Category Archives: Crude Comedy

Midnight Run (1988)

Posted on February 20, 2012 | 2 comments

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Chased by the mob.

Jack Walsh (Robert De Niro) is a bounty hunter that is looking to get into a less stressful profession. He is offered 100,000 to find bail jumper Jonathan Mardukas (Charles Grodin) who worked as an accountant for the mob and skimmed 15 million from them. Jack thinks he can use the money to open up a coffee shop, but finds that the FBI is in hot pursuit of Mardukas as well. There is also rival bounty hunter Marvin Dorfler (John Ashton) who wants his hands on Mardukas and the money. Jack even finds himself chased by the mob looking to silence Mardukas before he can turn states evidence.

The catalyst of the film is the relationship between Jack and Jonathan and how it slowly turns into an unusual friendship during their long adventure. Both Grodin and De Niro have diametrically opposite personalities and acting styles, which is why this thing really works. The relationship ebbs and flows on the antagonistic level most of the time and the friendship really doesn’t build until the very end and even then it is tenuous, which is nice.  Too many times in ‘buddy’ movies such as this the sentiment becomes forced, but fortunately here it is very balanced and their interactions believable throughout.

Grodin was an inspired choice. I have always thought the guy to be a very talented, underappreciated, and unique comic performer. However, he was not a big name star and the studio heads originally wanted Robin Williams for the role and then even considered changing the sex of the Mardukas character to female and having Cher play the part, but director Martin Brest liked Grodin’s style during his audition and held out until he got him even though it meant losing the backing of Paramount and forcing them to go with Universal.

Grodin adds a lot that the other two stars, as very talented as they are, just wouldn’t be able to do.  One is a completely improvised conversation that he has with the De Niro character while they are stuck inside a train car, which is the one scene from this film that I remember most clearly from having first seen it over twenty years ago. There is another improvised scene involving Mardukas and Jack pretending to be FBI agents and going into a local bar looking for counterfeit bills that makes great use of Grodin’s sardonic humor and deadpan delivery.

John Ashton is a riot as Marvin the rival and slightly dim-witted bounty hunter. He is so over-the-top obnoxious and crude that you can’t help but laugh at it. He takes the caricature of the tough, brash, gruff, blue collar Chicagoan to a hilarious extreme. He is like legendary football coach Mike Ditka on speed. Denis Farina, as the mob boss, is also good as is Joe Pantiliano as the frantic bail bondsmen.

Another thing that makes this movie so successful is that it is able to work on three different levels in a very cerebral way. Not only is it a very good comedy and character study, but it’s not half bad with the action either. The best sequence here is when the two men get swept away by a strong river current, which has the actual actors doing most of the stunts.

Of course the script, by George Gallo, does have a few holes and implausibility’s that can’t avoid being mentioned since some of them are integral to the main plot. The biggest one is when Marvin, in an attempt to impede Jack and find his whereabouts, gets on the phone with Jack’s credit card company and identifies himself as Jack and is able to easily find out where the card was last used and have it cut off. However, with every credit card company I have worked with I am forced to give some more identification before I am given any information including my social security number, a secret word or phrase, or a PIN and yet here Marvin isn’t required to give any of that. There is also that fact that when Jack finds out that his credit card is being rejected he doesn’t just get on the phone with his credit card company and get it straightened out, which is what anyone else would do.

There is also a segment where Jack is somehow able to fleece the FBI badge from agent Alonzo Mosely (Yaphet Kotto), which Jack then uses to impersonate him with during his trip with Mardukas. However, this just would not have been possible as the two men met only briefly inside a car with Alonzo sitting in front and Jack in back scrunched between two other agents who keep a close eye on him. The FBI has also been searching for Mardukas for six years and yet Jack is able to find him easily, which to me seemed too convenient.

The excessive swearing is another issue. Yes, sometimes cursing can help build the grittiness of the characters, but here it goes overboard. Officially the word ‘Fuck’, or a variation of it, gets said a total of 119 times, but I was convinced it was more than that. Its overuse is so redundant that it almost becomes a distraction.

