Category Archives: Comedy

Funny Farm (1988)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Novelist moves to country.

Uninspired comedy about a man named Andy Farmer (Chevy Chase) who receives an advance from a publishing company, which he uses to quit his job and buy a cabin out in the country with his wife Elizabeth (Madolyn Smith) in order to write his novel. Unfortunately the local citizens are eccentric in very clichéd ways and their time there is spent dealing with one crazy misadventure after another.

Right from the start this film proves to have no footing in reality. Publishing companies only pay advances to authors who are already published and proven. They do not shell out $10,000 to some average unpublished Joe with only a vague idea for a story. Many publishers won’t even look at a finished manuscript from someone unless they are already represented by an agent and have some sort of track record, which renders this entire premise as ridiculous.

The movie starts off too quickly with them moving to the country without any set-up. The characters themselves are extremely bland and the script does not take advantage at all of Chase’s cynical, sardonic humor, or impeccable comic timing. Smith is certainly pleasant on the eyes, but things could have been more interesting had they been played-up as spoiled city slickers like the Lisa Douglas character from the TV-series Green Acres and then forced to adjust.

The humor is sloppy and uninspired and shows no level of sophistication. It is thrown in haphazardly without any consideration for story progression, or character development.  Much of it is not funny and the whole thing seems like a stretched out episode from the old Newhart TV-series and in fact the film was shot in Vermont were that series took place. The only mildly amusing moment comes when Andy goes fishing with some of the men from town and ends up accidently throwing them all overboard and even that is worth only a small chuckle. The final segment were Andy and Elizabeth convince everyone in the town to act like people from a Norman Rockwell painting and have them study covers from old issues of the Saturday Evening Post, as  they think this will make things seem more appealing to prospective buyers, is utterly preposterous.

The only time this film has any possibilities is when Elizabeth ends up not liking the story that Andy has written. Being a writer myself and having dealt with other writers I can attest that this can happen more than you think. In fact famous horror novelist Richard Laymon stated that his number one rule of things not to do was giving your manuscripts to friends and family members to read because it can create needless acrimony. Things get dicey when Elizabeth writes a story that sells, but the sterile script by Jeffrey Boam fails to take full advantage of this scenario and the results become as disappointing as everything else.

I did like that it was shot on location. The cottage is nestled away in a scenic area and the viewer gets the feeling that they are ‘getting away from it all’ along with the characters.  Capturing it during all four seasons is another plus. I also thought that the realistic looking stuffed squirrel was cool and I wish I could find one of those for myself.

Sadly, this was director George Roy Hill’s last film. He had much more success with Butch Cassidy and the Sundance Kid, Slapshot, and The Sting to name just a few. None of his genius shows up here as it is quite mechanical and formulaic.

My Rating: 3 out of 10

Released: June 3, 1988

Runtime: 1Hour 41Minutes

Rated PG

Director: George Roy Hill

Studio: Warner Brothers

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Under the Yum Yum Tree (1963)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Landlord likes pretty woman.

Jack Lemmon plays Hogan, an apartment landlord who charges $450 a month to men, but only $75 a month to a young beautiful woman. He then puts on his moves and most of the time ‘scores’ with his nubile tenants. He sets his sights on attractive college co-ed Robin Austin (Carol Lynley) who has just moved in.  Unbeknownst to him she is also bringing in her boyfriend Dave (Dean Jones). The two have decided to live platonically, so they can see if they can get along together before taking the big step and getting married. Hogan is unaware of her male counterpart as when she signed up she simply told him her roommate was a brunette and Hogan presumed it was female. When he finds out who it really is it puts a crimp on his plans, but he still persists anyways.

Although the premise of two young people who are in love cohabiting without having sex may seem antiquated and remnants of a bygone era, the truth is the characters and filmmakers were probably a little more worldly-wise then one might presume initially. For one thing Dave considers the arrangement to be ‘nutty’ and states ‘no one could live that way’. He also, towards the end of the film, gets her to drink some strong tequila in order to get her drunk and allow him to seduce her. The characters, particularly the apartment’s husband and wife maintenance crew (Imogene Coco, Paul Lynde) do not condone Hogan’s playboy lifestyle, but are also privately jealous of it and in the case of the Lynde character even fantasizes about it. I also thought it was a hoot when Robin asks her college instructor Irene (Edie Adams) whether her and her husband ‘did it’ before they were married and although Irene acts all aghast at the suggestion she is also careful not to specifically answer it either.  So even though things are not as explicit as today’s films the underlying leering elements are still there.

This was pretty much Lemmon’s vehicle and he does alright. He has never played the part of a lecherous cad before, so it was fun seeing him do something different and away from his otherwise clean-cut good guy image. The best thing though may actually be the way his apartment was decorated. It is painted in a garish, bright red and this includes the carpets, drapes, and bed sheets. He also wears shirts, socks, and a watch band with the same bright red color making the place look like hell and he the devil. I also got a kick out of a pair of violins that he has stored in a case and at the press of a button they rise up and play romantic music with the help of electronic, robotic hands.

Carol Lynley is sensational as the female lead and quite possibly the best thing about the movie. Her portrayal of a young female college student who is sweet and polite, but still headstrong and full of ideals seems timeless. I also liked that the college students here were portrayed as thinking, breathing young adults and not just one-dimensional, stoned party- animals.

Jones does well as the boyfriend who sees right through Hogan’s schemes and does not allow him to get the upper hand. However, some of the stunts that Hogan pulls including walking in on the couple unannounced at different times of the day and night as well as having him eavesdrop on them and even admit to it, would not go over in the real world and would likely get him sued.

The biggest problem with the film is that fact that there is really no plot. The entire movie is made up of these silly little schemes that Hogan tries to pull to get Dave out of the way and his hands on Robin. None of these are clever, funny, or imaginative. The one-joke premise gets stretched until it becomes excruciatingly monotonous. Most of these films that are based on hit stage plays at least have some funny banter and sharp one-liners, but this movie doesn’t even have that.  This all might have worked as a cute 30 minute episode on the old Love American Style TV-show, but at 110 minutes it is outrageously over-long. Even for a fluffy 60’s sex farce it’s incredibly vapid and lifeless.  Legendary comic character actors Coco and Lynde are wasted.

A young Bill Bixby can be seen briefly as a college student trying to rent an apartment.

My Rating: 3 out of 10

Released: October 23, 1963

Runtime: 1Hour 50Minutes

Rated NR (Not Rated)

Director: David Swift

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Walk Don’t Run (1966)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Three is a crowd.

This film marked Cary Grant’s final on-screen appearance and was also a remake of the 1943 screwball comedy The More the Merrier, which was directed by the legendary George Stevens. The story is about a British businessman named Sir William Rutland (Grant) who travels to Tokyo on business during the 1964 summer Olympics and is unable to find a place to stay as everything is booked up. He spots an ad asking for a roommate on a nearby bulletin board. When he goes to the address he finds that the apartment is being rented by an attractive young lady by the name of Christine Easton (Samantha Eggar).  She at first is reluctant to accept the arrangement as she is rather old-fashioned and feels that a man sharing an apartment with a woman would not look appropriate, but William manages to talk his way in. The next day while at a business meeting William meets a young man who is participating in the Olympics, but will not tell anyone what event he is in. His name is Steve Davis and he is played by the late actor Jim Hutton, who is probably best known to today’s audiences as the father of actor Timothy Hutton as the two look almost exactly alike. Steve is looking for a place to stay as well so William invites him to the apartment, which makes Christine even more apprehensive, but after several ‘Three’s a Company’ type scenarios they eventually get along and Steve and Christine end up falling in love.

I found the first hour to be highly enjoyable.  Grant is an old-pro and goes through his role with amazing ease. Every scene he is in is amusing and I would highly recommend the film simply for his appearance alone. I felt the film started to stagnate when they introduced the romance angle. This was another situation were in my opinion the relationship was forced and formulaic and simply put in because the producers felt it would be ‘cute’. It didn’t seem to make a lot of sense why the characters would fall in love anyways since they had only known each other for a couple of days.  It is one thing if a person is desperately looking for someone, but that was not the case with Steve who is very independent and tells everyone he has no interest in marriage. There is nothing shown as to what about Christine’s personality would click with him to begin with.  Yes, she is pretty, but she spends most of the film being rather defensive towards them and more concerned with keeping a ‘proper’ distance. The two stars show no real chemistry either.

This was an unusual foray for actress Eggar as she rarely does comedy. She mainly works in horror films and thrillers and is best known for her performances in The Collector, The Walking Stick, The Brood, and The Lady in the Car with Glasses and a Gun. I felt in those types of roles she did exceptionally well, but here her comic timing seemed off and almost non-existent when compared to the two male leads.

There is also a very silly subplot dealing with Steve being accused as a spy and this culminates with a protracted scene at a Japanese police station where all the characters get interrogated by actor George Takei from ‘Star Trek’, which isn’t good for even a few chuckles. Another scenario involves Christine’s fiancé, Julius Haversack (John Standing), and William’s attempts to keep him away from Christine so that Steve can be with her. This storyline falls flat as well simply because the Julius character is so over-the-top stupid and gullible that William’s shenanigans don’t come off as being all that clever or amusing.

