By Richard Winters
My Rating: 6 out of 10
4-Word Review: Refugee becomes drug lord.
Tony Montana (Al Pacino) is a Cuban refugee arriving in Miami hoping to make it big in the land of opportunity. At first he is forced to do low paying jobs, but finally gets his break when he is hired to do a job for a rich drug dealer named Frank Garcia (Robert Loggia). Soon Tony becomes infatuated with Frank’s girlfriend Elvira (Michelle Pfeiffer) and the two begin a torrid affair. When Frank tries to assassinate Tony by ordering a hit on him at a nightclub Tony gets his revenge by killing Frank and becoming the top drug lord, which makes him quite wealthy, but the strain of constantly having to watch his back for whoever may be out to get him eventually wears on his personality.
This is a remake of the 1932 Howard Hawk’s classic that came about when Pacino watched the original film in a theater and felt compelled to make a modern day update with the drugs being the source of the criminal activity instead of alcohol. The result is only so-so, but it gets helped immensely by an incredible set design. Tony’s all-black office and a luxurious hot tub placed in the middle of his already kitschy living room are eye-popping as are the chic and lively interiors of the nightclubs, posh restaurants and exotic resorts. The graphic shootouts are equally arresting and keenly shot and edited for ultimate excitement.
Director Brian De Palma again digs into his bag of borrowed Hitchcock shots in order to tell his story, but here it works pretty well. My favorite one is when he uses the camera to track outside of a room where the action is occurring and onto a quiet street below. Hitchcock did the same thing in Frenzy where the bad guy strangles a woman inside her apartment, but instead of showing the violent act the camera moves out of the apartment and onto a busy street outside. Here the camera takes an equally fascinating journey from a man getting chopped up by a chainsaw to an idyllic afternoon day just a few feet away.
The supporting cast is strong particularly Pfeiffer as Tony’s bitchy girlfriend whose ongoing acerbic responses act as a good barometer to Tony’s ever changing social standing. I also enjoyed the transformation of Loggia’s character from intimidating kingpin to wilting coward. Harris Yulin is also memorable as a corrupt cop who ends up playing things a little too cool for his own good.
The thing I hated about the movie was Pacino’s over-the-top performance. Normally I’ve found him to be a great actor, but here the character comes off as too cartoonish and one-dimensional. He possesses no interesting character arch and is creepy and unlikable from the beginning and proceeds to only get worse as it goes along, which makes following his rise and fall quite boring and predictable.
The runtime is too long and encompasses a lot of lulls in between the action bits in a story that seems to telegraph where it’s going right from the start. The Cubans are also portrayed in a negative and stereotypical way with only a slight attempt to balance it. Had it not been for the excellent production values this thing would’ve been a real bore.
I was also confused as to why Charles Durning’s voice gets dubbed in during a scene involving Tony’s conversation with an immigration officer. If De Palma was unhappy with the original actor’s performance as the immigration officer then he should have re-filmed it with Durning present instead of just using his voice because his style of speaking is quite distinctive and I was thrown out of the scene completely due to wondering why I was hearing Durning’s voice, but not seeing him.
My Rating: 6 out of 10
Released: December 9, 1983
Runtime: 2Hours 50Minutes
Director: Brian De Palma
Available: DVD, Blu-ray, Amazon Instant Video, YouTube