Tag Archives: Armand Assante

Animal Behavior (1989)

animal

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Cellist falls for biologist.

Alex (Karen Allen) is a biologist employed at a university where she is researching on finding new ways to communicate with chimpanzees including the use of sign language but finding it challenging in getting any funding. Mark (Armand Assante) works at the same school as an orchestra instructor. He meets Alex by chance and while their first encounter is awkward, he immediately takes an interest in her and tries to pursue a relationship. Alex is so involved in her work that she doesn’t pick-up on Mark’s advances initially and then when she does, she comes under the mistaken impression that he’s married which causes her to avoid him and making Mark believe that she doesn’t like him when deep down she really does.

The film, which has never been released on either DVD or streaming and can only be obtained from a very rare VHS print, is more known for its behind-the-scenes troubles than anything that goes on in front of the camera. The main issue was the squabbling, or ‘creative differences’ between director Jenny Brown and the producer Kjehl Rasmussen causing her to leave the project, which began filming in 1984. The production then ran out of money forcing it to be shelved for many years in an unfinished state before Rasmussen was able to receive enough funding to complete it with him as the director. However, out of its initial $3.5 million budget it was only able, after its limited release, to recoup a paltry $41, 526 at the box office making it a huge financial loss. It also came-out 4 years after one of its stars, Alexa Kenin who plays a not very talented cello student, died mysteriously at the young age of 23 for causes that are still unknown to this day.

Despite all of its production problems I came away finding it not too bad and enjoyed the orchestral score and the giant animated musical notes that appear during the opening credits as well as the vast New Mexico landscape. Assante is an interesting casting choice as he plays the romantic lead not in a lovesick way but approaches it instead in more as a matter-of-fact type, which you’d expect a person working in Academia might do. I did though find his ability to handle chimps as relaxed and comfortable was a bit of a missed opportunity as having him afraid of them, which is what I think most people would be like, would’ve given their young relationship more of a challenge to work through and thus more intrigue to the story.

His inability to every criticize Sheila, played by Kenin, who is a very poor cello player, made him in-turn come-off as a failure of a teacher. Granted the film wanted the viewer to like the Assante character and if his criticism of her playing was too harsh it might make them turn-on him, but the guy is her teacher and not her friend. A friend is someone that doesn’t want to hurt the other person’s feelings, but a teacher is paid to get to the source of the problem. If he is just going to allow this student to leave in a delusion that she’s a competent then when is she ever going to get better, or be motivated to improve? A good teacher is obligated to call a student’s attention to their shortcomings and by avoiding doing this he comes-off as weak and ineffective.

While Allen’s performance is also good, I had some problems with why Assante would want to get into a relationship with her. It’s clear from the get-go that she’s so into her chimps that she’s out of touch with everything else around her. Why pursue someone romantically who’s always going to put her monkeys first and make him have to constantly compete with them for her attention?

A far better love interest would’ve been Coral that gets played by Holly Hunter who is an absolute scene-stealer and gives the movie some much needed spunk. This was before she won the Academy Award, so her role is limited, but she still makes the most of it playing a single mother with an autistic child, played by Crystal Buda. She is a neighbor to Assante and the two get into a quasi-style relationship though they don’t have any sex, but I didn’t know why she didn’t want to pursue further past the friendship level as they seemed quite compatible and it would’ve allowed in more drama forcing both her and Allen to compete for the same man, which could’ve lead to some juicy confrontations.

Josh Mostel, as Assante’s friend, is fun, not so much for anything he says, but more for his big white-guy afro. The climactic sequence, which takes place in a large scale maze made out of hay bails is diverting simply because it’s never been used before, or since. However, the characterizations of the University faculty, who are portrayed as being stiff, uptight, while also a bit ‘wacky’ is too broad to be either amusing or insightful.

My Rating: 4 out of 10

Released: October 27, 1989

Runtime: 1 Hour 28 Minutes

Rated PG

Director: Jenny Brown

Studio: CineStar Productions

Available: VHS, DVD-R (dvdlady.com)

Private Benjamin (1980)

private-benjamin

By Richard Winters

My Rating: 7 out of 10

4-Word Review: She joins the army.

Judy Benjamin (Goldie Hawn) is having a tough time. She is only 28, but has already been married twice. The first time was for 6 years while the second time was for only 6 hours as husband number 2 (Albert Brooks) ended up dying of a heart attack while they made love on their wedding night. Heartbroken she calls into a radio show for advice and gets hooked into joining the army by an unscrupulous recruiter (Harry Dean Stanton) who makes it sound like it would be far more pleasant than it really is. At first Judy has a hard time adjusting to the rigors of a demanding Captain (Eileen Brennan), but eventually she finds new found self-esteem and coping skills that she never would’ve attained in the civilian world.

The film starts out awkwardly and a better scenario about how she joins the army could’ve been thought-up, but once it moves into the training camp segment it gets funny. In fact I would’ve extended these scenes more as it’s the best laugh-out-loud moments in the movie. Kudos also goes out to the editing by Sheldon Kahn who creates sharp transitions that accentuates the humor.

