Tag Archives: Movies

Peeper (1976)

Posted on November 5, 2016 | Leave a comment

peeper-4

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Searching for client’s daughter.

Leslie C. Tucker (Michael Caine) is a British private eye working in L.A. who gets hired on by an eccentric client named Anglich (Michael Constantine) to find his long lost daughter that was born 24 years ago and now resides he believes somewhere in Hollywood. Tucker tries following the skimpy clues and this leads him to a beautiful woman named Ellen (Natalie Wood) who he believes just may be that daughter and not even know it, but the closer he gets to some answers the more questions he has to tackle as well as being chased by a pair of hoods (Timothy Carey, Don Calfa) who are out to stop him.

This film is based on a novel by Keith Laumer with a screenplay written by W.D. Richter and directed by Peter Hyams. With such talented people involved you’d think this would’ve been a winner, but it bombed at the box office and I’m not completely sure why. The ingredients are there, but the oversaturation of private eye parodies during the ‘70s could’ve gotten this one lost in the shuffle.

The film though is filled with snappy dialogue and some highly amusing voice-over narration by the Tucker character. There are also unique scenes including a car chase that takes place amidst a major traffic jam and a cool foot chase sequence down a long, winding spiral staircase. I also loved the scene where Tucker is trapped in a car with an angry dog outside only for him to miraculously turn-the-tables on the animal where he gets outside while the dog ends up stuck in the vehicle. The best moment though is at the beginning when actor Guy Marks does his impersonation of Humphrey Bogart while standing in a dark alley and reciting the opening credits instead of having them shown on screen.

As much as I love Michael Caine I found him to be wrong for this role. If you’re going to do a light parody of old school private eye films then you have to cast someone in the lead that would reflect to some degree Bogart. It certainly doesn’t have to be an impersonator, but someone that is from Brooklyn and has a New York mentality as opposed to a transplanted Englishman with a British accent.

Wood is equally miscast. This was her first theatrical feature in 7 years and she turned down a role in The Towering Inferno to do this one and I’m not sure why. The part is rather small and offers little range in either acting or character development and with everything else that goes on in the story she ends up getting forgotten though it does have a foreboding quality in that the final segment involves her on a boat and near water.

The mystery itself ends up being the worst thing. It’s too intricate and filled with so many rapidly paced twists that it becomes almost impossible to follow. The action is enough to keep it interesting, but as a compelling plot it fails. I also wasn’t too crazy about the title. The working title was ‘Fat Chance’, which I didn’t like either, but peeper is slang for a private eye who takes a lot of photographs, which this detective doesn’t do at all.

My Rating: 6 out of 10

Released: January 6, 1976

Runtime: 1Hour 27Minutes

Rated PG

Director: Peter Hyams

Studio: 20th Century Fox

Available: DVD, Amazon Instant Video

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Posted in 70's Movies, Dry Humor, Movies Based on Novels, Mystery, Parody

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House on Straw Hill (1976)

Posted on November 2, 2016 | Leave a comment

house-on-straw-hill-1

By Richard Winters

My Rating: 3 out of 10      

4-Word Review: Writer battles his secretary.

Paul (Udo Kier) is a writer who had success with his first novel and now working on his much anticipated second one. To help him get the manuscript done faster he hires a secretary (Linda Hayden) who comes to his isolated, countryside home to type it up, but the two don’t get along. Soon Paul becomes convinced that she is out to kill him and he just may be right.

This pseudo horror film has an enticing visual style.  I liked the close-up shots of the typewriter keys banging on the paper as well as the giant wheat field surrounding the home, which to a degree helps create an interesting atmosphere, but writer/director James Kenelm Clarke goes back to these things too often eventually making the film one-dimensional and monotonous.

The film is also loaded with a lot of explicit sex. If this were a porno then that would be great, but for an intended horror film it goes off the mark completely. We really don’t need to see Linda constantly masturbating. Having Paul find a dildo in her suitcase as he does would’ve been enough. Linda’s ultimate seduction of Paul’s girlfriend (Fiona Richmond) in a provocative lesbian sequence is completely pointless to the story and clearly just done to grab the crowd that’s into watching mindless sleaze.

The characters come off as weird, half-human caricatures whose motivations and actions are confusing. Both Paul and Linda needed to be better fleshed out for the viewer to have any compelling reason to care what happens to either one of them. The scene where Linda masturbates in the wheat field and is then attacked and raped by some locals only for her to turn-the-tables on them and kill them is particularly stupid because she is somehow able to immediately compose herself afterwards and come back to the house and act like it never happened when with anyone else it would’ve been an emotionally traumatic experience that would’ve taken months maybe even years to get over if even then.

