Tag Archives: Barcelona Spain

Rapists at Dawn (1978)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Teen boys assault women.

Rubiales (Manuel de Benito), Quinto (Daniel Medran), Rafi (Bernard Seray), Cana (Cesar Sanchez) and Cana’s pregnant sister Lagarta (Alicia Orozco) roam the streets of Barcelona, Spain looking for young women to assault. The boys live on the poor side of town and are from abusive home lives with little future except working boring, low paying jobs. Feeling that society has ‘discarded’ them they they take out their hostilities on the pretty women that they meet. They pick their victims at random usually as they spot them getting out of their cars and go walking into their schools many times while in front of the victim’s family member who’ve just dropped them off. They then take the women to an isolated area and proceed to gang rape them while Lagarta acts as the look-out. The police are aware of the crimes, but seem helpless to do much about it. When they catch the boys in the act and try to arrest them the boys manage to escape making them confident that they can’t be stopped.

While films like I Spit on Your Grave and Irreversible get all the attention as being the ‘last word’ in rape movies, this one, if it was better known and more attainable, would trump those. The rapes here are graphic, prolonged and quite violent. Some will complain that it’s exploitative while others will argue that if you’re going to show rape for the violent crime that it truly is then it must be captured in all of its unpleasantness and toning it down for the sake of good taste does a disservice. Personally I found the brutal nature to be effective as I came away feeling really sorry for the victims, as it’s captured in such a real way you can barely see the acting and instead start to consider it more like a graphic documentary.

This movie also handles the aftermath in an interesting way by examining the debilitating effect the crime has on the victim psychologically and how they become like a different person. They’re outgoing and well-adjusted beforehand and then afterwards depressed, angry, and even ashamed. They turn sullen and anti-social to both their friends and family making it seem like they’ll never be the same again. The film also analyzes what happens when one of the women becomes pregnant, something that I don’t remember being touched upon in other rape films, and how the mother of the victim insist, due to religious reasons, that she keep the baby and not abort it, making her seem as cruel as the gang.

The thuggish boys are portrayed in an intriguing multi-dimensional way too. While they’re cocky when out and about they recoil and become like victims themselves when at home and dealing with their abusive fathers. I did like too that in their own twisted way they have ‘limits’ or  a ‘code of morality’ albeit a very weird one. A great example of this is when Lagarta becomes shocked when the boys continue to penetrate one of the victims even after she has clearly died. Normally Lagarta had no problem seeing them violently molest the women, but when one of them actually gets killed during the attack and the boys continue the assault it’s only then that she feels things have ‘gone too far’.

It’s hard to say what genre to put this one into. It’s not really a horror film as none of the women become Rambo-like by packing a big gun and going on a revenge tour against their assailants, which although emotionally satisfying isn’t realistic If anything it brings out how there are no easy answers, which makes it even more horrifying, but still thought provoking.

My Rating: 7 out of 10

Released: May 3, 1978

Runtime: 1 Hour 33 Minutes

Not Rated

Director: Ignacio Iquino

Studio: Ignacio Ferres Iquino

Available: DVD-R

Eyeball (1975)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Killer targets tour group.

A group of visiting Americans (at least they’re supposed to be American even though they sure don’t seem like it) traveling around Spain on a tour bus find themselves targeted by a killer in a red cape that gouges out the eyes of each of his victims. Suspicion soon centers on the culprit being one of the members of the tour group, but who could it be? Maybe it’s businessman Mark Burton (John Richardson) whose wife (Marta May) was suspected of a similar crime back home, or maybe it’s the elderly reverend (George Rigaud) who’s always spotted at the wrong place whenever the crimes are committed. Inspector Tudela (Andres Mejuto) has his hands full as the list of suspects keeps mounting almost as fast as the body count.

This film is a variation of If it’s Tuesday This must be Belgium, which involved a tour group from America going around Europe, but there it was played for laughs with no killings or mystery while here it tries for horror even though it would’ve worked better had some comedy been thrown as the dialogue gets very soap opera-like. The characters are a problem too as their reactions to the murders gets underplayed, which becomes unintentionally funny, and the way they blissfully continue on with the tour after each killing and acting like it’s no big deal makes them seem cold and inhuman.

The gore is cheesy particularly the fake looking gouged out eye sockets of the victims. In reality eyeballs are more oval shaped, but here they resemble ping-pong balls and the scene where the inspector takes out a small case in his office where he has collected each eyeball from each of the victims to show it to one of the witnesses comes off as being truly twisted.

On the positive end Bruno Nicolai’s bouncy musical score is distinctive and the sunny scenery, which was shot on-location in Barcelona, Spain, is scenic and helps add a visual appeal. The mystery at least on a minor level has intrigue and is full of all sorts of clues, which allows the viewer to play along and try to figure out who did it before the authorities do.

Usually I’m able to guess the identity of a killer long before anyone else does, but in this case I was honestly shocked, so in that regard it was fun even though the motivation for why the individual does it was over-the-top. If you’re looking for 90-minutes of a whodunit, which is ultimately all this thing really is, with just enough tacky gore thrown in for cheap laughs, then it might be worth considering.

My Rating: 6 out of 10

Released: January 24, 1975

Runtime: 1Hou 31Minutes

Rated R

Director: Umberto Lenzi

Studio: Estrela Films

Available: DVD-R (as The Secret Killer)