Category Archives: Satire

The House of God (1984)

the house of God 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Caustic look at medicine.

This is an interesting, honest, and incisive look at the inner-workings of an average, everyday hospital. Here we have a group of interns fresh out of medical school that come face-to-face with the harsh realities of the hospital ‘business’. Their youthful ideals and energy is soon stamped out and replaced by apathy and indifference because of the ‘system’.

Even if you have no connection to the medical field you may still find this relatable. The hospital business really is just like the everyday business world with the same politics and contrasting personalities. In particular there’s the Jo character, which is well played by Lisa Pelikan. She is called a ‘slurpy’ and can best be described as a ‘company person’ someone with no outside life and thus becomes married to her job. She goes “all out” for every patient, even if they don’t want it, simply to hide her own emptiness and need for approval. You can find one in any office as well as an administrator who is completely oblivious to what is going on and tries to solve all issues by simply talking in circles.

The core group of interns is very identifiable. They start out as one, but eventually break apart. Some adopt the system and even play into it. Others begrudgingly learn to accept it while still others decide to simply drop-out altogether.

It is hard to put this film into any one type of category. It starts out as a sort of absurdist comedy, but then becomes much more realistic. There are moments of both satire and drama, but the second half becomes all serious.

There’s no real cinematic style and the overall visual quality is blah. The film can’t really be described as entertaining either. It’s more like an informative film by someone in the know. If you want to be ‘educated’ about what a hospital environment is really like then this needs watching. Charles Haid’s “Fatman” character alone makes it worth it.

Based on the novel by Samuel Shem this film was shelved by its studio and never released either theatrically or on video, which was unusual since this is a quality picture. This was supposedly from pressure by the American Medical Association who felt it painted too much of an unflattering light on hospitals although the book was even more critical. Finding a copy can be difficult although recently it has been broadcast sporadically on THISTV network.

house of God 1

My Rating: 7 out of 10

Released: None

Runtime: 1Hour 48Minutes

Rated R

Director: Donald Wrye

Studio: MGM

Not available at this time.

Eat the Rich (1988)

eat the rich

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Rich feed the poor.

This is an extremely garish mixture of loud music, ugly visuals, and shock comedy. The story is about a waiter, a gay man with a real fun bitchy attitude, who gets fired when he refuses to suck up to the arrogant clientele. He gets revenge by banding together other misfits who return and kill everybody and then feed the dead bodies to new unsuspecting patrons.

Sounds gross and tasteless, but it really isn’t. There’s no nudity or sex and no graphic violence or gore. A little bit more of these things would have actually helped. At least it would have solidified it as the underground shock comedy it seems to be striving to be. Instead it’s cluttered with no real objective or foundation. At times it plays like biting social commentary and at other times nothing more than a silly gross out teen flick

By the time you get to the way off-base ending it becomes obvious that the filmmakers were trying to be outrageous simply as a way to get noticed. There is no real insight to the have and have-nots of society. They simply came upon the idea because they felt it would appeal to the type of audience they were looking for.

This is too bad because had it been a little more polished it might have been a stronger film. Believe it or not there are some clever bits. The jabs at the Queen are a riot. The scene involving terrorism and the Middle East crisis is a true original. The rich characters are so over-the-top obnoxious you have to laugh-out-loud.

The true scene stealer though is Nosher Powell. He is a former stunt man/ stunt coordinator who worked on many of the stunts in the early James Bond movies. Here he plays a sort of Teddy Roosevelt times ten a ‘working class’ politician who bullies everyone and everything. The actor has a rather rough, amateurish delivery which only adds to the saltiness of the character.

My Rating: 5 out of 10

Released: April 22, 1988

Runtime: 1Hour 30Minutes

Rated R

Director: Peter Richardson

Studio: Recorded Releasing

Available: VHS, DVD, Amazon Instant Video

Rhinoceros (1974)

rhinoceros

By Richard Winters

My Rating: 6 out of 10

4-Word Review: People turn into rhinos.

Much maligned film is really not as bad as its reputation states. Yes the scenes and scenarios are at times awkward and stilted. The sets and color schemes run from being drab to horribly garish. The music is loud and obnoxious and doesn’t fit the mood of the film at all. Also despite having the name in its title and being all about rhinos you never actually see one. Sure it’s low budget, but even some stock footage of one from “Wild Kingdom” would have helped.