The film’s twist ending is particularly weak and the film should’ve used flashbacks and other subtle clues to help the viewer figure it out for themselves the reasons for Linda’s motivations instead of having it all explained to them by her at the end. I also didn’t like the title as it is too reminiscent to Straw Dogs, which also took place in a remote home in the English countryside and dealt with a rape by some of the local thugs. This might’ve been intentional, but it was a big mistake because it just reminds the viewer of that movie, which was far better.

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My Rating: 3 out of 10

Alternate Titles: Trauma, Expose

Released: March 15, 1976

Runtime: 1Hour 24Minutes

Rated X

Director: James Kenelm Clarke

Studio: Norfolk International Pictures

Available: DVD, Blu-ray

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Posted in 70's Movies, British Movies, Erotica, Foreign Films, Gay/Lesbian, Movies with a rural setting, Movies with Nudity, Rape/Revenge, Thrillers/Suspense

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The Arousers (1972)

Posted on October 31, 2016 | Leave a comment

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By Richard Winters

My Rating: 5 out of 10       

4-Word Review: He suffers from impotence.

Eddie (Tab Hunter) is a good-looking high school athletic coach who is a magnet to the young southern California women that inhabit the area. Unfortunately Eddie cannot perform in bed and the stress and shame that he feels because of this causes him to murder the women that he attracts.

The original title for this film was Sweet Kill, which I liked better, but because it did not make any money at the box office it got reissued as The Arousers, with nude scenes of voluptuous women added in, which doesn’t really improve it. The film is indeed pretty slow, but I still found it strangely captivating. The story has a real-time approach with more emphasis on seeing the characters as real people than on the chills or shocks. Charles Bernstein’s acoustic musical score is excellent and helps build the tension by being soft at the beginning to the point of barely being detected and then becoming increasingly more present as the film progresses.

Hunter’s excellent performance is not only the best of his career, but one of the better psycho’s in horror film history. The way his eyes glare with evil is impressive and the film makes attempts to show the character’s frustration at suffering from inner shame and not just a one-dimensional killer.

It’s great that the film brings out an important social issue, which at the time was still quite taboo and not at all talked about. Unfortunately the story makes no attempt to explain the cause. Impotence can be caused by many different factors, so the character didn’t necessarily need to be pinpointed with one, but more of a background would’ve helped the viewer understand his inner demons better.

The killings themselves aren’t interesting and the story is too one-sided as we see everything from the killer’s perspective where the tension would’ve been heightened had there been a side-story dealing with a police investigator on his trail. The ending offers no payoff outside of seeing Hunter give off a menacing scowl that rivals Jack Nicholson’s from The Shining. The movie also offers a glimpse of Angus Scrimm, who later became famous for playing The Tall Man in Phantasm, in his film debut.

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My Rating: 5 out of 10

Alternate Title: Sweet Kill

Released: May 15, 1972

Runtime: 1Hour 23Minutes

Rated R

Director: Curtis Hanson

Studio: New World Pictures

Available: DVD

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Posted in 70's Movies, Cult, Horror, Low Budget, Movies with Nudity, Psychological, Sex, Slasher/Gore

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Trick or Treats (1982)

Posted on October 30, 2016 | 1 comment

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By Richard Winters

My Rating: 0 out of 10

4-Word Review: Kid terrorizes his babysitter.

Linda (Jacqueline Giroux) gets a job as a babysitter to a bratty kid named Christopher (Chris Graver) who spends the entire night scaring her out of her wits with a relentless barrage of practical jokes. Unfortunately there is an even more sinister threat out there in the form of Chris’s long lost father Malcolm (Peter Jason) who has escaped from a nearby mental institution, where he was wrongly committed by Chris’s evil mother Joan (Carrie Snodgress) so she could be with her new boyfriend Richard (David Carradine). Malcolm has spent 15 years with a pent up rage and plans on taking it out on anyone that he finds inside the home.

First we’ll get to the two parts about this mess of a film that I liked. The scene where Malcolm gets accosted by two men from the mental hospital isn’t bad. The idea that two muscle bound hunks would drive over from the nearby sanitarium and strap on a strait-jacket with no questions asked to someone that the wife conveniently wants to get out of her life is ridiculous of course, but I liked the way the Malcolm character fights back and puts up quite a feisty effort to escape from them, which is interesting because so many horror movies never show the victim putting up much of a struggle. I also enjoyed the brief bits with Steve Railsback as an insecure actor getting ready to play Othello. Railsback hasn’t been known for his comic skills, but he proves quite amusing here.

