Giallo in Venice (1979)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Investigating a couple’s murder.

Inspector Angelo (Jeff Blynn) heads the investigation of the death of a couple (Gianni Dei, Leonora Fani) who were murdered brutally in broad daylight along the riverside and in full view of the public though only an old man living in a nearby apartment is able to offer any tangible eyewitness testimony. The odd thing is that the killer for some reason saves the woman victim from drowning only to then stab her later once he brings her to shore. To learn more about the couple Angelo speaks with a local prostitute named Marzia (Mariangela Giordana) who confides that Fabio, the male victim, had deep seated sexual perversions that came-out during his marriage to Flavia the female victim. His drive to pursue these dark fantasies, which we see through flashback, and forcing his wife to play into them, she believes in some indirect way is what lead to their deaths.

This film is considered to be the final word in giallo shock cinema that permeated the Italian movie scene all through the 70’s and into the early 80’s. Not only does it contain some remarkably savage deaths, which get captured in explicit detail, but an extraordinary amount of sex, which has made some liken it to a porn film. It was directed by Mario Landi, who got his start in the 60’s making dramas and even spiritual films before moving into the tawdry drive-in fare of the 70’s that featured stories dealing with prostitutes and drugs. It wasn’t until the end of 70’s when he finally ventured his way to horror, but because of his late arrival and because there were so many other bigger names already in the genre he decided in order to draw some attention and have his movie stand-out in a cluttered field by taking things to the most extreme violent and sexual level he could, which in that respect you could say he succeeds valiantly.

Of course this has lead it to be quite controversial even to this day and very hard to find a complete director’s cut. The version currently streaming on Tubi is heavily edited and runs only 1 Hour 15 Minutes, but the full version, which is 1 Hour 39 Minutes, can be obtained through Full Moon Features, which released the DVD with all gore and sex fully intact in 2022 and this review is based on the viewing of that one.

Many commentors on Amazon and IMDb argue whether this is even a horror film as so much is loaded with sex, and a blaring melodic music score that seemed better suited for a blissful romantic flick, that it gets hard to tell. Some will accuse this of being a cheap soft core porn flick, and they have a point while others will insist that because it has a plot to it and mystery that puts it outside of being an adult film as those focus only on the sex and nothing else. Personally I think both sides could be right and this could easily be labeled the first porn horror film.

While the sex is excessive I did find these moments intriguing simply because of Favio, who I suppose could be considered an early example of what we would now call a porn addict who looks at old pictures of perverse sex acts and then forces his wife to play them out, sometimes with him as a participant, or having her do it with strangers. Things become progressively more extreme as that’s the only way he can continue to get-off making these scenes far darker and creepier than the violent ones featuring the killer. In fact this becomes one of those very rare horror films where the killer is quite forgettable and doesn’t stand-out at all while it’s the victims who are memorable.

The film though is most noted for its graphic violence with the highpoint, or low point depending on your point-of-view, being when the killer slices into a naked women’s leg as she’s tied to a kitchen table, which is prolonged and leaves little to the imagination.  While this is certainly gory what I found more disturbing was when the killer burns a man alive and then, once the flames have been stamped out, you see nothing but the victim’s eyes moving back and forth inside his otherwise blackened, charred head.

The story is not as well thought out as the effects. The opening murder happens in the daytime in a public area with the victim’s screaming out loudly as they’re stabbed making it hard to believe it wouldn’t have drawn more attention than just one lonely old man. The police inspector looks like he spent more time on his perfectly blow-dried hair than the case and his constant egg eating and having one always in his hand gets overplayed. The ultimate killer reveal isn’t surprising nor captivating making this one of the weaker giallos case-wise but makes-up for it with the violence if that’s what you’re into.

My Rating: 5 out of 10

Released: December 31, 1979

Runtime: 1 Hour 39 Minutes

Not Rated 

Director: Mario Landi

Studio: Variety Distribution

Available: DVD

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