Category Archives: Campy Comedy

It Rained All Night the Day I Left (1980)

it rained all night 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Stuck in the desert.

Robert and Leo (Tony Curtis, Louis Gossett Jr.) are two losers working as gun runners who transport their goods in an old beat-up VW that looks to be seriously on its last leg. They meet up with The Colonel (Sally Kellerman) who is the widow of an actual Colonel that fought during WW II. She is now living alone with her nineteen year-old daughter Suzanna (Lisa Langlois) in an isolated ranch in the middle of the African desert. She hires Robert and Leo to help her oversee the water that she pumps to a nearby village. Since she feels that the members of this village had something to do with her late husband’s murder she has cut off their supply to it and only lets them have access to it at certain times of the day, which the two men feel is harsh. They do some investigating on their own and believe that it is neighboring rancher Killian (John Vernon) who is the real culprit to the murder, but trying to convince The Colonel of this, who has a romantic interest in Kilian, is another matter completely.

This obscure, low budget film is pretty much a botched mess from the get-go. Too much emphasis is put on comedy, but filmed by people who have no idea what is funny which forces the actors to carry-on with broadly written banter and insipid slapstick-like scenarios that is intended to be humorous, but falls resoundingly flat instead. The story and setting has some potential, but resorts to contrived, uninspired romance that becomes completely boring.

I’ll give Kellerman credit for lasting over six decades in the business, but her acting never seems to be effective. Her character is supposed to be a domineering, tough-as-nails lady, or at least that is how she is introduced as she even insists that the men refer to her as ‘sir’, but this quickly evaporates until she becomes just another aging, lonely female looking for love and companionship, which isn’t compelling, or original. Langlois as the daughter is equally transparent while delivering her lines as if she were half asleep. Why an attractive young lady such as herself would ever fall for a struggling 55-year-old man like the one Curtis plays here makes little sense and is pretty dumb.

The film is saved to a minor degree by the presence of Curtis. He was a top billed star during the ‘50s and 60s, but by the ‘80s his career had plummeted severely to the point that he was accepting minor, supporting roles in direct-to-video fare that next to no one saw. This film isn’t much better than those, but here at least he retains his engaging persona and helps lift the dead material to a somewhat tolerable level and his pairing with Gossett is odd enough to make it semi-intriguing.

This is a sad, almost embarrassing follow-up project for director Nicolas Gessner who had achieved critical acclaim with the Jodie Foster hit The Little Girl Who Lives Down the Lane. Why he would choose this oddball thing to tackle next is a mystery as I’m sure he must’ve been offered better scripts, but in either case it’s a misfire that never manages to click at all.

My Rating: 2 out of 10

Released: August 6, 1980

Runtime: 1Hour 24Minutes

Not Rated

Director: Nicolas Gessner

Studio: Gaumont

Available: None at this time.

My Best Friend is a Vampire (1988)

my best friend is a vampire

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Teen turns into vampire.

Jeremy (Robert Sean Leonard) is just your average teen attending high school in Houston while also working as a grocery delivery boy part-time. On one of his deliveries he meets a mysterious, but beautiful woman named Nora (Cecillia Peck) who bites him on his neck, which slowly turns him into a vampire over the course of several days. It also causes a vampire instructor named Modoc (Rene Auberjonois) to appear who helps mentor him on what life as a vampire is like while also giving him a vampire instruction manual to read. Once the initial shock is over Jeremy begins to enjoy the change, but still must avoid a couple of overzealous vampire hunters (David Warner, Paul Willson) who are out to pierce his heart with a wooden stake.

The film starts out amusingly enough and has a nice balance between being funny and still maintaining an interesting plot. It even manages to throw in a few original spins to the genre, so it doesn’t come off as just another mindless vampire movie retread, at least initially. Leonard is engaging in the lead and the dialogue between the teenagers is more realistic than in most other high school flicks from the ‘80’s.

Unfortunately the film starts to go south when, after faced with all these changes, Jeremy still decides to ask a geeky looking girl named Darla (Cheryl Pollak) out on a date, but I would’ve thought with all the stresses he was going through that starting a relationship would be the last thing on his mind. The romantic angle is boring and adds nothing to the mix. Pollak is a weak actress and her character’s presence could’ve easily been cut out altogether.

The finale is a real letdown and comes off like a typically uninspired farce where the writers have run out of creative ideas and thus try to wrap things up with a benign car chase and frantic running around by the characters. The story is full of logic loopholes and the promising elements at the start ultimately devolve into inane silliness by the end.