The rest of the movie is as bad as any movie ever made and easily ranks in the top three of worst moves I have had the displeasure of seeing in my lifetime. Not only is there no horror, but the attempts at employing some misguided humor is even worse. The scenes inside the mental hospital are particularly lame and the kid, who was the son of the director, gets really annoying. The babysitter proves to be no better as she stupidly falls for his dumb practical jokes too many times until you start rooting for the killer to off her along with the stupid kid.

The film was written and directed by Gary Graver who had worked closely with Orson Welles as his cameraman during many of his later projects. Here though he proves to have no talent at all and this would be considered a complete embarrassment to even a novice filmmaker, which is probably why he ended up directing only porno movies after this. The most horrifying thing about it is having to sit through it and it in no way deserves the Blu-ray release that it got especially when there is so many better movies out there that have yet to get one.

My Rating: 0 out of 10

Released: October 29, 1982

Runtime: 1Hour 32Minutes

Rated R

Director: Gary Graver

Studio: Lone Star Pictures International

Available: DVD, Blu-ray

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Posted in 80's Movies, Campy Comedy, Horror, Low Budget

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The Final Terror (1983)

Posted on October 29, 2016 | Leave a comment

final-terror

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Killer in the woods.

A group of young forest rangers go camping out in the woods only to find themselves quietly stalked by a menacing presence. When some of them go missing and then turn up dead they become convinced that it was caused by Eggar (Joe Pantoliano) a member of the group who was kicked-out for his anti-social behavior, but the killer may actually be more evasive than they thought and somehow able to track them down no matter where they try to go.

The film takes a different approach to most other ‘80s horror flicks in that it emphasizes the tension instead of the shocks or gore, which might’ve worked had the story been better plotted and the characters more rounded. As it is though it comes off like a weak rip-off to Deliverance and nothing more.

The characters are less cardboard here, but the viewer is still forced to slog through a lot of formulaic stuff that seems to have to appear any scary movie dealing with campers including the tacky ghost story told around a campfire, which in this case is even cornier than usual. The opening sequence, which was filmed later after the rest of the movie had already been shot and done by a different director, is completely pointless and should’ve been discarded.

The biggest issue I had though with the movie is that you barely ever see the killer. In fact out of its entire runtime you probably only see the killer’s figure for less than a minute. When you do spot him he comes off looking like a giant human-sized fur ball made by Stan and Marty Kroft for one of their Kroft Superstars show.

The acting is okay and much of the cast went on to have distinguished careers including Daryl Hannah and Rachel Ward who both look beautiful and should’ve been given more to do. Since this was filmed in 1981 it is technically Adrian Zmed’s film debut who manages to do a pretty good howl.

The music, which was inspired by Billy Idol’s ‘White Wedding’ has a good funky beat and the killer’s ultimate demise is well shot, but overall it’s rather lame with not enough to distinguish it from slew of other slasher films already out there. I also thought the title was stupid. Just exactly what is so final about this terror? It never gets explained or addressed and was apparently just tacked on once they found a distributor 2 years after it was already shot. The original working title was ‘Bump in the Night’, which would’ve been better.

My Rating: 2 out of 10

Released: May 1, 1983

Runtime: 1Hour 23Minutes

Rated R

Director: Andrew Davis

Studio: Aquarius Releasing

Available: DVD, Blu-ray, Amazon Instant Video 

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Posted in 80's Movies, Horror, Movies with a rural setting, Outdoors, Slasher/Gore

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Midnight (1989)

Posted on October 28, 2016 | Leave a comment

midnight

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Horror hostess is goofy.

Midnight (Lynn Redgrave) is a Goth dressing host of a late night TV-show where she rises from a coffin to help introduce a bad B-movies. She has managed to attain a strong cult following and Mr. B. (Tony Curtis) the head of the TV-station where she works wants her to sign over the syndication rights, but she continually refuses. She then meets Mickey (Steve Parrish) and the two get into a relationship, but when he proves to be unfaithful dead bodies begin turning up including that of Mr. B.’s. Is Midnight the killer, or is she being framed by someone else lurking in the shadows?

There are a few snappy lines here and there, but overall this thing is a complete bore and too poorly paced to be entertaining. The film shifts so clumsily between comedy, satire and horror that it becomes hard to figure what audience the filmmakers where attempting to draw-in.

Redgrave’s send-up of Elvira and Vampira misses the mark completely. The wacky outfits that she wears is indeed eye-catching, but the camp level gets played up too much and the fact that she continues to display the same goofy persona that she has in front of the camera even while at home gets overdone and eventually quite annoying.

