Tag Archives: Charles Durning

Tilt (1979)

tilt 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: She’s a pinball wizard.

Brenda (Brooke Shields) who goes by the nickname Tilt is a 14-year-old pinball machine champion. When she becomes fed up with her overbearing father she decides to run away from home. She meets Neil (Ken Marshall) a man in his 20’s who is struggling to establish himself as a country music singer. He schemes to use Tilt’s pinball talents by hustling pinball patrons at bars and arcades around the country, but his real motivation is to have Tilt beat Harold Remmens (Charles Durning) who is nicknamed ‘The Whale’ due to his immense weight. The Whale is an arrogant bar owner who seems unbeatable at pinball and due to a few run-ins that he has had with Neil the two have become bitter enemies. Neil hopes to shatter his ego by having him get beat by an adolescent girl in a so-called pinball showdown, but Tilt has other ideas.

It is easy to see why this movie bombed at the box office and basically sat on the studio shelf for years. It seems to have no idea what audience to play too. There are too many adult references in it to make it suitable for teens especially preteens, but the story itself is so vapid that adults will be bored with it. The concept is offbeat enough that it might have worked as a comedy, or even parody, but director Rudy Durand approaches it as a standard drama, which due to the subject matter seems almost awkward. The 110 minute runtime is much too long for this kind of material and although it manages to move itself along it is never all that interesting with extraneous footage that should have been cut. Having faster cuts, juxtapositions, and even a non-linear narrative would have given it more energy and cinematic flair.

Having the action revolve solely around pinball games isn’t interesting. It is hard to follow the games and the constant footage of showing the inside of the arcade game as they are playing it becomes monotonous and fails to elicit any excitement. They is never any explanation as to what special skills Tilt or The Whale have that allows them to be so good, but it might have been a little more enlightening had one been forthcoming.

Shields is terrific and helps keep things afloat. She looks cute and wears pants with the words ‘pinball champ’ stenciled along her rear. Her ability and confidence at sharing scenes and holding her own with her much older adult counterparts is what makes her so special. One of the best scenes is when she hitches a ride with an ornery trucker (Geoffrey Lewis) who complains about the lack of morals in today’s world, but then turns around and tells her he has condoms in his shirt pocket and invites her to a rendezvous in the nearest hotel. Tilt says she will just as long as she can do it with both him and his wife, which gets her immediately booted out of the truck for being a ‘pervert’.

Marshall doesn’t have as much charisma as his younger female co-star and his Texas twang was a bit too strong for my taste. He travels the country and stays in the same hotel room with the girl knowing full well that she is only 14, but makes no sexual advances, which of course is good, but I kept wondering if this where the real world that he would most likely have tried something. I also found it strange that Tilt’s father (amusingly played by Gregory Walcott in a brief bit) wouldn’t have every police force in the country looking for her and once caught Neil would be thrown in jail even if he didn’t do anything because most likely no one would ever believe him.

Durning is excellent as always and gives the part a nice hammy turn and makes the movie, at least when he is in it, like the campy comedy that it should be. The little dance and moves that he makes while he plays the pinball games are amusing. His stomach bulges out even more than normal making it seem almost like he is pregnant. When Neil meets him after several weeks of not seeing him and states “You look like you have lost some weight” is the film’s one and only funny line.

The film’s final sequence in which Tilt and The Whale get together late at night in an empty bar and challenge each other to a pinball contest is the best scene in the whole movie. Their banter and interactions with each other gives the film a unique flavor. The surprise twist that occurs at the very end is cute and endearing and helps give this otherwise flat film more points than it deserves.

Also, look quick for Lorenzo Lamas and Fred Ward in small roles.

tilt

My Rating: 4 out of 10

Released: April 3, 1979

Runtime: 1Hour 50Minutes

Rated PG

Director: Rudy Durand

Studio: Warner Brothers

Available: VHS

Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)

dealing

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Drugs are a trip.

This review was originally slated to post in February, but due to the death on Christmas Eve of Charles Durning I decided to post it now. Durning was one of the all-time great character actors who always brought an amazing amount of energy to every role he played and could do a wide variety of character types well. Although he has very few lines of dialogue in this movie he still manages to become the most interesting part of the proceedings and helps enliven an otherwise slow moving film.

The plot, based on a novel by Michael Crichton, pertains to Peter (Robert F. Lyons) who is a recent Harvard graduate hired by John (John Lithgow) to transport a suitcase full of marijuana from Boston to Berkeley, California. Peter is new at this and things do not go as planned, but he meets beautiful Susan (Barbara Hershey) along the way and the two fall in love. John next hires Susan to transport another suitcase of narcotics, but when she loses the luggage at the airport and then tries to go back and get it she is arrested by corrupt cop Murphy (Durning) who resells some of the recovered stash back out onto the street. In order to get Susan out of jail Peter plays an elaborate game of cat-and-mouse with the cop, which culminates in a violent showdown.

The story is done in a laid-back style similar to the approach taken by many European films. The emphasis is on mood and subtle nuance yet when the Europeans do it this style seems refreshing, but here it is more off-putting. I really had a hard time getting into it as the first hour is slow with too many scenes going on longer than it should. The set-up is too quick and there is not enough background, or history shown to the main character.

The second hour improves. Durning gives the proceedings some pizazz and Peter’s scheming is fun. The shootout done in the snow has flair and style.

The music by Michael Small is impressive. It is one of the most original scores I have heard and really fits the mood of the script. The best is over the opening credits.

Hershey is as always gorgeous and fans may like that she is shown topless. The part of a free-spirited hippy chick seems to be her forte and she excels. However, having her fall for a guy that is rather dull and ordinary didn’t make sense. Sure they make love right away, but I thought that was more just because it was a part of her lifestyle and she does after all go around in a dress without wearing any underwear. She just seemed to be diving into the free love atmosphere of the era. Obviously having Peter fall for her made sense because she is hot, but why would she go head-over-heels for this schmuck when there are so many other guys that would be more than willing to do it with her. The romantic angle was forced and hurt the credibility of the story.

Lithgow is okay in his film debut, but I had problems with the character. One minute he is cool, conniving, brash, and arrogant and then in the next instant he becomes scared, confused, and meek, which was too much of a quick transition.

The under-rated Lyons is excellent and makes for a terrific lead especially with this type of part. Despite being in his 30’s he looks and acts very much like a college kid from that period. His performance is nicely understated and believable throughout.

The on-location shooting in Boston is vivid and people from the area may like to view this just to see how much it has changed. The DVD transfer from Warner Archive is excellent with a nice clarity and vivid colors. The movie itself is slick, but it also has a detachment to it that doesn’t allow the viewer to get as connected with the characters, or the situations like they should and thus making it an interesting period artifact, but nothing more.

Also, Demond Wilson can be seen briefly as one of the drug dealers. He did this just before his signature role of Lamont in the hit TV-series ‘Sandford and Son’. Ellen Barber is real cute as Peter’s girlfriend and so is Joy Bang who later became a registered nurse. Normally I don’t like women with buck teeth, but with her it actually looks sexy.

My Rating: 5 out of 10

Released: February 25, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Paul Williams

Studio: Warner Brothers

Available: DVD (Warner Archive)