By Richard Winters
My Rating: 3 out of 10
4-Word Review: His doppelganger takes over.
Pelham (Roger Moore) is a conservative, staid businessman who is married with two kids and for all practical purposes leads a predictable life. One day he goes out driving and begins to pretend he’s a race driver in a sports car. He removes his seat belt and accelerates the vehicle before getting into an awful crash. The doctors at the hospital are able to save him, but as he returns to his normal way of doing things he keeps hearing about another man who looks just like him appearing all over town. The man associates with many of his same friends and eventually moves into his home and has relations with his wife while he’s not there. Pelham tries putting at stop to it only to find that his friends and family prefer the new Pelham over the old one.
While the concept has intriguing elements the way it gets handled is a letdown. Supposedly his doppelganger represents his more reckless side that he keeps oppressed, but then having him immediately give into his wild impulses through his driving doesn’t seem like dual personalities, but more like it’s all-in-one. His recovery, especially after such a life threatening accident, happens too quickly and the idea that he can just go back to normal and continue to drive the same car that he totaled (he buys a new one, but the same model) seemed dubious as I’d think in reality his license would’ve been suspended for causing a crash that put both him and others at extreme risk.
The movie makes clear through flashback that there really is a double versus keeping this aspect a mystery and allowing in the idea that it might be a person disguising himself as Pelham. There’s very little difference between the two, so having them both walking around adds nothing. If the twin is supposed to represent his wild side then this needs to be shown through his attire, hairstyle, and speech pattern. The only real difference is that one drives a flashy sports car, but that’s it. You’d also think that those around him, especially his family, would sense something was off instead of having the real one become the odd man.
Moore has stated in interviews that his was his favorite role, but I don’t know why because outside of having a perpetual confused look on his face his character has little else to do. The production values, for what it’s worth, are excellent, but the story is too thin for feature length. The second act gets especially boring as Pelham is constantly hearing from others about his double over and over again until it becomes redundant. It takes too long for the protagonist to become aware of something that the viewer catches onto early on. The ending is vague and offers no suitable conclusion or answers. Normally I’d say this is the type of story, which was based on the novel ‘The Case of Mr. Pelham’ by Anthony Armstrong, that would’ve been better as an episode for an anthology series, but in this instance that’s actually what occurred as 15 years earlier it was a first season episode of ‘Alfred Hitchcock Presents’. with Tom Ewell playing the part of Pelham and the compact 25-minute runtime did a far superior job with the concept than the 94-minutes does here.
My Rating: 3 out of 10
Released: July 18, 1970
Runtime: 1 Hour 34 Minutes
Director: Basil Dearden
Studio: EMI Films