Tag Archives: Alyssa Milano

Old Enough (1984)

old4

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Friendship over the summer.

Lonnie (Sarah Boyd) is a pre-teen living in an upscale neighborhood of New York while 14-year-old Karen (Rainbow Harvest) resides in a working class area. The two have many differences including Karen being Catholic while Lonnie is secular. Despite their contrasts they forge a tenuous friendship where Karen gets Lonnie to do a lot of things she wouldn’t do normally. Lonnie though enjoys the change of pace and getting away from having to go to summer camp everyday. However, when a sexually promiscuous woman named Carla (Roxanne Hart) moves into an apartment next to Karen’s she worries that her father (Danny Aiello) is having an affair with her. Lonnie knows it’s really Karen’s brother Johnny (Neill Barry) that’s been sleeping with her, but when she tries to tell Karen Johnny threatens Lonnie with violence.

The 80’s was known for its abundance of teen oriented flicks and with the exception of the John Hughes movies many of them were low grade. It seemed like it was impossible to make a movie about adolescents that didn’t require wild parties, abortions, crude language, and sexually provocative themes and yet this one manages to avoid all of that and is way better for it. It’s not like they’re squeaky clean either as they do at one point engage in shop lifting, but it’s all on a smaller scale focusing more on the little coming-of-age moments that happens to all of us when growing up without the over-the-top nonsense.

The acting by the two leads is perfect though Leonard Maltin in his review, or whoever wrote it for him, complained that Rainbow Harvest didn’t have much of a ‘screen presence’ though I felt she did just fine. One thing is clear is she definitely had hippie parents as that’s her given name and not a stage one. What I got a kick out of most about her character is that she’s streetwise in certain areas, but glaringly unsophisticated in others much like a teen at that age would be. Her indoctrination into Catholicism I found the most intriguing as she’s required to attend Catholic school and go through all the necessary rituals when she does something bad like reciting a specific prayer out loud and going to confession, which she does yet she continues to be susceptible to temptation including stealing money from a sleeping lady at one point. This made me wonder if having kids go to a religious school versus a public one really builds the ‘moral character’ that it’s intended, or they just end up doing what they want anyways and getting into just as much mischief as a regular kid who was not raised with any religion.

Boyd is excellent though she looks a bit too young. She states in the movie that she’s 11 and a half (IMDb incorrectly says her character is 12), but she looks more like she’s only 8 or 9. It was possible the intention was to make her younger than Karen in order to convey that she was more sheltered, but I think this could’ve been done with the girls being the same age. Again, I enjoyed Boyd’s performance, but her tiny frame made me nervous that she wouldn’t be able to defend herself and there are a few moments with guys where it comes close. Fortunately the movie never takes these moments too far, but it still ends up coming off like she’s a child more than someone ready to enter adolescence though the  shocked looks on her face, which happens frequently, are the film’s highlight.

Alyssa Milano is great too in her film debut playing Lonnie’s kid sister. She’s better known for her work in her other 80’s movie appearance Commandobut her acting here is better and while she’s not in it a lot she does manage to steal the scenes that she has.

Maltin complained the film was ‘too mild’, but for me that’s the selling point. Keeping it on a microcosmic level made it more relevant and reminded me of my own experiences growing up in the 80’s. In fact I’d rate this as being one of the better teen films from the decade and it’s no surprise it ended up winning first prize at the 1984 Sundance Film Festival.

My Rating: 7 out of 10

Released: August 24, 1984

Runtime: 1 Hour 32 Minutes

Rated PG

Director: Marisa Silver

Studio: Orion Classics

Available: DVD, Tubi, Amazon Video

Speed Zone (1989)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Another cross-country race.

A collage of wacky characters convene to a countryside inn, which will be the starting point of another illegal cross-country race known as the Cannonball Run that will have people driving their cars from Washington D.C. to Santa Monica, California in record time with the winner receiving $1 million. Many attempts have been made in the past to stop it, but to no avail. However, this time Police Chief Spiro T. Edsel (Peter Boyle) makes a commitment to stymie the race any way he can, but as usual the participants are able to complete it without much hassle.

This is the fifth attempt at making a movie dealing with the real-life race called Cannonball Baker Sea-to-Shining Sea Memorial Trophy Dash that would start on the east coast in either New York or Connecticut and finish at the  Portofino Inn in Redondo, California. The race was run 5 times during the 70’s with the last one occurring on April 1, 1979. 4 other movies had already been made on this same subject and include: The Gumball RallyCannonball!, The Cannonball Runand Cannonball Run IIWhile those films featured some exciting stunt work the comedy elements and characters were usually quite lame and cartoonish and the box office receipts, particularly for Cannonball Run II, had slowed completely after an initially good first weekend making it seem that producers would realize that this theme had run its course, but Hollywood being Hollywood stubbornly decided to resurrect the idea and even offering Burt Reynolds a big sum of money to reprise his role, but he refused.

Initially I thought this one might be a bit of an improvement as it starts out right away with a Lamborghini, driven by John Schneider, being chased down the highway by a bunch of cops, which if you’re going to do a movie like this is the way it should be done. Keep the emphasis on the action and car stunts while minimizes the comedy and dialogue. Unfortunately this unravels pretty quickly by first having the Lamborghini skip across a lake, which was proven on the Myth Busters TV-show not to be possible, and then deviates to the cartoonish characters standing around interacting with one another, which is not funny and not what people who came to watch a car race movie want to see.