I’ll give director Jimmy Huston credit for managing to raise himself up from his humble beginnings, which was as a director to an Earl Owensby produced movie, which is about as low as one can go, but this film becomes just another tired casualty in a long line of films hoping to be the next vampire cult classic, but not making the cut.

My Rating: 3 out of 10

Released: May 6, 1988

Runtime: 1Hour 29Minutes

Rated PG

Director: Jimmy Huston

Studio: Kings Road Entertainment

Available: DVD, Amazon Instant Video

Once Bitten (1985)

once bitten

By Richard Winters

My Rating: 3 out of 10

4-Word Review: She needs virgin blood.

A sexy vampire Countess (Lauren Hutton) who lives in a sprawling Beverly Hills mansion along with her male servant (Cleavon Little) needs a regular dose of blood to keep up her youthful looks. The problem is that the blood must come from a virgin and since this is the ‘80s, where every teenager is fooling around, it becomes harder for her to come upon someone who still hasn’t had any sex. Fortunately for her she meets Mark (Jim Carrey) who has yet to lose his virginity and this is mainly because of the reluctance of his current girlfriend Robin (Karen Kopins). The Countess immediately takes Mark back to her place and gets it on with him and is able to get her much needed blood supply, but in the process she also turns Mark into a vampire and his friends and family begin to notice the changes.

The idea of mixing the vampire genre with an ‘80’s teen sex comedy was a bad one and should’ve been nixed at the concept stage and like with its main character never allowed to see the light of day. For one thing it’s much too tame and sterile. No scares or raunchiness and although there are a few mildly amusing bits there isn’t enough of them in a poorly paced film that quickly becomes quite boring. It also relies too heavily on broad stereotypes and caricatures with no footing in reality at all and a script littered with what today’s audiences will consider homophobic dialogue.

The vampire angle is poorly thought out. A person’s blood type doesn’t change once they’ve had sex making the ‘virgin blood’ idea quite stupid. Besides if she really wants to make sure to get someone who hasn’t had sex then why not just bite the necks of children? Granted it would be a very un-p.c. plot, but it also would allow for a creepier angle and besides it would then turn the kids into little vampires, which would bring in an extra edge to the story. The film also fails to explain what happens with the Carrey character as we see him slowly turning into a vampire a little bit each day, but not with what ultimately transpires once he fully does.

On the acting side I thought the two leads did quite well. Hutton is gorgeous and the idea of pairing a much older woman with a younger man is actually quite sexy. Carrey is also good. In some of his movies he overacts and becomes like a modern-day Jerry Lewis, but here he is more restrained and even genuinely engaging. My only complaint is that he is clearly past his teen years and at one point even states that he is going to college, but the scenes of him at school make it seem much more like he is still in high school.

If you are into vampire movies I’d say you could skip this one as it adds nothing new to the theme and for the most part treats the vampire idea in a very transparent way. As a teen sex comedy it also fails with a script that meanders too much including having an extended scene showing Carrey’s two nerdy high school buddies (Thomas Ballatore, Skip Lackey) trying to hit on two women at a laundromat that has nothing at all to do with the main plot and should’ve been cut. However, if your fans of Hutton or Carrey then it might be worth a look as they both give surprisingly solid performances despite the weak material.

My Rating: 3 out of 10

Released: November 15, 1985

Runtime: 1Hour 34Minutes

Rated PG-13

Director: Howard Storm

Studio: The Samuel Goldwyn Company

Available: DVD, Amazon Instant Video

Gimme an ‘F’ (1984)

gimme an f

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Cheerleaders compete for prize.

Bucky Berkshire (John Karlen) is the proprietor of a local cheerleading camp. He hopes to build an even bigger one with the help of some Taiwanese investors. However, they will only put up the much needed capital if Bucky agrees to sign Tommy (Stephen Shellen), who works as the cheerleading coach at the camp, to a 5-year contract. Bucky and Tommy do not get along and Tommy, who is 25, thinks he has gotten too old for the position and needs to move on. Yet Bucky feels he has no choice but to cut him a deal. If Tommy can get a group of teen cheerleaders known as the Ducks to beat the perennial winners known as the Falcons at the annual cheerleading competition then he’ll pay Tommy a whopping $10,000, but if they lose then Tommy will be forced to continue to work for Bucky for another 5 years.