Yet even with all this the film still has its moments. It’s based on the Eugene Ionesco play and involves everyone getting turned into a rhinoceros. Zero Mostel, Gene Wilder, and Karen Black all resist, but slowly unravel to the ‘peer pressure’ and wanting to be ‘part of the crowd’. The outrageous premise is simply a front to examine the human phenomenon known as conformity, both on those that do and those that don’t. It is rare that anything tackles this subject with any serious study, yet this one does. The observations are, believe or not, quite interesting and accurate and Wilder really does make a terrific non-conformist.

The best part though may actually be one of filmdom’s most bizarre scenes ever. It features Wilder and Mostel alone in a room where Mostel slowly turns into a rhino. The scene goes on for well over twenty-five minutes and features no special effects or makeup. It relies totally on Mostel and his acting range to pull it off. He gives it an amazing amount of energy and seems more than up to its weird demands. It’s definitely worth a look for this scene alone.

My Rating: 6 out of 10

Released: January 21, 1974

Runtime: 1Hour 44Minutes

Rated PG

Director: Tom O’Horgan

Studio: American Film Theater

Available: DVD, Amazon Instant Video

Meet the Applegates (1990)

meet the applegates 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Bugs turn into people.

Giant Brazilian Beetles take human form and disguise themselves as a typical suburban family. The father beetle Richard (Ed Begley Jr.) gets job at a nuclear plant, which he plans to use to destroy mankind and thus save their species and the rainforests from human progression.

This cultish-like comedy pretty much kills itself from the beginning by having a farfetched premise that it never bothers to explain. Just how do these giant beetles learn to take human form? Nothing is shown or mentioned. Even a really, really stupid explanation would be better than nothing at all.

The film does have a few good points, which allows you to stick with it despite the complete absurdity. One is the fact that it tackles the very serious issue of environmentalism. If anything it gets the general viewer a little more aware of the problem and by putting the bugs in human form makes them sensitive to their situation.

The film also has its witty moments as it analyzes the different habits of both bugs and humans. The best part may actually be a rather simple bit when the bug wife Jane (Stockard Channing) is not in the mood for sex so Richard grabs a science magazine with large pictures of insects and then ‘gets-off’ on it in the bathroom. There is also a side story dealing with the wife’s obsessive use of credit cards that is right-on-target.

Yet within all the offbeat humor there is also an amazingly high level of inconsistencies. These bugs seem to know a lot about certain technical gadgetry, but then not in other areas. They respond to some things in an odd creature-like way and then at other times like a regular person would. The scenes involving sexual relations between these bugs and other humans seem very unnatural and highly preposterous.

The acting runs hot and cold. Begley can be good in offbeat and nerdy roles, but as a family patriarch he just does not cut it. Robert Jayne as the son Johnny is terrible. He has a dazed expression on his face throughout like he was hit on the head a few times and acts like he was never in front of a camera before. On the plus side it’s nice to see Stockard back to doing comedy as she has a good knack for it. Dabney Coleman is fun even though he is pretty much wasted though seeing him dressed in drag and calling himself ‘Aunt Bea’ is genuinely funny.

Overall the film looks rushed and may have had studio tampering. The special effects are cheap and although some of it is passable most of the time it is downright deplorable. The ‘feel good’ ending is excruciating. Director Michael Lehmann seems to be another casualty to the dreaded sophomore jinx. Heathers, which was his first feature was a great success, but even though this film has its moments it cannot come together as a whole.

meet the applegates 2

My Rating: 4 out of 10

Alternate Title: The Applegates

Released: November 8, 1990

Runtime: 1Hour 30Minutes

Rated R

Director: Michael Lehmann

Studio: Triton Pictures

Available: VHS (as ‘The Applegates’)

Cry-Baby (1990)

cry baby 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: The Greasers are cool.

Director John Waters films, which are sometimes referred to as ‘an exercise in bad taste’, are indeed an acquired taste.  Some label his films from the late 60’s and early 70’s like; Mondo-Trasho, Pink Flamingoes, and Female Trouble to be tasteless, exploitative, and trashy. Yet those films also have a very fervent following. I for one found them to be perversely brilliant.  However, when Waters decided to ‘sell-out’ and go more mainstream Hollywood, his stuff became too toned-down. The humor lost all of its edge. The original Hairspray that came out in 1988 was a particular disappointment. It seemed like nothing more than a stretched out sitcom with musical numbers.  This film, which came out two years later, does only slightly better.

