Don’t Look in the Basement (1973)

dontlook

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Murder inside insane asylum.

Charlotte Beale (Rosie Holotik) gets hired by the director of a rural mental health institute, but when she arrives she finds only one nurse there, Dr. Geraldine Masters (Annabelle Weenick), who reluctantly agrees to take-in Charlotte though warning that the institute’s director was killed earlier by one of the patients, but she is determined to carry-on his work in his absence. The hospital is unusual in that it allows the patients to freely walk around with no perimeters as well as acting-out all of their fantasies versus trying to have them reeled-in back to reality. Charlotte though finds her stay there to be stressful as some of the patients try to attack her and she’s not allowed to leave the premises. She begins to wonder if she’s really there to help treat the insane, or instead slowly turned into becoming like one of them.

The film was shot in the summer of 1972 in the very small town of Tehuacana, Texas, which has a population of only 228 people. While the isolation works to some degree, particularly the exterior shots of the old white building that stands-in as the hospital, the interior action takes place in only 4 of the rooms and a hallway and thus there is no visual variety to the shot selections. You start to see the same shots over and over like a repeating loop that ultimately becomes redundant and boring.

The mentally ill patients are not captured in any type of realistic way as they’re characterized as being simpletons perpetually locked in child-like fantasies. In reality those with mental health issues can still be quite intelligent and simply suffering from dangerous delusions, thoughts, or emotional imbalance versus like here where they’re portrayed as being overgrown children lost in make believe and who never got past age 4. What’s worse is the entire thing gets solely focused on them, their silly antics and inane dialogue, making it seem more like a misguided, unfunny comedy than a horror film.

The staff members, or what little of them there are, are poorly fleshed-out as well. Nurse Charlotte immediately becomes spooked by one of the elderly residents on her first night like she’s had absolutely no training on how to handle mentally ill people. At each and every turn she gets more and more thrown off by them like someone who has no educational background in that field and the part could’ve easily just been some pedestrian thrown in there and you’d never know the difference.

The gore is quite minimal and even pathetic. When the doctor gets axed in the back he immediately falls down to the ground dead. I could understand this happening if the ax got him in the head, but instead it cuts into his shoulder, which shouldn’t have been enough to kill him, at least not instantly, and he instead should’ve been screaming out in pain versus just lying there motionless. The ax killings at the end are equally lame showing only small trickles of blood crawling down the victim’s faces when with a blade that big and that sharp their whole heads, if not entire bodies, should’ve been drowning in red.

Spoiler Alert!

The final 15-minutes are slightly creepy, but it’s not enough to make sitting through the rest of it worth it. The ‘big twist’ in which Nurse Masters is revealed to be a mental patient like the rest of them is no surprise as I had been suspecting it the whole time. There’s also no conclusion to what happens to the main character Charlotte, we see her escape outside into the rain, but not what she does after that. Does she go to the police and report what happens, or does she get committed since it’s intimated earlier that she may be crazy too, or does she just get lost in the wilderness surrounding the place and die? Nothing gets answered on this, but really should’ve.

In 2014 the director’s son, Tony Brownrigg, rebooted the franchise by doing a sequel, which was filmed at the same location as this one with one of the cast members, Camilla Carr, who was the only one still living, returning to play a part, but as a different character from the first one.

My Rating: 2 out of 10

Released: May 16, 1973

Runtime: 1 Hour 29 Minutes

Rated R

Director: S.F. Brownrigg

Studio: Hallmark Releasing Corporation

Available: DVD, Blu-ray (Region B/2), Plex, Pluto, Tubi, Amazon Video, YouTube

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