I remember this film being scheduled on Cinemax in the ‘80’s during its late night hours, which gave me the impression that it was a raunchy T&A feast, but in reality it really isn’t. In fact during its entire runtime there is less than 10 seconds of actual nudity, which isn’t enough to make it worth watching. Some may say that makes me sound like just another sexist, leering male, but when the material is this inane what else is there about it to sell? Certainly not its so-called comedy, which is virtually laughless and on a 5-year-old’s level if even that and the plot is equally trite as it clearly conforms to the age-old David-and-Goliath formula where the viewer knows from the get-go that loser will obviously end up winning the thing no matter how much the odds are stacked up against them and what’s the reason to watch something if you know exactly how it’s going to end from the very beginning?

One viewer, who admits this is not a very good movie, said its one ‘saving grace’ was the cheerleading routines done at the end during its climactic showdown, which he felt were well choreographed, but to me it was just more cartwheels, twirling and dance line routines that if you’ve seen once then you’ve seen it a million times. Even if it had been spectacular it still wouldn’t warrant sitting through the rest of it, which is quite trifling to say the least.

Venerable character actor Karlen, who was the only veteran member of the cast, lends some credibility with his presence, but it isn’t much. Star Shellen is completely transparent in the lead despite having a teen heartthrob of a face. His character is shown doing very little training anyways and seems to shift the majority of the burden off to his assistant Roscoe (Mark Keyloun).

Beth Miller is equally weak as the female lead and although she is very cute she has no ability to effectively do a comic pratfall of which she is required to do several. The only thing she does get right is the way her eyes well up with tears from her embarrassment after she does one.

Although her character isn’t any better written than any of the others I could still tell right away that Daphne Ashbrook, in her film debut, was a far stronger actress than any of the others and it is no surprise that her career continued to flourish while the rest of them disappeared into obscurity. Although for the record Jennifer Cooke, who plays the bitchy character of Pam, did find success later in her life helping to run the Celestial Seasonings Tea chain.

My Rating: 1 out of 10

Released: November 16, 1984

Runtime: 1Hour 40Minutes

Rated R

Director: Paul Justman

Studio: 20th Century Fox

Available: VHS

Caveman (1981)

caveman

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Caveman starts new tribe.

Caveman Atouk (Ringo Starr) is in-love with Lana (Barbara Bach) who unfortunately is infatuated with Tonda (John Matuszak). Tonda is the big muscular leader of their tribe and when he catches Atouk trying to make a pass at his girl he throws him out. Atouk is then forced to fend for himself. Fortunately he meets up with Lar (Dennis Quaid) and Tala (Shelley Long). Soon more cavepeople join his band of misfits only to have Tonda and his people track them down and challenge them to a fight.

This is yet another film where I’m at a complete loss for what type of intended audience the producers were looking for. There is no nudity, no sexual innuendos, and not enough raunchiness to attract the raucous college crowd. The humor is also too subtle and spread too thin, so it wouldn’t attract the kiddie crowd who prefer slapstick and a faster pace. In the end one is left with what amounts to being one really, really dumb movie that is virtually plotless and stretches out its threadbare concept until it becomes incredibly boring to sit through.

Starr may have been the member of one of the most influential and greatest rock bands of all-time, but as an actor he sucks. Granted the unimaginative script gives him little to go on, but a more creative actor could’ve added some interesting nuances that would’ve made the part more memorable and the movie more enjoyable. Even veteran actors like Jack Gilford, who are almost always funny, come off as flat and transparent here. The only performances that I liked were that of a young Dennis Quaid and Shelley Long, who looks surprisingly cute in her cave-girl getup.

The special effects involving the dinosaurs that were created by Jim Danforth are the film’s one and only saving grace even though it’s painfully clear that the beasts on shown on a separate screen from the one that the actors are in and thus making the moments where they are being ‘chased’ by the animals look quite cheesy. Also, the scene where a giant fly lands on top of Quaid’s face is genuinely funny, but unfortunately amounts to being the only laugh-out-loud moment in the movie.

How this pathetic excuse for a script ever got the green light is hard to fathom especially when so many other good ones get rejected year-after-year and yet it proves once again that Neanderthals are still alive and well even in this day and age and the majority of them work as heads of major Hollywood film studios.

caveman 2

My Rating: 1 out of 10

Released: April 17, 1981

Runtime: 1Hour 31Minutes

Rated PG

Director: Carl Gottlieb

Studio: United Artists

Available: DVD

Big Top Pee-Wee (1988)

big top pee wee

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Pee-Wee joins the circus.

