How to Frame a Figg (1971)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: Tricking a dumb bookkeeper.

Hollis Fig (Don Knotts) is an inept bookkeeper working as an accountant at City Hall. The place is run by the Mayor (Edward Andrews), his staff, and the richest man in town who is also quite elderly, Charley Spaulding (Parker Fennelly). Together this bunch, unbeknownst to Figg, are skimming city funds. They decide though that they must cover their tracks by firing all of the other accountants and keeping only Figg who they deem as not smart enough to catch-on to what they’re doing. They also install a computer to do the bookkeeping and tell Figg it’s his job to maintain it, but nothing more. However, Figg and his friend Prentiss (Frank Walker) become suspicious when the computer readouts involving the city’s budget show that much of the money has gone missing. When Figg brings these findings to the mayor they divert his attention by hiring him a sexy secretary (Yvonne Craig) who will flirt so heavily with him that he’ll forget about everything else that’s going on, but this doesn’t sit well with Figg’s girlfriend Ema Letha (Elaine Joyce) who works across the street as a waitress.

This was the final movie produced from Knotts’ 6-picture deal that he signed with Universal in 1964 after he rose to fame in the ‘Andy Griffith’ TV-show. While none of the movies produced from that contract were very good this one has to be the weakest. The story is slow moving and lacks any action, or sight gags, which will bore most kids who are the intended audience. Visually it’s quite banal and looks like it could’ve easily been an episode for a TV-show with the biggest failing being that it was shot on a studio backlot, so the town is nothing more than propped up buildings. While it would’ve cost more shooting it in a real town it would also have given the production more of a distinct look, but at least it uses the same courthouse that was eventually also in Back to the Future.

Knotts is a funny guy, but he’s just playing the same Barney Fife caricature over and over and thus making everything that he does here quite predictable. Edward Andrews and Joy Flynn are both talented character actors, but together they end-up negating the other. In this instance Andrews totally dominates making Flynn’s efforts negligible and not worth appearing at all. Frank Welker, who later became a very famous voice artist including speaking for the Fred character in the ‘Scooby-Doo’ cartoons, makes for a strange buddy to Knotts since there was over a 20-year difference between the two and it shows. It would’ve been better if they were around the same age and Welker’s character not so painfully stupid as having two dimwits becomes tiring and monotonous.

I did however enjoy Yvonne Craig, best known for playing Batgirl on the ‘Batman’ TV-show, here she enlivens things as the vixen.  Parker Fennelly, who was 80 at the time, but looking more like 100, is very funny, and in many ways the best thing in the movie, as the crotchety, but still conniving codger, who violently slams down his cane when he gets angry and has everyone else at his beck-and-call.

Spoiler Alert!

Had the script not spelled everything out right at the start and instead had the viewer to see things completely from Figg’s perspective would’ve allowed for a few twists and surprises, but the way the plot gets presented here is quite routine. The ending, in which Figg and his new bride travel to Rio de Janeiro for their honeymoon and explicably bump into the Mayor and his staff who are hiding-out there is disappointing.  Do the bad guys ultimately escape justice, or does Figg figure a way to take them down? Or do they kill/kidnap Figg to keep him from talking? Either way none of this gets answered, which is a letdown. At least with the Disney films of that era everything would end with one big car chase, or ultimate showdown of some kind, which is what this film, as dull as it already was, sorely needed.

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My Rating: 1 out of 10

Released: February 2, 1971

Runtime: 1 Hour 43 Minutes

Rated G

Director: Alan Rafkin

Studio: Universal

Available: DVD

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