            All things considered this is still a winner. This is one of my favorite De Niro roles and in my opinion his best foray into comedy as I feel his work in the Meet the Parents series is generally wasted. There is also an emotionally strong scene when Jack goes back briefly to visit with his ex-wife and fourteen year old daughter. Normally these types of scenes end up being clichéd, but here it really hits the mark, especially Jack’s interactions with his daughter.

My Rating: 8 out of 10

Released: July 20, 1988

Runtime: 2Hours 6Minutes

Studio: Universal

Rated R (Language)

Director: Martin Brest

Available: DVD, HDDVD, VHS, Amazon Instant Video 

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Posted in 80's Movies, Action/Adventure, Buddy Movies, Crude Comedy, Dry Humor, Fast Cars/Car Chase, Movies that take place in Chicago, Movies that take place in the Big Apple, Road Movies

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Johnny Be Good (1988)

Posted on February 4, 2012 | Leave a comment

By Richard Winters

My Rating: 2 out of 10

4-Word Review: College recruiters are sleazy.

            Johnny Walker (Anthony Michael Hall) is a star high school quarterback who finds that during his senior year he is being bombarded by college recruiters who try any means, legal, or otherwise, to get him to come to their school. Johnny enjoys taking advantage of it, which consists of going to their campuses and being lavished with parties, women, money, and other gifts. His girlfriend Georgia (Uma Thurman) doesn’t approve as she is afraid he may be tempted to cheat on her.

In some ways this is an interesting idea as the topic of college recruiting and some of the corruption that goes along with it has not been presented in any detailed fashion in too many other films, so it seems fresh. The film starts out as very farcical and humorous showing all these middle-aged men dressed like Herb Tarlek from WKRP in Cincinnati  slobbering over Johnny wherever he goes and promising him just about anything. The film though switches gears awkwardly. The majority of it is crude and adolescent, but then turns into a serious and preachy morality tale at the end. This uneven approach doesn’t work as the goofy comedy is so over-the-top that any attempt at seriousness is lost. It would have worked better and been more riveting had it been presented as a drama.

The comedy isn’t all that hilarious either. There are some amusing bits here and there, but most of it falls flat. Even the film’s best comic moment gets botched. It entails Johnny being lead onto a platform on the field’s fifty yard line by a recruiter’s attractive, sexy wife who tries to get him to have sex with her.  Some of the other people at the party follow them and project their antics onto the stadium’s scoreboard. Unfortunately Johnny resists and ends up running away even though I thought it would have been a lot funnier seeing them actually having sex. I suppose the filmmakers feared that audiences would not want their hero cheating on his girlfriend, but if you spend time setting up a wild scenario then you need to go for the gusto.

This also brings up another problem with the movie, which is that all the nudity, at least in the theatrical 84 minute version I saw, is cut out. Apparently there is an R-rated version available with more nudity intact, but why cut it out to begin with? This film’s sophistication level is extremely low and typically when the script consists of nothing more than crude comedy the nudity at least helps.

The third problem with the film is that the adults are portrayed as being so stupid that they seem almost inhuman. I know it became trendy during the teen movies of the 80’s to show adults and other authority figures as being clueless, unhip, and basically just plain out-of-it, but this film goes too far with it. Georgia’s parents are particularly irritating. The casting of Marshall Bell as Georgia’s overly authoritative father was a mistake as he looks and behaves too much like Paul Gleason, who plays the coach.

Hall is okay in the lead, but the part where he is sitting in his room playing on his drums even though his drumsticks never makes contact with any of them while looking at football highlights on the TV is annoying. For one thing the look on his face makes it appear that he is in some sort of trance and the scene goes on too long and then gets shown again during the end credits.

Although the part is not very demanding it is still fun to see Thurman in an early role as the girlfriend. Robert Downey Jr. is also amusing in an early role as Johnny’s best friend although he looks pudgy and out-of-shape and not in condition for playing football. His father Robert Downey Sr. appears as an investigator.

By far and away the best part in the film is Paul Gleason as the high strung coach Hisler. He plays an extension of the part that he did in The Breakfast Club   and is even more hyped-up. He steals every scene he is in and is the most memorable thing about the film and helps save it from being a complete disaster.