Pee-Wee (Paul Reubens) is now living the quiet life of a farmer. He’s not too popular with the older townsfolk of the neighboring small town where he resides, but manages to find friends with the circus that blows in after a violent storm. Although he is currently engaged to Winnie (Penelope Ann Miller), who is the beautiful local schoolteacher, he soon finds himself entranced with the trapeze artist Gine (Valeria Golino), which causes a great deal of conflict especially after Winnie finds out about it.

I’m not exactly sure why Tim Burton wasn’t brought in to direct this sequel and it could have something to do with the fact that a different studio produced it, but his vision is noticeably missed. Randal Kleiser has directed some good movies of his own, but never anything in this type of genre. It was Burton’s direction and not Pee-Wee’s persona, which is rather one-dimensional and can only be amusing in small doses, that made the first film the success that it was.  Burton infused a lot of garishly colorful sets, oddball characters that complemented Pee-Wees’, and a surreal storyline that all helped to make it strangely intriguing and funny, but here we get none of that.

Instead it is a contrived and conventional storyline that goes nowhere and just isn’t original enough to be worth catching. The first half comes off as disjointed and makes little sense. Pee-Wee seems to have gone back into time as the people in the town where he lives all wear clothes and drive cars that look that they are from the 1940’s, but with no explanation for why that is. The presence of the circus is equally stupid as it seems to have quite literally ‘blown in’ with the storm and into Pee-Wee’s backyard.

The film really gets boring when it focuses on the romantic subplot, which is what takes up the film’s whole second half. One big issue is why would two really beautiful women find this man-child attractive to begin with? A much funnier scenario that would’ve kept more with the bizarreness of the character would be for him to have a romance with one of the sideshow freaks at the circus like the bearded lady, or even the Siamese twins, which could’ve been played up to an even funnier level by having both twins in-love with him and compete for his affections, or having one in-love with him while the other couldn’t stand him.

In either case the film is just not weird enough to be entertaining and it also leans towards the formulaic by having most of its humor aimed at the kiddie crowd, which the first one had thankfully avoided. A definite letdown when compared to the first one.

My Rating: 2 out of 10

Released: July 22, 1988

Runtime: 1Hour 26Minutes

Rated PG

Director: Randal Kleiser

Studio: Paramount

Available: DVD, Amazon Instant Video, YouTube

Checkered Flag or Crash (1977)

checkered flag 2

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Drivers race off-road.

Walkaway Madden (Joe Don Baker) is a lifelong racer who has just broken up with his racing partner of many years and is now going solo, or at least he thinks he is until reporter C.C. Wainwright (Susan Sarandon) arrives and tells him that the company who sponsors his car has hired her to cover the race for their newspaper and thus she’ll be riding along with him. Walkaway isn’t too happy about this as he has very old-fashioned, sexist ideas about a ‘woman’s place’, but begrudgingly accepts it as he has no other choice. Together the two take part in a grueling off-road race that is organized by Bo Cochran (Larry Hagman) and takes them through some of the most treacherous terrain of the Philippines.

The movie might’ve been more exciting had the racing footage been better captured. Instead we get treated to choppy shots of random car wipeouts and flashing, poorly focused images of vehicles buzzing through various locales while shown in a grainy film stock. The editing is so quick that it’s hard to follow what is going on and the only time it is ever impressive is when the camera gets tied to the front of the vehicle and we see firsthand just how bumpy and fast a ride like that must be, but this shot unfortunately is only brief.

There is little or no backstory to any of the racers and therefore no emotionally compelling reason to cheer for any of them. There is also too many of them and all are generic, transparent characters, so when you see someone wipeout it’s hard to remember which one it is, or even care. I did kind of like Daina House as a woman with beautiful model-like features who dresses in all black and just as tough as any of the guys, but her character isn’t shown or played-up enough.

The best thing about the film is the presence of Sarandon who lends a necessary grounded anchor to the silliness that surrounds her. Hagman is terrific as the hyper race promoter and every scene he is in is far more entertaining than any of the racing footage. Baker isn’t bad either. He certainly isn’t any A-list actor, but a very competent B one, who seems at ease in both comedy and action parts.

The film shifts clumsily between being silly and gritty and would’ve done better had it stuck to a more consistent tone. It’s also cheap and amateurish with a terrible, country tinged title tune that gets played throughout. The only reason it gets 2 points is simply for the performances of its three leads.

checkered flag 1

My Rating: 2 out of 10

Released: June 3, 1977

Runtime: 1Hour 31Minutes

Rated PG

Director: Alan Gibson

Studio: Universal

Available: None at this time.