About the only thing that revives the film is the climactic race where the participants are required to walk and not run, hence the film’s title. I found this interesting because I had never seen or heard of this type of race before, but apparently it is a regular event at the Olympics and has been since 1928. The difference in a walking race as opposed to a running one is that the participants must always keep a part of their foot on the ground at all times. The result looks kind of goofy, like an old person trying to run, which explains why Steve was too embarrassed to tell anyone what he did.  I found this segment interesting although the story again gets too exaggerated as the other characters get into a cab and drive alongside Steve during the race, which I didn’t think would happen because there would be enough police officers and Olympic officials there to block them. However, I loved the part where William strips down to his underwear and starts fast-walking alongside Steve and then when he is finished he goes onto a bus and rides home still in his undies with everyone staring at him.

I felt like this was two story’s put into one with the first half being much better than the second. I almost wished they had just kept it focused on the three cohabitating together and not even brought in the romantic angle at all, or maybe just at the very end.  The movie is funniest when Grant is involved and any scene without him seems to fizzle. The music score by legendary Quincy Jones is cool and I wished they had played more of that as well.  It was filmed on-location in Tokyo, but you never really get a good feel of the city, or the Japanese culture. I think more filming in the downtown locations as well as certain landmarks was needed. There were also a few outdoor scenes that despite being nicely detailed where clearly done on an indoor soundstage.

My Rating: 6 out of 10

Released: June 29, 1966

Runtime: 1Hour 54Minutes

Rated NR (Not Rated)

Director: Charles Walters

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Bank Shot 1974

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: A bank on wheels.

Donald E. Westlake was a prolific author that excelled in writing elaborate and ingenious crime capers that were later turned into movies including:  The Split, The Hot Rock, and Cops and Robbers. However, this one may not only be his most ingenious and funniest, but it may actually be the most ingenious and hilarious bank robbery movie made of all time. The concept is outrageously offbeat and consists of a bunch of drop-outs who decided to rob a mobile home that has been turned into a bank, but instead of stealing money out of the bank they decided to steal the entire building.

One of the great things about this movie and one that makes it so delightful to watch over and over is the fact that it doesn’t just sit on its one-joke premise and squeeze it until there is nothing left, but instead uses it as a springboard for all sorts of wild and offbeat tangents. This film is simply one wild comedic gag and set-up after another and all at a zany fast-pace. The scenes are original and work in perfect balance to the characters and rest of the story.

Some of the best ones are when the main character of Walter Upjohn Ballentine (George C. Scott) tries to break out of his prison grounds by using a bulldozer that he has stolen while the prison warden tries to somehow chase him down while driving a little bitty golf cart. There is also the scene where the motley crew crawl underneath the bank building and quietly install wheels on it and then cart the place away with the bank guards still inside.  The scene where they hide out in a crowded trailer park and the police and F.B.I. surround the wrong home is also hilarious and is their many futile attempts to break open the bank’s safe, which is supposedly burglar proof. Another gem is when the bank goes careening down a steep hill and they go chasing after it.

All the characters are wonderfully kooky. Ballentine and his group are truly social outcasts and losers. Too many films portray the supposed outsider as still being cool and hip when in reality they are anything but. Here they are dopey looking and inept. None of them could fit in if they wanted too and yet they all show a nice camaraderie to one another as well as an amazing resiliency and a ‘never say die’ philosophy even as they come upon one unexpected obstacle after another. The film nicely brings out the vivid anti-establishment, anti-authority feeling during that era that in today’s films seems diluted. The idiosyncrasies of the characters is also fun including Frank McRae as Herman X a black man who wants to use his share of the stolen proceeds to run for mayor of Anaheim where he hopes to then instill ‘some law and order’.  Joanna Barnes as a carefree hippie is engaging as is her infectious laugh.

Clifton James as ‘Bulldog’ Strieger the police warden who makes it his mission to track down Ballentine and is gang is perfect. For one thing he really does look like a bulldog and his hamminess is fun without going overboard. He has become famous for his redneck sheriff character and it has been used in many other, more famous films including two James Bond movies: Live and Let Die and The Man with the Golden Gun.  As well as Superman II and Silver Streak, but here I think he is at his funniest.

About the only thing that I did have a problem with was with George C. Scott himself. Normally he is a fine actor who usually gives brilliant, flawless performances, but here he added traits to his character that make him annoying. For one thing he speaks with a lisp. I have no idea why he decided to do this, but it doesn’t work. He also wears big bushy eyebrows, which look dumb and distracting.

The film is also too short. It runs at only 80 minutes, but I would have loved to see it keep going. The ending is also a bit of a dud. It seems like the writers wrote themselves into a hole that they had no idea how to get themselves out of, so they just abruptly ended it.

Otherwise this is a creative, highly original comedy that improves with each viewing. It’s great non-think entertainment for a slow evening that can also be enjoyed by the whole family.

My Rating: 8 out of 10

Released: July 31, 1974

Runtime: 1Hour 23Minutes

Rated PG

Director: Gower Champion

Studio: United Artists

Available: VHS, DVD, Netflix Streaming