The setting is a 1950’s Baltimore High School that has an intense rivalry between the leather jacket wearing, motorcycle riding ‘greasers’ and the more refined All-American clique. The lightweight story  follows a young, clean-cut girl (Amy Locane) who secretly longs to go out with the head of the greasers (played by Johnny Depp), but can’t due to her social standing.

If the film does anything right it is the fact that, in typical John Waters style, everything gets played up to the extreme.  The ‘model’ students are really snobby and annoying and the animosity between the cliques is strong. However, I couldn’t help but feel that there was a certain grain of truth to all this especially in that era where ones ‘reputation’, whether it be good or bad, was taken more seriously than it may be today. I thought the casting of Locane in the lead was perfect.  She has an appealing, girl-next-door face and her hidden feelings of wanting to venture out of her repressive social role are certainly relatable.  I also loved Depp in the male lead role. He is a gifted actor, but sometimes he seems to take himself too seriously, so it was fun seeing him ham it up. Female viewers may also like the fact that there is an extended scene where he is shown wearing nothing but his underwear.

The casting of the supporting actors is equally inspired if not incredibly quirky.  Polly Bergen gets what might by her finest role in her long, but modest career. Here she plays Locane’s very rigid, upstanding Mother that ends up loosening up a bit in amusing fashion.  Joe Dallesandro and Joey Hetherton are a hoot as an extremist religious couple.  David Nelson and Patty Hearst (yes, the same one that was kidnaped in the 70’s) are equally funny as the surbanites.  Waters veteran Mink Stole has a bit playing the most entertaining iron lung victim since Jose Ferrer played one in The Big Bus.  Kudos must also go out to Kim Holden who sports one of the most hilariously ugly faces since Cloris Leachman’s Nurse Diesel character from High Anxiety. The only mistake here is that they didn’t make the Holden character a villain, which they should’ve in order to really play it up.

Some of the comedy does have its moments.  I liked the part where parents go to an adoption agency and ‘shop’ for children who are set up like mannequins in a display window. The climactic car chase sequence in which the rival gang leaders play the infamous game of ‘chicken’ while riding on the roofs of their cars only to end up crashing into an actual chicken coop, is good. The rest of the film though is too silly and cartoonish without the outrageousness of Water’s earlier films.

The story is also too pedestrian without offering any new insight or perspective.  The characterizations are over-the-top broad and the whole thing ends up being vapid and forgettable despite a few chuckles here and there.  There are also some musical numbers in this, but the songs all sound alike.  The dance routines are dull and unimaginative, looking like they were done without a choreographer present.

Waters earlier work is still far better as it was independent film-making at its purest. Those films also starred Divine who is sorely missed here (she died a few years before). Of course any film that has Susan Tyrrell in it, arguably the most eccentric actress to ever grace the screen, gets a few more points, but not enough to save it.

My Rating: 4 out of 10

Released: April 6, 1990

Runtime: 1Hour 25Minutes

Rated PG-13

Director: John Waters

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Improper Channels (1981)

improper channels

By Richard Winters

My Rating: 1 out of 10

4-Word Review: The system is screwed.

Jeffrey Martley (Alan Arkin) is a middle-aged man soon to be divorced from his wife Diana (Mariette Hartley) who is driving along in his car with his 5-year-old daughter Nancy (Sarah Stevens) when he is forced to put on the brakes quickly in order to avoid hitting another vehicle. Sarah, who was not wearing a seatbelt since there were no such seat belt laws at the time, falls to the car floor and hits her head. It is a minor bruise, but Jeffrey takes her to the hospital as a precaution. As the doctors are examining her social worker Gloria (Monica Parker) overhears Jeffrey’s conversation with the medical staff and thinks that the injuries may have come from child abuse. She takes the child out of his custody and puts her into a protected foster home while she uses the help of a computer expert (Martin Yan) to come up with as much dirt from Jeffrey’s past as she can in order to prevent him from getting her back. Jeffrey and Diana hire a lawyer and try to fight the charges, but find that the system is against them.

This is a wretched attempt at satire that never gets off the ground. Director Eric Till’s bland direction makes this thing look like a TV-movie and the majority of it is more like a drama. The comedy is not very funny and the little that there is comes off as forced and out of place. Jeffrey’s and Diana’s situation becomes more harrowing as it goes along and this thing probably would have worked better and been more riveting had they kept it at a realistic and dramatic level all the way through.