Legendary sports announcer Howard Cosell appears as himself in a couple of amusing cameos, which is fun, but his hand shakes so much as it is holding the telephone receiver that he is talking into that it becomes distracting. Former Chicago Bears quarterback also appears as himself, but most young football fans today probably won’t even know who he is.

My Rating: 2 out of 10

Released: March 25, 1988

Runtime: 1Hour 31Minutes (R version) 1Hour 24Minutes (PG-13 version)

Director: Bud S. Smith

Studio: Orion Pictures

Available: VHS, DVD, Netflix streaming

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Posted in 80's Movies, Adolescence/High School, Crude Comedy, Farce, Football Movies, Sports Movies

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The Choirboys (1977)

Posted on December 20, 2011 | 1 comment

By Richard Winters

My Rating: 3 out of 10

4-Word Review: These guys are crude.

I’ve been a fan of author Joseph Wambaugh ever since I was fourteen and read ‘The Onion Field’, which I found to be incredibly gripping.  Wambaugh, a former policeman turned author, usually writes stories about cops that are laced with drama as well as humor.  ‘The Choirboys’ novel had all of these ingredients and rose to the top ‘New York Times’ bestsellers list. Unfortunately the film version did not do quite so well.  Wambaugh hated it and continues to lambast it even in interviews today.

Most others disliked the film as well although there are a few who liked its outrageous humor.  As any good reviewer I wanted to be open-minded.  The film has languished in obscurity for decades.  It was released to theaters just two days before Christmas in 1977 and then faded out quickly.  It has never been shown on broadcast television. It was released to VHS on 1993, but copies of it are rare.  It has never been released on DVD, but just recently it has become available on the Netflix streaming option as well as Starz Play. So if you still want to see this film after reading this review, then that is where you can find it.

The film, like the novel, starts out with a scene from the Vietnam war where we see a soldier trapped in a cave and panicking as the enemy moves in.  It then cuts to the present day where a group of policemen who, after a grueling day of work, routinely let loose by having what they call ‘choir practice’ in the evenings.  This is simply a code word used as an excuse for hard partying and practical jokes, which takes up the whole first half of the film.  The second hour turns dramatic as that same soldier that was trapped in the cave, and is now one of the policemen, has a frightening flashback which leads to tragedy.  His police buddies try to cover it up and the rest of the movie deals with the subsequent investigation.

One of the biggest drawbacks to the film is the incessant amount of pranks and juvenile behavior that is shown, which quickly becomes  redundant.  I did like the part where one of the jokes goes too far and one of the men yells out “let’s get out of here before somebody calls the cops”.  I also like the statement George DiCenzo’s character says to a prostitute as he is having sex with her.  It is very anti-PC, but a laugh-out-loud moment nonetheless.  The rest of the pranks are dull and unimaginative. Director Robert Aldrich could have cut ninety percent of it and still made his point. It all ends up making cops look like inane buffoons without balancing it with their humanity like the novel did.

The second hour deals more with the drama, but really isn’t much better.  The lighting is dark and shadowy.  The shot composition has no visual flair and ends up looking more like a cheap TV show than a movie.  The editing is very choppy and the film fails to find a good pace or momentum.

There are a few bright spots.  I really liked the Burt Young character. Many people remember him best from the Rocky movies.  Here he plays an incredibly grungy, crass police sergeant who exposes a tender side at a completely unexpected moment.  I also liked Don Stroud’s performance as the unhinged policeman.  In many ways I felt he carried the majority of the movie.  Perry King is also good as a cop hiding a dark side.  He does real well in these types of parts and reminded me of his performance in The Procession of Joel Delaney. The movie also stars the very durable Charles Durning, which is also a good thing.  As of this writing he is now eighty-seven years old and has four, yes four, projects on his slate for this year alone.

The film though does not live up to the novel and reading the book in this case would be the much better choice.  Normally I dislike Hollywood’s recent penchant for remaking old films, but in this instance I would applaud it.

My Rating: 3 out of 10

Released: December 23, 1977

Runtime: 1Hour 59Minutes

Rated R

Director: Robert Aldrich

Studio: Universal

Available: VHS

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Posted in 70's Movies, Crude Comedy, Movies Based on Novels, Obscure Movies

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