: DVD, Blu-ray

The Culpepper Cattle Company (1972)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Life on cattle drive.

Feeling that life on the farm is boring Ben (Gary Grimes), a young teen of about 16, begs cattle company owner Frank Culpepper (Billy Green Bush) for a job on his upcoming cattle drive. Frank reluctantly agrees, but Ben soon finds what a tough and unglamorous job it is and he makes many mistakes that not only jeopardize the safe delivery of their herd, but the men’s lives as well.

The film marked the directorial debut of famed commercial photographer Dick Richards and was hailed at the time for its attention to detail and realism although for the most part there are a lot of inaccuracies including the men using a type of rifle that was not yet invented during the setting’s time period and the cowboys wearing beards even though most of them from that era just had mustaches. There is also an overuse of music. A gritty movie aiming for realism should rely on natural sound for its ambience and not music to create the mood. The melody itself is pleasing, but it’s the exact same score that was used in the The Flim-Flam Man, that came out 5 years earlier.

The story is episodic with a few too many cutesy ironies and dramatic arches. Certain segments aim for authenticity while at other times it gets completely overlooked for instance when Ben has his horse stolen he must walk the rest of the way to the next town, which is several miles and yet when he gets there he doesn’t look all that exhausted or dehydrated. The one part at realism that I did like is when he is shown taking a poo in the open and using tree leaves to wipe himself, which is interesting as that was one topic that has never been tackled in any other cowboy movie that I’ve seen.

The best thing is Grimes who looks like he was whisked away after his stint on Summer of ’42 and thrown immediately onto this one. His tender, wide-eyed gaze is perfect for the part and I enjoyed seeing the begrudging friendship evolve between him and the other men even as he continued to make life harder for them with one mistake after another.

Spoiler Alert!

The film’s biggest drawback is the violent ending in a film that had been pretty much lighthearted up to then. The climactic shootout is too similar to the one in The Wild Bunch and seemed almost like a trendy cliché as so many other westerns from that period were reverting to a similar type of climax. The idea that this was to convey that Ben as growing up into manhood as he takes it on himself to single-handedly defend a religious group from persecution of a corrupt landowner gets botched because once the bullets start flying he passively stands around with the same deer-in-headlights look that he had all along and does nothing to help as all of his friends from the cattle drive who came to his aid are systematically killed. Instead of coming off as growing up the character seems more like the same naïve screw-up that he had been throughout and continuing to stupidly get himself and everyone else into dangerous jams making him almost like a curse to anyone who dared befriend hm. The blood bath is not exciting either, but instead quite jarring and the whole thing leaves the viewer with an unnecessary depressed feeling when it’s over.

End of Spoiler Alert!

My Rating: 5 out of 10

Released: April 16, 1972

Runtime: 1Hour 32Minutes

Rated PG

Director: Dick Richards

Studio: 20th Century Fox

Available: DVD, Blu-ray (Region B/2), Amazon Video