By Richard Winters
My Rating: 3 out of 10
4-Word Review: Models can be replaced.
Dr. Larry Roberts (Albert Finney) who is a plastic surgeon finds himself embroiled in a mystery when three of his past patients turn up dead. He soon becomes a prime suspect when he is caught inside the apartment of one of them just after they were killed, which forces him to become his own detective in order to clear his name. He learns that all three of them were linked to an advertising agency run by John Reston (James Coburn) and Jennifer Long (Leigh Taylor-Young) who scan the model’s body in order to use a 3D generated computer image of them in their commercials.
The concept is intriguing, but the execution gets horribly botched. It’s like a screenplay that’s still in the early draft stage with a plethora of poorly thought out story lines that leave open a wide range of loopholes, unanswered questions and inconsistencies.
For one there is the fact that Dr. Roberts gets caught in the apartment of the latest victim just after she was pushed over her balcony and yet the police only question him for a couple of minutes and then let him go. In reality he would be brought into the station for hours of interrogation especially since there were already clues implicating him at the death scene of the victim before this one and if they did possibly let him go after all that they would most likely be tailing him quite closely, which they don’t do here.
When he enters the ad agency he secretly steals one of their access cards, which they become aware of and should be no big deal because they could simply disable it electronically and yet they don’t and he is able to use it later on to get inside. There is also no explanation for what happens to his many patients while he goes wildly cavorting around chasing after nebulous clues that should really be done by the police. Also, the scene where Roberts gets beaten up in the lab by a guard, which sends him crashing against a hard wall several times and even going through a glass window would be enough to break several bones with any other person and not something that could simply be shaken off like here.
Why such a highly regarded actor such as Finney would feel the need to accept something this pedestrian is a mystery. Her services at the time were in high demand so why not pick a project that offered a wide acting range or interesting character instead? Coburn as the villain is equally wasted and barely has any screen time at all. Susan Dey comes off best and should’ve been given the lead as she is not only beautiful, both with and without her clothes, but quite likable and the only character in the film that seems discernably human.
There is one cool scene involving a victim falling onto the hood of a car that shatters all of its windows before the body then bounces off onto the ground, which gets done in slow-motion, which is cool, but everything else is boring and unimaginative. However, the L.O.O.K.E.R. gun that is able to put people into a trance is worth mentioning and I liked actor Tim Rossovich’s glazed over expression every time he gets put into one, which makes his appearance here quite memorable despite the fact that he utters no line of dialogue.
My Rating: 3 out of 10
Released: October 30, 1981
Runtime: 1Hour 33Minutes
Director: Michael Crichton
Studio: Warner Brothers
Available: DVD, Amazon Video, YouTube
Michael Crichton should have titled this Coma! DOA!