Tag Archives: Bruce Spence

Midnite Spares (1983)

midnite2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Searching for his father.

Steve (James Laurie) returns to his hometown of Sydney to team up with his dad to be a part of a sprintcar racing team. However, when he visits the towing company that his dad owned along with his business partner Tomas (Max Cullen) he cannot find him and is told that he mysteriously disappeared weeks ago without a trace. After further investigation he becomes convinced that it has something to do with a local car thief ring headed by corrupt cop Howard (Tony Barry) and uses the help of tow truck drivers Wimpy (Bruce Spence) and Rabbit (David Argue) to reel them in while also falling for a local girl named Ruth (Gia Carides) much to the chagrin of her conservative mother ( Tessa Mallos).

On the one hand this is a well set-up comedy with all the necessary ingredients to have been a top-notched funny movie. I really enjoyed the character actors who are in top form especially Bruce Spence, probably best known for his starring role in the cult film Storkwho plays a happy-go-lucky mechanic who always has greased caked-on his face no matter where he goes even when off the job and out in public. Tony Barry gives an interesting performance as well. Just a year before this film was shot he in starred in the New Zealand cult classic Goodbye Pork Pie that’s one of the best road movies ever made. In that film he played the nonconformist running from the cops while here plays the obnoxious oppressive authority figure and he’s able to play both types of roles quite convincingly. I also enjoyed the set pieces, which resembles very much the dingy, grimy look of a car repair shop as well as the distinctive score that has a creepy tone to it, which helps accentuate the late-night, underground vibe of the story.

There’s also a few very engaging moments as well including a segment where a guy hijacks a mobile hot dog stand and drives it around the track with the perplexed staff still inside while the sprintcar race is delayed due to an accident, which is pretty funny. I also loved the scene where the thieves steal a car, bring it into their shop and in a matter of literally seconds are able to completely dismantle it piece-by-piece until only its bare shell is left much like the famous scene in The French Connection where a car gets taken a part in the search for drugs, but here it’s done even more quickly and thoroughly.

What I didn’t like was the editing, which is done in too much of a choppy style. It’s very hard to get into the characters when their scenes and conversations are limited to only a couple of minutes and a few lines of dialogue before it quickly cuts away to another scene somewhere else. It would’ve worked better had it slowed the pace down a bit and allowed the elements to percolate instead of having this rushed feel. There’s also a some storylines that had potential, but aren’t followed through enough including the conservative mother of James’s girlfriend, which could’ve been ripe with far more confrontation than it ultimately does.

The action gets captured in too fleeting of a way and there isn’t as much of it as you’d expect despite its reputation as being an action movie. The climactic car chase showdown is too brief though it does feature some good camera angles that makes the viewer feel like their a part of it, but this also ended up taking the life of one of the cameramen, David Brostoff, who got too close to one of the cars and ended up getting run over. (The footage that he shot was left in while the movie is dedicated to his memory)

As crazy as it sounds it also would’ve been nice had it come with an English subtitle option. While the language is in English the Aussie accents are strong and it’s not always completely clear what they’re saying. I felt like I was missing a few words here and there especially with its quick pace where an actor would say a short line and then there’d be an immediate cut to something else.

My Rating: 6 out of 10

Released: February 17, 1983

Runtime: 1 Hour 27 Minutes

Not Rated

Director: Quentin Masters

Studio: Roadshow Films

Available: DVD-R (Domestic Import Region 0)

Stork (1971)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Outcast falls in love.

Graham (Bruce Spence), who goes by the nickname Stork, is a rebellious left-wing radical who finds working to be an impediment to his time and freedom and therefore is routinely fired. After losing his most recent job by doing a striptease in the office he’s allowed to move-in to his friend Westy’s (Graeme Blundell) apartment, which he also shares with Clyde (Helmut Bakaitis), Tony (Sean Myers) and Anna (Jacki Weaver). Anna is promiscuous and sleeps interchangeably with both Clyde and Tony, and on rare occasion, even Westy. Stork wants in on the action, but Anna is more concerned with finding him a job instead eventually though they have sex only to have Anna inform everyone that she is pregnant, but nobody knows whose baby it is.

The film was a landmark in Australian cinema in that it became the first box office success in Aussie history and cemented the idea that domestic films made in Australia could find an audience. Before that most Australian theaters only showed movie from Britain and Hollywood, so this film and its success helped usher in what became known as Australia’s New Wave. This was also the first film written by the prolific David Williamson, which he states was an autobiographical account of his own life and based on the hit play ‘The Coming of Stork’, which also starred Spence.

The funniest aspect of the film is simply Spence himself, whose tall, gangling body and freakish looking face gives the movie its necessary edge. He initially wanted to quit during the production as he felt he wasn’t right for the part nor ready to take on the pressures of movie acting, but director Tim Burstall convinced him to stay, which is good as the movie wouldn’t have worked without him. Weaver is also quite enjoyable playing a more subdued personality, which is in complete contrast to Stork’s, which is what makes their relationship intriguing.

I enjoyed the dream-like segments where Stork imagines himself working at different alternative jobs with the best one being the one he does in Antarctica, but the film is unable to maintain the fast pace style that was needed for the quirky material to work. Too many long, drawn-out segments in-between the fantasy moments that does nothing, but drag the whole thing down. The story is unfocused with too much time spent on Stork looking for a job while the relationship angle get pushed to the side until the third act.

The characters are not well defined either. Stork is certainly a rebel, but what made him become this way? It would’ve helped had we learned more about his relationship with his family and is upbringing, but that never comes. Anna’s sleeping around is quite unconventional particularly doing it with men who live together, but we’re never given much insight to what makes her tick, nor how the men accept this behavior as most, especially during that era, would be possessive and not keen with ‘sharing’ a girl with their friends, but why they’re so opened-minded is never made clear.

Spoiler Alert!

The ending, which has Anna getting married to Clyde, but letting Stork tag along creating another threesome scenario, leaves open too many unanswered questions. It would’ve been nice had more been shown of this new arrangement and whether it was able to work-out, but since it doesn’t it becomes an unsatisfying character study.

My Rating: 6 out of 10

Released: December 27, 1971

Runtime: 1 Hour 25 Minutes

Not Rated

Director: Tim Burstall

Studio: Roadshow Films

Available: DVD (Region 4 Import, Out-of-Print)