Tag Archives: Carole Laure

Heartbreakers (1984)

Heartbreakers Movie Poster (1984)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Fetish artist goes mainstream.

Arthur (Peter Coyote) is an artist who specializes in erotic portraits of women that he sells to men’s magazines, but he strives to have his work seen by more people. He gets his chance to have his artwork shown at a gallery and works with his fetish model Candy (Carol Wayne) to make enough new material for it. When his former girlfriend Cyd (Kathryn Harrold) moves in with his artistic rival King (Max Gail) he becomes attracted to Lilane (Carole Laure) the manager where his artwork will be displayed, but this puts him at odds with his friend Eli (Nick Mancuso) who also has an interest in her.

This independently produced film offers nothing spectacular, but remains strangely captivating. Sometimes it’s nice not to be bombarded with a heavy-duty plot and instead just focus on someone struggling to get through the challenges of day-to-day life, which makes the situations shown here highly relatable and where this movie succeeds.

Unfortunately Coyote was not the best person for the part. He was supposed to be this guy in his 30’s even though he was well over 40 and looking it. A younger guy in is 20’s would’ve been a better fit and created more of a connection to someone just starting out. It would also help explain the character’s moments of raw, unfiltered emotion, particularly his public display of anger at King, which is something seen more in younger adults while middle-aged folks have usually mellowed out, or better able to keep their feelings in check and only letting them come out when it’s more appropriate or strategic.

Coyote’s friendship with Mancuso doesn’t work either. The film is only captivating when it sticks with the main character and expanding it out just gives it a flat, generic feeling like it wants to create a soap opera scenario that is not needed. Guys’ fighting over the same girl has been done many times before and this thing adds nothing fresh to that perspective. Besides Carole Laure’s character is so emotionless and detached anyways, while also looking as pale as a ghost that she seemed hardly worth the effort and someone most guys would probably tire of pretty quickly.

The film’s main attraction is seeing Carol Wayne in her secomd-to-last movie. She came to Hollywood with her sister Nina in the mid-60’s having already attained some fame as Las Vegas showgirls. She almost immediately got guest starring roles in TV-shows and bit parts in movies before finally attaining her most famous part as the Matinee Lady on the ‘Tonight Show’, which she did for 13 years before dying under mysterious circumstances while on vacation in Mexico. Her part here proved to be one of her biggest and she even goes topless before hopping into bed with both Coyote and Mancuso for a threesome.

Harrold, who no longer works in the acting business, is solid as the former girlfriend, but she should’ve had more scenes. Walter Olkewicz, Jerry Hardin, and Jamie Rose can be seen in brief bits in a movie that’s not bad if you come into it with modest expectations although Tangerine Dream’s loud techno, 80’s fused score doesn’t help it.

My Rating: 5 out of 10

Released: September 28, 1984

Runtime: 1Hour 38Minutes

Rated R

Director: Bobby Roth

Studio: Orion Pictures

Available: VHS

Sweet Movie (1974)

sweet movie

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Every fetish is shown

Unfairly labeled as excessive and perverse, this film is really a fascinating and intricate study into the recesses of the sexual mind. It looks at sex in all its complexities and exposes it as a very primal need with a personality of its own.

The film starts off with an amusing satire on the media and how they have commercialized sex. It involves a game show were a rich millionaire must choose which female virgin he would like for a wife and even has a doctor on hand to examine them and make sure each one is genuine.

This becomes the ongoing theme, which is how society loves to ‘package’ sex and yet really can’t. Director Dusan Makavejev feels that the sexual instinct is too deep to be able to channel completely. The rest of the film goes off on wild tangents that may not make sense to some, but the intent is not to tap into the logical mind, but instead the sexual senses. In the process it tries to bring out the sexual side of the viewer by digging deeply into their own subconscious mind.

The final result is an almost non-stop barrage of unique, lasting visuals. Some are funny, stimulating and at times even grotesque. Yet sex has all these qualities so any movie realistically dealing with it should have it as well. Overall despite the controversial approach it becomes lyrical, compelling, and quite well-shot.

By not boxing sex into any type of ‘standard’ is what makes this different from just about any other erotic film out there. Most directors seem to feel that two sweating bodies between satin sheets are all you need to make a film ‘sexy’. Here you get something much more daring and expansive by showing sex in both its beauty and ugliness. Outside of bestiality and necrophilia just about every other fetish gets examined including interracial sex, sex with minors (never shown, but strongly implied), food sex, vomiting, scatology, water sports, and even violent sex. Sometimes it gets vulgar yet still remains provocative and fascinating to the more open-minded.

Star Carole Laure is incredibly beautiful and submits herself to her demanding role with a reckless abandon that is refreshing if not unprecedented and helps make the film impactful.

There’s some really amazing sequences including having Laure carted around in a suitcase with only her head sticking out. This is also one those rare films outside of Paul Morrissey’s Trash that features more shots of the male genitals than the females.

Obviously there will be those that will find the whole thing disgusting and offensive as it is very explicit even by today’s standards. This film could very well go beyond most people’s ‘comfort zones’ so I don’t want to suggest it to anyone unless they are fully prepared for what they are about to see, but for those who are game it could come off as a unique one-of-a-kind experience.

My Rating: 8 out of 10

Released: June 12, 1974

Runtime: 1Hour 38Mintues

Rated NC-17

Director: Dusan Makavejev

Studio: Maran Film

Available: DVD (The Criterion Collection)