Pee Wee’s Big Adventure (1985)

pee wee big adventure

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Searching for his bike.

Due to the release this weekend of Pee Wee’s Big Holiday I thought it would be appropriate to go back and take a look at the ‘80s classic that started it all. Here we have Pee Wee (Paul Reubens) living with his small pet dog Speck inside a home full of colorful contraptions. His prized possession is his bicycle, which he takes great care of and carefully chains up every time he leaves it alone. However, a hateful bully named Francis (Mark Holton), who is from an affluent household and used to getting whatever he wants, decides that he wants Pee Wee’s bike for himself. When his monetary offer gets rejected he then hires a professional thief to steal it for him, which sends Pee Wee on a mad frenzy across the country to try and retrieve it.

The movie is an exercise in high camp that could’ve easily failed, but instead it succeeds mainly because it doesn’t put the eccentric main character into the real world, but instead pulls the viewer into the quirky 10-year-old mindset of the protagonist. Here we don’t deal with people who reject or mock him, but instead much like with all children he becomes the ‘king of his own domain’ where he is liked and accepted by most everyone he meets and in control of all situations while the harsher realities get ignored or overlooked completely.

The film also manages to accentuate Pee Wee’s odd personality with garishly colorful set-pieces and odd contraptions that almost become the film’s main attraction. Reubens plays the role in an engaging manner, but the character’s persona is one-dimensional and could border on getting annoying had it been the film’s sole avenue of humor, but fortunately director Tim Burton manages to give the film a complete vision by instilling a storyline and visual design that match the weirdness of its protagonist and makes the proceedings come off as fresh and inventive.

I also liked that it wasn’t geared completely towards children, but instead made to attract those of all ages with a taste for the offbeat and absurd. Going the kiddie flick route would’ve made it come off as formulaic and infantile, but instead by emphasizing the surreal it becomes intriguing and impossible to predict.

The loosely structured script, which was co-written by Reubens and actor Phil Hartman, manages to go a long way on what amounts to being pretty much just a one-joke premise, but it does eventually start to lose steam by the 60-minute mark only to recover in grand style at the end with a delightful chase through the backlot of the Warner Brothers studio. It is similar to the ending used in Blazing Saddles where the film breaks the fourth wall and becomes a movie-in-a-movie although I felt this one was funnier than the Mel Brooks version.

The film is sprinkled with a lot of cameo appearances as well with my favorite ones being Milton Berle as well as James Brolin playing Pee Wee in the Hollywood movie version and Morgan Fairchild as the Hollywoodized version of his girlfriend. I also got a kick out of Jason Hervey who is best known for playing Fred Savage’s older brother in ‘The Wonder Years’ and who does a very funny caricature of a spoiled child film star here.

The film is also known for making the ‘50s instrumental ‘Tequila’ by the Champs a very recognizable melody. In fact it is almost impossible to think of the Pee Wee character and not have that melody start to play in your head, or if you do hear the melody playing somewhere you can’t help but have the image of Pee Wee pop-up when you do. However, in the actual film the song ends up being played only briefly.

My Rating: 6 out of 10

Released: July 26, 1985

Runtime: 1Hour 31Minutes

Rated PG

Director: Tim Burton

Studio: Warner Brothers

Clue (1985)

clue

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Inspired by board game.

Six individuals (Martin Mull, Eileen Brennan, Lesley Ann Warren, Madeline Kahn, Michael McKean, Christopher Lloyd) are invited to an isolated New England mansion at the behest of Wadsworth (Tim Curry) the butler to the mansion’s owner. It seems that these six people have been blackmailed by Mr. Boddy (Lee Ving) and now Wadsworth, who is employed by Boddy, has decided it’s time to let them off the hook, but not before Boddy himself turns up dead having been murdered by one of the guests. As they try to unravel the mystery more homicides occur forcing the rest to find the killer before he/she finds them.

Initially this film, which is based on the famous Parker Brothers board game and currently being remade, is okay entertainment. The fast paced dialogue has a few good lines and the mystery element lends for some mild intrigue. The performances are also spot-on with each actor perfectly cast for their part. I especially liked Eileen Brennan as the nervous Mrs. Peacock as well as Warren as the sarcastic and snarky Miss Scarlet.