The social workers are portrayed as being completely inept, incompetent, and malicious without any balance making me wonder if the writers had a major grudge against them in real-life. Gloria’s boss Harold Cleavish (Harry Ditson) is particularly unlikable and comes off as an all-around prick in every way. However, he does get the film’s one and only funny line when he chastises Gloria for believing that the social services profession is about helping people:

Harold: I have been in social services for 9 years and in that time I haven’t helped anyone and I hope to God that I never will. If you really want to help humanity then become a prostitute.

Hartley is a wonderful actress and I will never forget her Emmy award winning performance in a guest spot on ‘The Incredible Hulk’ TV-show unfortunately her career never took off despite a great debut in Sam Peckinpah’s Ride the High Country. Today most people probably know her for her Polariod commercials that she did with James Garner back in the 80’s. Even so she is great here and gives the material more effort than it deserves. Arkin who has played the man against the system many times seems strangely reserved.

The most annoying thing about the film is the ending where Jeffrey turns-the-tables and tries sticking it to the system. Having an average man who works as an architect and has no special computer experience break into the computer systems of the social welfare office and erase his records and send everything on the fritz is too exaggerated. Having him dump out streams of computer printout paper from the office windows and line the city streets with it is too goofy and unbelievable to be even slightly humorous. The filmmakers display a limited and confused understanding of the technological revolution and treat it like it is nothing more than a passing fad that can be easily taken down by the common man. The pat and silly wrap-up makes light of an otherwise serious issue and thus makes the entire production stupid and pointless.

My Rating: 1 out of 10

Released: April 17, 1981

Runtime: 1Hour 32Minutes

Rated PG

Director: Eric Till

Studio: Crown International Pictures

Available: VHS

Heathers (1988)

heathers

By Richard Winters

My Rating: 7 out of 10

4-Word Review: These girls are bitches.

Heathers (Kim Walker, Shannon Doherty, Lisanne Falk) are three beautiful teens all with the same first name of Heather who act as the bitch queens of their Ohio high school. Veronica (Wynona Ryder) strives to be accepted into their exclusive clique and eventually does, but feels guilty about having to ignore her old friends as well as not particularly liking her new ‘friends’. In comes J.D. (Christian Slater) a rebel who decides to shake up the status system by killing off all of the snotty girls and jocks and making it look like suicides. Veronica reluctantly goes along with it, but when J.D. decides to blow up the entire school in order to make ‘a statement’ she decides things have gone too far.

Daniel Water’s dark script is incisively on-target and filled with original quotable lines of dialogue. Director Michael Lehmann gives the proceedings a nicely surreal touch with just a pinch of satire with the funeral scenes of the victims being the funniest and most creative. The characters are pretty much portrayed on the negative side, but the caricatures have a lot of truth to them and it reminded me a lot of my high school days.

What really makes this stand out from other 80’s high school movies is the fact that it transcends the teen culture by showing how the adult world really isn’t much better and this high school is simply a microcosm of a cold, screwed-up world that it inhabits. In fact Veronica’s mother (Jennifer Rhodes) says it best when she states: “When teenagers complain that they want to be treated more like adults it is usually because they are being treated like one.”

Ryder is superb and I still consider this to be the best role of her career. The fact that the character is morally dubious, but still manages to stay likable makes it all the more fascinating. Christian Slater’s Jack Nicholson impersonation is irritating, but he is still a good pick for the part. The two share some particularly good exchanges including this one:

Veronica: “I just killed my best friend.”

J.D.: “And your worst enemy.”

Veronica: “Same difference.”

I must admit that I fell completely in-love with Kim Walker as Heather #1 as she possesses an amazingly beautiful face, which would be enough to make me want to watch her regardless of acting skills. I’m surprised that her career never took off and she was relegated to supporting roles in minor productions.

kim walker 1

However, she does get two great lines including:

“Fuck me gently with a chainsaw.”

And her most famous one:

“Did you have a brain tumor for breakfast?”

Unfortunately she gets killed off much too quickly when she is tricked into drinking some drain cleaner supplied to her by J.D., but she still looks  beautiful even with blue teeth and a blue tongue. What is even sadder and more perplexing is that in real-life she died at the young age of 32 by believe-it-or-not a brain tumor.

kim walker 2

Falk as Heather #2 is attractive as well although not quite like Walker. Her career never skyrocketed either and her biggest claim to fame outside of this is that she was the model on the cover of Foreigner’s Head Games album. Doherty as the third Heather may be the most famous of the three, but she is not as attractive. For the first half she didn’t even seem all that effectual but comes into her bitchy best during the second part.

