Category Archives: Academy Award Winners for Best Screenplay

Kramer vs. Kramer (1979)

kramer vs kramer

By Richard Winters

My Rating: 10 out of 10

4-Word Review: Life after wife leaves.

This is a solid drama detailing the divorce and subsequent custody battle between two young, educated and upper middle class parents (Dustin Hoffman, Meryl Streep).

To say that this is simply an examination of divorce and its effects on both the child and parents do not do the film justice as this is a very richly textured story that brings out the many variables that come with being a modern day parent. One of the best is the examination of Hoffman’s character’s job and how ‘moving up the corporate ladder’ can have an adverse effect on a man’s home life and his family members. In fact this is a major factor to his break-up and emotional detachment with his wife.

The film also offers a nice glimpse between father and son and the scenes showing this relationship are quite touching especially as they learn to coexist with one another after the mother leaves. Justin Henry doesn’t get enough credit for his performance as the son. Yes, he is adorable in the typical child-like way, but he also manages to create a child character that is diverse and memorable.

Hoffman gives a superior performance and in many ways it is all about him and his adjustment at playing the dual roles of being both a father and mother. He has his aggressive New Yorker persona, but you understand it and really feel for what he is going through. Even watching him frantically running around from place-to-place is interesting.

Streep is also outstanding in what is kind of an unusual role for her. Typically she plays strong-willed women with a strong on-screen presence, but here her character is rather weak and suffers from problems that are elusive, but still intriguing.

Howard Duff is solid as Hoffman’s attorney and Jane Alexander offers good support as the next-door-neighbor although her character is a bit too ordinary and could have been supplied with a few interesting quirks.

The subject itself is still quite topical and everything is kept in a real perspective with nothing getting overblown or clichéd.  Robert Benton’s direction is flawless as it pays attention to the smallest of details and makes them special.  A good example of this is the poor way the father and son try to make French toast when they first find themselves alone together and then the very efficient way they learn to make them at the end. It is also not all serious as there is a really hilarious scene involving Jobeth Williams who plays Hoffman’s new girlfriend and the unusual circumstances onto which she first meets Henry.

There are a few issues to quibble about, but they are minor. One is that you hear Hoffman and Henry peeing in the toilet a lot, but they never seem able to flush it! There is also a scene where Hoffman who is in desperate need for a job applies for one during a holiday party and when he gets it he runs out, grabs a woman he does not know and kisses her right on the lips. If he tried something like that today he would not only be fired on the spot, but have a sexual harassment lawsuit as well.

My Rating: 10 out of 10

Released: December 19, 1979

Runtime: 1Hour 45Minutes

Rated PG

Director: Robert Benton

Studio: Columbia Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Witness (1985)

witness

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Hiding out on farm.

Samuel (Lukas Haas) is a young Amish boy traveling with his mother Rachel (Kelly McGillis) by train to Baltimore to visit her sister. At the train station he leaves to go to the restroom where he witnesses a murder committed by McFee (Danny Glover) a narcotics cop gone bad. John Book (Harrison Ford) is the policeman investigating the case and when he realizes that there is an internal cover-up and he is now being targeted for blowing the whistle he goes into hiding with the boy and his mother at the farm home of Rachel’s grandfather Eli (Jan Rubes). There John learns to adjust to the Amish lifestyle while forming feelings for Rachel who displays the same for him, but McFee and his henchman doggedly pursue John in an attempt to silence him permanently.

The script by Earl K. Wallace and William Kelley deservedly won the Academy Award and is perfect blend of riveting cop drama and cultural understanding and one of the few films to deal with the Amish culture. It manages to tackle the subject in a non-sensationalistic manner that for the most part shows the Amish community in a positive, but still realistic light. The scenes showing the Amish men getting together and working as a team to hoist up a barn is exhilarating. The part where John punches out a brash heckler who looks exactly like current Baltimore Ravens head coach John Harbaugh who is harassing the peaceful people is satisfying as well. The film does also manage to look a bit at the negative side of the religion namely the shunning where if one of their members does not conform completely to their rigid doctrine then they will be literally shunned by the rest of their community even their own family members, which Rachel is told she risks simply by being, in their eyes, too friendly with John.

I remember at the time some critics complained about the scene where Rachel is bathing and turns around to find John peering at her and instead of covering herself up just stands there and exposes both of her breasts. Many people felt that this was not realistic. That a women raised on modesty would not just throw it all away and expose herself to a man who she was not married to and not a part of their community even if she did have some feelings for him and I have to agree. Although I did like the quiet sensuality of the scene I did not feel it was right for his type of picture, but fortunately it is the only time that it ever gets ‘Hollywoodnized’ and for the most part is pretty respectful.

The balance between the potential love angle and the action is surprisingly well done. The film may have one too many romantic moments, but otherwise the pacing is solid. The climatic showdown inside the barn had me on the edge of my seat and one of the best and most creative action finales for a cop movie that I have seen.

Ford is engaging as ever and it is surprising that his role here is his first and so far only time that he has ever been nominated for best actor. It is fun watching him learn how to milk a cow as well as seeing him dressed in an Amish suit with the pants not quite long enough.

Josef Sommar also gives an interesting performance as one of the bad guys. Instead of being the villain that becomes more confident, brazen, evil, and vicious as the pressure mounts he instead begins to behave in a more panicked and confused manner, which is an interesting take on the age-old formula.

Of course the real star of the film has to be Haas who is perfectly cast. He is cute and adorable without it ever having to be forced, or clichéd and one of the main reasons that this film has become so endearing.

The film also features Viggo Mortensen in a non-speaking part as one of the Amish men and Patti Lupone has a brief bit as John’s sister who begrudgingly agrees to take in Rachel and her son for the night in her home. Her reaction when Rachel tells her that she is Amish is subtly amusing.

My Rating: 8 out of 10

Released: February 8, 1985

Runtime: 1Hour 52Minutes

Rated R

Director: Peter Weir

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video