Outside of Jamie Farr, who reprises his role as an Arab sheik, but is fortunately only seen at the beginning, the rest of the cast is made up of new faces not seen in any of the previous ones, but having a new set of people playing the same campy roles doesn’t help. Boyle gets listed as having a lead role, but his character really doesn’t do much and is so ineffective at impending the race you wonder why they even bothered to write-him into the script. Tim Matheson too plays a character that isn’t funny and I can only imagine that he took the part, much like the Smothers Brothers who also appear here, simply for the money, but certainly this cannot be anything they’d want to highlight on their resumes.

I did like John Candy who unlike the rest actually seems more like a real person and not just a buffoonish nut. Unfortunately he gets paired with Donna Dixon as his driving partner who speaks in an affected Brooklyn accent, which I found quite annoying. They should’ve had his SCTV-alum partner Eugene Levy ride with him as the constant bickering the two shared along with their contrasting personalities would’ve been amusing.  Alyssa Milano has a good bit as a student driver being instructed to pass all cars that are foreign made. I really liked Brooke Shields appearance too where she plays herself working as a flight attendant so she doesn’t have to settle for ‘bit parts in movies’. In fact her part is so funny it’s the only reason I’m giving this otherwise stupid dreck 2-points.

My Rating: 2 out of 10

Released: April 21, 1989

Runtime: 1 Hour 34 Minutes

Rated PG

Director: Jim Drake

Studio: Orion Pictures

Available: VHS

Commando (1985)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Father rescues kidnapped daughter.

John Matrix (Arnold Schwarzenegger) is a retired colonel from the U.S. special forces who is now living the peaceful, quiet life with his young daughter Jenny (Alyssa Milano) in a secluded mountainside home. Then when day he gets visited by his former superior (James Olson) who advises him that the other members of his former unit have all been killed off. Before he has a chance to react a group of mercenaries converge on his home and kidnap his daughter. John tries to stop it, but can’t and is eventually drugged where both he and Jenny are taken to a secret location where they meet Arius (Dan Hedaya) the group’s leader. He tells John that he can have his daughter back once he carries out an assignment to assassinate the President of a South American country known as Val Verde. As John is being taken onto the airplane to carry out the plan he fights back by overpowering his captors and he then goes on a mad dash to retrieve his daughter before it is too late while using the assistance of Cindy (Rae Dawn Chong) an off-duty flight attendant that he meets along the way.

The one good thing about a Mark L. Lester directed film such as this is that it moves fast, so you get reluctantly caught up into the action before you realize just how dumb and threadbare the story and characterizations really are. For the first 45-minutes it kind of works with the best stunt coming with Arnie escaping out the cargo bay exit door of the airplane and out onto the landing wheel of the aircraft before jumping into some swamp land just before the plane takes off.

Unfortunately this ends up being the film’s only highlight as everything that comes after it gets overdone to the point that it almost starts to seem like a farce and might’ve worked better had it been played up as being one. Watching Arnie fight off a bunch of security guards while inside a mall by having them all fall down like bowling pins with one blow of his fist looks too much like something used in a slapstick comedy. The scene where he tears a phone booth from a wall and lifts it high over his head is ridiculous as no matter how strong a guy is lifting something up like that will certainly destroy or injure a person’s back.

This brings to light the film’s other issue, which is the fact that Arnie never ever gets injured, or if he does he miraculously recovers from it in a matter of seconds. Watching him shoot down all these mercenaries like they were a part of a video arcade game while hundreds of bullets go whizzing by his head, but never  actually hitting him is when I got totally tuned off from it as it ceased to be believable and I was constantly glancing at my watch every two minutes just praying that the whole stupid thing would quickly end.

Chong, who is an actress that is usually able to convey a strong personality came off here as one of the most annoying elements in the movie. The fact that she would so quickly jump into helping Arnie find his daughter even though she had just met him and jeopardizing her own life and career along the way didn’t make much sense. The scene where she is able to fire a rocket launcher despite having no experience was another head-scratcher. She states that she had simply ‘read the directions’ on how to use it, but how would she have had time to read anything when every waking second is spent with them chasing after the bad guys.

Milano, who is probably better known these days for her political activism instead of her acting, gives a flat and forgettable performance. Hedaya is equally blah as the villain although I’ll give him credit for effectively looking and sounding Latino despite being Jewish in real-life. The biggest disappointment though is Vernon Wells who plays Arnie’s muscular nemesis and tries taking him on one-on-one at the end, but when compared to Arnie’s massive physique Wells looks pretty puny and an actor should’ve been cast that would’ve looked more like Arnie’s physical equal in order to come off more like a legitimate threat.

A director’s cut of this film is also available, which adds in a few more scenes and has a minute longer runtime than the studio version, but to me that’s just one more minute of your life wasted watching this dumb thing that you’ll never get back.

My Rating: 2 out of 10

Released: October 4, 1985

Runtime: 1 Hour 30 Minutes

Rated R

Director: Mark L. Lester

Studio: 20th Century Fox

Available: DVD, Blu-ray, Amazon Video, YouTube