Despite the fact that the teens were not using cell phones, or texting, or had any of the other technological advances of today the film doesn’t seem dated, which is another plus. Only two scenes really stood out to me in this area. One is when J.D. shoots at a couple of mean jocks (who are characterized in amusingly dim-witted style) with a gun full of blanks and he doesn’t get into any trouble for it. Off course in 1988 school shootings were unheard of, but today the place would be put on lockdown and J.D. would not only be suspended but probably serve some jail time blanks or not. Another scene involves Veronica and J.D. planning to ‘humiliate’ these same jocks by making it look like they are gay lovers, which today would get Veronica and J.D. labeled as being homophobic.

Although I enjoyed the scene where J.D. gives Veronica the finger only to have it shot off I did find the second half not to be as slick and the concept itself seems to get stretched too thin. The script’s original ending called for a prom to take place in heaven and featuring the teens in different cliques than the ones they were in on earth, but unfortunately the suits at the studio in typically stupid fashion nixed that idea and went with a rather dopey and contrived one instead.

There is also ample argument to the fact that most investigators probably wouldn’t be fooled by these staged suicides and instead consider them the homicides that they were, but because it was all done in the satirical vein I’m willing to overlook it in what is otherwise one of the best high school movies ever made and one that enjoys a considerable cult following. There are also apparently rumors of turning the film into a TV-series where a grown Veronica returns to her hometown with her teen daughter who must now contend with a new generation of teen bitch queens named Ashley.

My Rating: 7 out of 10

Released: October 1, 1988

Runtime: 1Hour 43Minutes

Rated R

Director: Michael Lehmann

Studio: New World Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Up in the Cellar (1970)

up in the cellar 3

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Senior citizens watch porno.

This is a variation of the film Three in the Attic and for a time was called Three in the Cellar to try and capitalize off of the success of that one. Ironically both films starred Judy Pace. In this one Colin Slade (Wes Stern) is a nerdy college student who loses his scholarship to a computer glitch. When he can’t get college president Maurice Chamber (Larry Hagman) to help him, he decides to get revenge by seducing both his wife (Joan Collins) and daughter (Catlin Adams).

The production proudly proclaims to be filmed on location in New Mexico, which is obvious from the start and nothing to really boast about since it hurts the film as a whole. Shot in wintertime it’s dusty, desolate landscape leaves the viewer with a cold, lonely feeling, which configures poorly with a story that is supposed to be lighthearted and whimsical. The big, modern cement buildings used as the campus looks like they would be better suited for a corporation than a student body. The students themselves, or what little you see of them, look all suspiciously over the age of 24.

Director Theodore J. Flicker nicely camouflages the fact that this is a very low budget production. His script is compact and well-paced. He frames and cuts his shots so you don’t notice how lacking in personality or energy it really is. Yet he also shows little connection to the student uprisings that dominated the campuses of that era and seems to view it as a sort of silly amusement. He keeps the film at this tone the whole time and thus makes it as silly and forgettable as the characters and situations he tries to satirize

Hagman comes off best. He plays it with a fun mixture of traits from two of his best known characters. He has J.R. Ewing’s arrogance coupled with Major Nelson’s frantic anxiety.

The film also has two fun and unique scenes. One has Hagman climbing up an actual radio tower to save Stern who is threatening to jump off. The second one has a pornographic movie shown to a group of unsuspecting and shocked senior citizens

My Rating: 5 out of 10

Released: August 12, 1970

Runtime: 1Hour 34Minutes

Rated R

Director: Theodore J. Flicker

Studio: American International Pictures

Available: Amazon Instant Video

Britannia Hospital (1982)

Britannia hospital 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: This hospital needs help.

This is another surreal Lindsay Anderson piece that takes many wild forays and yet still manages to come together as a whole in the end. This is as good, as clever, and as pointed as any of his better known stuff. How this got lost in the shuffle is a mystery, but it really deserves a better look.

The plot pertains to a madcap hospital that is in complete disarray. The head surgeon is preoccupied with a ‘mad scientist’ experiment, the staff is threatening to strike, and the rich patients expect preferential treatment. All of this occurs while the Queen is set for a visit. Leonard Rossiter plays the head administrator that tries to keep it all under control.

Of course it’s not really about the hospital at all, but more a satirical look at British society and the arrogance of the upper crust as well as the apathy of the lower one. It shows how very wide apart they are and how the problem is only acerbated by the upper levels refusal to effectively deal with the lower level and their gripes.

The stuffy formalities of the British have never been played out better. At times it even goes for the jugular. Having the Queen and her entourage literally chased through the hospital by an angry mob is the best.