Hawn, who was pregnant with Kate Hudson when she was offered the role and had to go through 6-weeks of basic training to prepare for the part, is excellent in a film that helped bring her career out of the doldrums. In fact I would say this is one of her best roles and I enjoyed how the character becomes more confident and independent as it goes along.

Brennan is terrific as the nemesis and I wished her conflicts with Hawn had been played-up more. The character disappears too soon and manages to return briefly, but isn’t as effective. Her brief romantic encounter with the Craig T. Nelson character should’ve been cut as I saw this woman as being frigid, or even a closet lesbian who was married to the army because that is all she had, which made the scene where Hawn puts blue dye into Brennan’s showerhead seem cruel to me. Yes, she had been mean to Hawn earlier, but that was only because she felt her army career, which again was essentially her whole life, was being threatened and the other women should’ve been more sympathetic to that.

Hal Williams is good in support as the Sargent as is Sam Wanamaker as Judy’s overly protective father. Albert Brooks though is horribly wasted as the second husband and his heart attack is much too quick and mild to be realistic. Stanton is also shamefully underused playing an army recruiter that should’ve been investigated and out of a job for the outlandish misrepresentations that he gave.

The film does go on a bit too long and includes Judy’s romance with the Armand Assante character that seems like a whole different movie, but overall it still works although this has to be the tamest R-rated movie ever. I realize this was before the PG-13 era, but it still should’ve gotten a PG as the only ‘objectionable’ elements consist of the word ‘shit’, which is said once, a simulated sex scene that is brief and done with the characters under the covers and a segment involving the girls sitting around a campfire smoking pot. In fact 9 to 5, which came out that same year and was given a PG rating, had a similar pot scene that was much more extended.

My Rating: 7 out of 10

Released: October 7, 1980

Runtime: 1Hour 49Minutes

Rated R

Director: Howard Zieff

Studio: Warner Brothers

Available: DVD, Amazon Instant Video, YouTube

Little Darlings (1980)

little darlings

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Competing to lose virginity.

Ferris (Tatum O’Neal) is a prissy girl from a rich family who attends summer camp along with Angel (Kristy McNichol) who’s more brash and streetwise. The two get into a competition to see who can lose their virginity first. The rest of the girls in the camp take sides and place bets.  Angel sets her sights on Randy (Matt Dillon) a cute boy from a neighboring boy’s camp while Ferris goes after Gary (Armand Assante) who is one of the adult camp counselors.

The film is for the most part okay and amounts to nothing more than a slice-of-life glimpse at adolescent girls and the snotty and sometimes peculiar ways that they perceive things. Most movies that portray this age group go too much to one extreme either by showing them as being overly bitchy or too innocent, but this film manages to find just the right balance making their conversations and overall scenarios believable and amusing.

I especially liked Krista Errickson as the spoiled and snobby drama queen Cinder. Normally these types of characters can be quite annoying and overplayed, but Errickson makes it fun and a major plus to the movie.

The film also has a few funny scenes including the one where the girls steal an entire condom dispensing machine from a men’s bathroom and then take it back to camp where they have to smash it with crowbars in order to finally open it. The massive food fight in the cafeteria is a hoot as well.

McNichol is excellent particularly with the way she can become teary-eyed seemingly on cue. I also enjoyed Alexa Kenin an engaging actress that died under mysterious circumstances at the young age of 23 who plays Dana here and helps ‘coach’ the two on what it is like to have sex. This also marks the film debut of Cynthia Nixon playing the hippie girl Sunshine.

The dramatic moments between Angel and Randy help give the film a little more depth and dimension, but also completely ruins the comic momentum. I also felt the film could have been funnier and didn’t take enough advantage of its setting or plot.

The Armand Assante character is another issue. Although he does not have sex with Ferris she does let it get around the camp that he did, which these days would have him fired and thrown into jail before he would even had a chance to defend himself. Although the girls do finally go and tell the truth later on I felt seeing him still working at the camp at the end while acting unblemished from it seemed to be a bit of a stretch.

I was also stunned that this film was given an R-rating. I realize the storyline is a bit titillating, but there is not nudity or sex shown as well as no violence or foul language. The sexual conversations that do occur are never explicit or crude and overall the film has an innocent quality to it.  13 and 14-year-olds do talk and think about sex as they certainly did when I was growing up and that shouldn’t make this an ‘adult movie’.  In fact I think young teens would be the ones to find this movie the most appealing as adults are likely going to consider it rather banal. The R-rating unfairly prevented the target audience from viewing it and showed just how misguided, useless and confusing the rating system can be.

This film has attained quite a cult following namely for the fact that it has never been released onto DVD and most likely never will. Part of the reason for it is because of its musical soundtrack and the licensing agreements that come with. There are some good tunes here including Ian Matthew’s ‘Shake It’ that opens the film as well as Blondie’s ‘One Way or Another’. Unfortunately other classic rock songs that were on the theatrical version failed to make it onto VHS, which is the only format this film can currently be seen on.

My Rating: 5 out of 10

Released: March 21, 1980

Runtime: 1Hour 36Minutes

Rated R

Director: Ronald F. Maxwell

Studio: Paramount

Available: VHS