Unfortunately after an agreeable first 40 minutes it finally, like with its many victims, goes down with a thud. The concept just isn’t solid enough for feature length material and the idea of trying to stretch it out by adding more victims only convolutes things and makes an already ridiculous premise even more so. Having Curry spend the final part going back through all the things that had occurred before in an effort to ‘solve’ the case while rushing the rest of the cast from one part of the mansion to the other as he explains it is not amusing, but instead dizzying, redundant and pointless. What may have seemed initially like a novel idea instead becomes just another excursion into silliness and way too similar to Neil Simon’s Murder by Death, which came out in the ‘70’s and also starred Brennan.

True mystery buffs will be the most disappointed as the emphasis is completely on comedy and not in creating any type of elaborate whodunit for the viewer to figure out. The plot itself contains no real ‘clues’ and everything that occurs during the course of the film has nothing to do with who ultimately ends up being the culprit.

The film’s only real unique element is that it featured three different endings with different ones shown at various theaters. The DVD features all three with option to choose one at random. However, the first two are lame and only the third one, which features everyone as the murderer, is the only one that is halfway decent and should’ve been the sole one used.

My Rating: 3 out of 10

Released: December 13, 1985

Runtime: 1Hour 34Minutes (Includes all three endings)

Rated PG

Director: Jonathan Lynn

Studio: Paramount

Available: DVD, Blu-ray, Amazon Instant Video

Young Einstein (1988)

young einstein

By Richard Winters

My Rating: 4 out of 10

4-Word Review: The first rock star.

Forget all those things that you’ve read in the history books because they’re all wrong. Albert Einstein was never born in Germany instead he was the son of an apple farmer in Tasmania who grew up to not only invent the theory of relativity, but also rock ‘n’ roll, the electric guitar, bubbles in beer and even surfing. He also had a bad haircut that looked just like Carrot Top’s.

The term one-hit-wonder gets used a lot in the music business to describe a band or singer that comes out of nowhere, gets a chart topping hit and then proceeds back to obscurity. Normally it’s never used in movie jargon, but if it was this would be a perfect example. Writer/director/star/composer Yahoo Serious, whose birth name was Greg Pead until he had it legally changed in 1980, seemed to be the next creative prodigy when he concocted this thing after spending years making educational documentaries. It was a huge success in Australia, which was enough to get Warner Brothers to pick it up as they thought they had another Crocodile Dundee on their hands and spent $8 million promoting it only for it to fail dismally at the box office and in effect so did Serious’ career as he has not made a movie, or even been in one since 2000.

To some extent I was initially surprised at how well directed it was and how Serious showed an astute eye for detail. I loved how he captured the majestic Australian landscape and the music score is quite distinctive and cool. The humor is funny, but mostly when it involves a visual device that has nothing to do with the action. For instance there is a homeless man in one scene carrying a sign stating ‘The end is near’, but instead of spelling ‘near’ in the conventional way it gets spelled as ‘nigh’ to replicate his Aussie accent.

Unfortunately the comedy stays too much at an innocuous level, which is why I believe it didn’t catch on here, or become a cult hit despite its potential. Everything is geared exclusively to a preteen audience, who may love it, but for it to appeal to adults or a more discriminating viewer it needed to have a darker edge, or some attempts at satire instead of just complete, non-stop silliness.

Serious is only so-so as the lead. He certainly does have the chiseled, boyish good looks that could make the young teen girls swoon, but he had too much of a laid-back, mellow persona and seemingly unable to convey any other type of emotion. His radical, punk-like hairstyle starts to become a distraction to the point where you find yourself looking at it even when you don’t want to.

Originally the script was called ‘The Great Galute’ and was a story about some ordinary fella who invented the electric guitar and the Einstein angle was only added in after Serious took a boat ride down the Amazon and noticed a kid wearing an Albert Einstein T-shirt. In a lot ways the film would’ve been better had it stayed with its initial concept as it’s a bit disrespectful to the actual person and it’s never even remotely funny that this guy with a perpetual surfer dude mentality could’ve really been a super genius.

The ridiculous plot proceeds to get dumber as it goes along until it becomes just downright embarrassing by the end. The romantic side-story and the film’s villain (John Howard) are pointless, boring additions that add nothing and should’ve been scrapped. The film would’ve been more successful had it done away with a conventional narrative completely and instead taken the Jacques Tati approach where all emphasis was placed on visual non-sequiturs as this was the only time that I found the film to be even slightly engaging.

My Rating: 4 out of 10

Released: December 15, 1988

Runtime: 1Hour 31Minutes

Rated PG

Director: Yahoo Serious

Studio: Warner Brothers

Available: DVD, Amazon Instant Video, YouTube