The cast is full of old British pros and all are quite hammy. Rossiter is the jewel. His nervous looking face and body tics have always been funny, but here they come to a hilt.

There are even a few gory segments that could satisfy almost any horror fan. In particular is Professor Millar (Graham Crowden). The scene where he cuts up a human brain, sticks it in a blender, and then has a cameraman drink it up like a milkshake, is outrageously funny.

The ending is a surprisingly sobering with a profound speech that deals not only with the inevitable advent of technology, but also the complexities of society’s problems, and the minimalism of our existence. Overall it’s not bad.

My Rating: 7 out of 10

Released: May 27, 1982

Runtime: 1Hour 56Minutes

Rated R

Director: Lindsay Anderson

Studio: EMI Films

Available: VHS, DVD, Amazon Instant Video

How to Succeed in Business Without Really Trying (1967)

how to succeed in business without really trying

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Up the corporate ladder.

J. Pierpont Finch (Robert Morse) is a window washer looking to get ahead in the business world. By pure chance he finds a book entitled ‘How to Get Ahead in Business without Really Trying’. He reads it and follows the advice. He quickly gets a job at a large company and within days he moves all the way up from the mailroom to the head of advertising and eventually chairman of the board all without doing much work in this adaptation of the hit Broadway play, which in turn was an adaptation of the Abe Burrows novel.

This delightful film is lively and fresh even after all these years. The humor of course exaggerates life in the business world, but remains on target nonetheless. It accurately pinpoints all the universal problems and politics one goes through when working at a large company and dealing with the inside politics of getting ahead. Nothing is dated because it sticks with exposing the human foibles that come about in any generation when in a competitive and uncompromising environment, which is why I found it funny and interesting.

David Swift’s direction is top-notch. The pace is fast and furious balancing the humor and songs nicely. The sets are colorful and garish enough to accentuate the story’s farcical nature, but still bring out an office atmosphere feeling as well as the bigness of the company with large and imposing doorways including the amusing cathedral-like one that opens up to Finch’s office at the very end. At no times does the film suffer from the static staginess like most stage plays do when adapted to the screen.

The songs by Frank Loesser are upbeat and melodic and sound distinctive. My favorite one was the toe-tapping ‘A Secretary is Not a Toy’, but the showstopper ‘Brotherhood of Man’ had the best dance routines and was rousing enough to almost get me out of my seat. Rudy Vallee and Morse are also great in their rendition of ‘The Old Ivy’ fight song.

Morse recreates his role from the Broadway production. His voice isn’t necessarily the best and some of his singing seems a bit off-key, but his very boyish looks, gap-toothed grin, and bowl haircut is perfect for the part. A fun moment involving him is the scene where he prances down a busy New York sidewalk that was done with hidden cameras and the reactions from the other people on the street are genuine and real.

Michele Lee is terrific in her film debut. Her energy and perky smile are perfect as is her voice in the rendition of ‘I Believe in You’. She is probably best known to most for her starring role in the long running TV-series ‘Knots Landing’. What I can’t get over is how she continues to look like she hasn’t ever aged. A video on YouTube from her appearance at a 2011 AARP event has her looking almost the same as she does in this film. The interviewer tells her she is looking good and Lee replies ‘I always do’, which may seem conceited to some, but when one continues to look as great as she does then I suppose it is deserved.

Vallee best known as a crooner from the 1920’s is fun as Jasper Biggley the pompous head of the corporation. Anthony Teague with his devilish grin is great as the nefarious Bud Frump. I also liked the cute Kay Reynolds as Smitty and found it a shame that neither of these two talented young performers went on to do much else film-wise after this.

The only one I really didn’t like was Maureen Arthur as the ditzy and dumb Hedy Larue. Her high pitched voice and body gyrations were clichéd, over-the-top, and more annoying than funny. However, the incompetent way she takes down a dictated letter as well her reluctance to put her hand on a giant Bible during the film’s hilarious treasure hunt scene did manage to elicit some chuckles.

In 2011 the play was brought back to Broadway with Harry Potter’s Daniel Radcliffe in the lead. I wouldn’t be surprised if a remake of the film version comes out at some near point although nothing has been announced. Either way this film stands fine on its own and although never mentioned amongst the classic musicals I think it should be.

My Rating: 8 out of 10

Released: March 9, 1967

Runtime: 2Hours 1Minute

Rated NR (Not Rated)

Director: David Swift

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video, Netflix streaming