Curtis is far more entertaining and should’ve been giving a larger role. His hanging death in which he struggles in mid-air with a rope around his neck is actually impressive, but I did spend most of the film thinking about the white mop that was on top of his head and wondering if it was his real hair, or a wig. Parrish, as the young love interest, is thoroughly dull and drains what little energy this film has right out with his presence.

The strangulation death that occurs under water deserves some merit and I did enjoy the exteriors of Mr. B’s mansion as well as Midnight’s, but the attempts to satirize the behind-the-scenes wheeling’s-and-dealings of the entertainment world fall horribly flat and eventually becomes a joke onto itself.

My Rating: 1 out of 10

Released: July 5, 1989

Runtime: 1Hour 26Minutes

Rated R

Director: Norman Thaddeus Vane

Studio: Kuys Entertainment Group

Available: VHS

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Posted in 80's Movies, Horror, Low Budget, Obscure Movies, Parody, Satire

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Night School (1981)

Posted on October 27, 2016 | Leave a comment

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: They lose their heads.

All across the city of Boston young women are being attacked by a leather clad helmet wearing motorcyclist who hacks off their heads and then discards them in provocative places. Lt. Judd Austin (Leonard Mann) is on the case, but is finding few clues. Since the majority of the victims are coeds attending a local college he decides to interview the anthropology professor (Drew Snyder) who has been known to have affairs with many of them, which places him high on the suspect list as well as the fact that his studies deal with ancient tribal rituals of decapitations.

This is more of a police drama than an actual horror film as a lot of time gets spent on Mann interviewing suspects and tackling potential leads. Unfortunately he’s no Columbo as his personality is quite bland and his investigation leads nowhere, which makes the majority of the movie plodding and uneventful.

Rachel Ward, in her film debut, is the best thing about the movie and helps elevate it somewhat with her effective performance. Director Ken Hughes attempts to add some style to it with a orchestral score and a nice backdrop of Boston’s older neighborhoods, which is good, but the script lacks punch. The special effects are not realistic and cut away before much is seen. Certain scenes like when a woman gets attacked behind a closed door and the viewer is left to hear the strange noises that she makes comes off more as unintentionally funny than horrifying.

The ultimate identity of the killer is somewhat creative although with 20 minutes to go I had already figured it out. The twist that comes after it I had also caught on to, so there really aren’t many surprises here for the observant viewer in what is yet just another would-be ‘80s slasher wanna-be that adds little to the already overcrowded genre.

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My Rating: 2 out of 10

Released: September 11, 1981

Runtime: 1Hour 28Minutes

Rated R

Director: Ken Hughes

Studio: Paramount

Available: DVD-R (Warner Archive), Amazon Instant Video

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Posted in 80's Movies, College Life, Horror, Movies with Nudity, Police Drama, Slasher/Gore

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Till Death (1978)

Posted on October 27, 2016 | Leave a comment

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: His dead wife returns.

Paul (Keith Atkinson) marries Anne (Belinda Balaski) only to have her perish on their wedding night. When he goes to visit her at her crypt he hears her wails and breaks into her coffin where he finds her to be alive. They spend the rest of the night talking until supernatural events begin to occur, which convinces Paul that things aren’t quite what they seem.

This very low budget film sat on the shelf for 6 years and it was for good reason. It is boring and uneventful and at times down right hokey. The sappy opening title tune is the most horrifying thing about this turkey and has no place in a horror film or any other movie for that matter. The car crash borders on being laughable. There is a shot of Balaski being quite literally swallowed out of the car with an over-the-top panicked expression while Atkinson, with an equally over-the-top panicked expression, tries to save her. The shot is quick and might have passed had it only been shown once, but the director keeps going back to it almost repeatedly until it becomes both corny and annoying.

The second half is about as static as you can get. Atkinson releases Balaski from her crypt and then the two have one long, sterile conversation that goes nowhere.  Since the woman was supposedly thrown from a car one would expect her to be a mangled up mess, but when the coffin gets opened there is not a scratch on her. The payoff for sitting through this thing is nothing as there is no interesting twist of any kind. It’s a dud from start to finish and filled with a lot of clichéd foggy atmosphere that’s supposed to be creepy, but wouldn’t scare a first-grader.

My Rating: 1 out of 10

Released: February 4, 1978

Runtime: 1Hour 20Minutes

Not Rated

Director: Walter Stocker

Studio: Cougar Films

Available: None at this time.

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Posted in 70's Movies, Ghost Story, Low Budget, Obscure Movies, