By Richard Winters
My Rating: 7 out of 10
4-Word Review: Actress is an alcoholic.
Georgia Hines (Marsha Mason) has just been released from a 12-week alcohol rehab program and returns to her Manhattan apartment looking to readjust to civilian life with the help of her two friends; Jimmy (James Coco) a gay unemployed actor and Toby (Joan Hackett) a woman unhappy at turning middle-aged. To Georgia’s surprise Polly (Kristy McNichol) her 17 year-old-daughter shows up wanting to move in with her and ‘patch things up’ from their tumultuous past. Georgia isn’t sure she’s emotionally ready, but forges ahead and things start out okay, but then the demons from the past rear their ugly head forcing mother and daughter to face some harsh realities both about themselves and each other.
The film is based on Neil Simon’s Broadway play ‘The Gingerbread Lady’ that starred Maureen Stapleton and ran for 193 performances. It was not considered a success and when adapted to a film Simon made changes to the story, but to me it all seemed like every other Neil Simon dramedy that he’s done before. Both this film and The Goodbye Girl that also starred Mason featured male characters that were struggling to become professional actors. Both this film and Chapter Two, which again starred Mason, had characters who were playwrights going through writer’s block. His films always take place in New York and have characters who see analysts, and can apparently make enough to afford them. I realize there’s the old adage ‘write what you know’ and that’s exactly what Simon is doing, but it would be nice if he’d get a little bit out of his comfort zone as nothing that gets shown here seems fresh or original.
The first hour is way too serene and I would’ve expected much more of a frosty relationship between mother and daughter, but instead for the most part they get along great, at least initially. There are some passing references to previous drama, but I felt this should’ve been shown and not just talked about. The second half improves significantly with some strong scenes, but I’m afraid that with such a lifeless beginning most viewers will have fallen asleep before it even gets there.
McNichol is excellent and every bit Mason’s equal, but this exposes another of Simon’s weaknesses, which is that although he’s good at writing character parts for adults he seems unable to do so for anyone younger. In The Goodbye Girl the Quinn Cummings character seemed too infantile for a 10-year-old and here McNichol is more like a 20-something and the intended mother-daughter drama more like just two girlfriends rooming together.
Coco and Hackett are excellent and help hold things together and the movie does manage to deliver, at least in the second-half, but I couldn’t help but feel that Simon had gone to this well too often and was starting to lose his edge. You can also spot young Kevin Bacon as a college dude trying to pick and Mason and McNichol as they eat at a café.
My Rating: 7 out of 10
Released: September 25, 1981
Director: Glenn Jordan
Studio: Columbia Pictures
Available: DVD-R, Amazon Video, YouTube
Marsha! Marsha! Marsha! Third go-round for Mason and playwright Simon after the entertaining The Goodbye Girl and the dreary Chapter Two. Only…is middling with the stage roots showing particularly with Coco and Hackett.