By Richard Winters
My Rating: 5 out of 10
4-Word Review: Band’s first paid engagement.
Marty (Warren Rogers) works as a used car salesman during the day, but in the evening he gets together with 5 other middle-aged male friends and takes part in a Dixie style jazz band. For 15 years they’ve been doing this until they get an offer with pay to play at the Catskills for two weeks. Marty is initially quite excited, but the others have family and job obligations and aren’t sure if they can do it. He’s finally able to get 4 of them to agree, but with one bowing out due to surgery is forced to add in a professional bass player named Marshall (Cleavon Little) who is talented, but also arrogant and opinionated. Once they finally arrive at the location they find their living quarters to be small and cramped and the resort owner (Joe Silver) to be overbearing making them wish they hadn’t come and leads to the group’s unraveling.
The film, which was written and directed by Frank D. Gilroy, takes a realistic view of middle-aged life. Most films have the perspective that middle-aged people in the affluent suburbs are in control of their lives and do things on a whim if they so please while here it’s the exact opposite. In fact the whole first act, which I found to be the most entertaining, is spent showing how each member frets about whether they’ll be able to get time off from their jobs and permission from their wives to go, which perfectly illustrates how even doing something on a lark can have potentially far reaching consequences.
Unfortunately the second half stagnates as certain potentially interesting conflicts get introduced, but then all end up getting resolved in pat and uninteresting ways a few minutes later making it feel like the story isn’t really going anywhere, or leading to anything. A few of the characters become a bit too strained even for henpecked suburbanites especially Arthur, played by Daniel Nalbach, who is in his 50’s, but still a mama’s boy who becomes guilt ridden when he’s away from his mother for even a couple of days, which gets a bit pathetic. There’s also the issue of Rogers speaking in a sort of slick-salesman type dialect, which I found annoying.
The third act offers some spark with arrival of an obnoxious singer, wonderfully played by Jay Thomas, whose over-sized ego outweighs his talents and who openly clashes with the band, which promises to lead to potential fireworks. Yet the film doesn’t play this part up enough having the band leave before the brewing anger can come to a full peak.
Those that have played gigs in amateur bands may take to this better as I’m sure they’ll relate a lot to what goes on here and I really did love the final shot showing the band playing a moving tribute along the roadside of a busy highway, but everything that come in-between is trite. The drama is too contained making it feel, especially when coupled with its dull, low budget cinematic look, more like a one-hour TV dramedy than a theatrical feature.
It also would’ve been nice had more of a backstory been done of the group and their many years of playing together instead of starting right away with them getting the gig offer. Showing them during the good times where they got along would’ve then made the scenes where they eventually unravel more compelling.
My Rating: 5 out of 10
Released: November 26, 1985
Runtime: 1 Hour 32 Minutes
Director: Frank D. Gilroy
Studio: Manson International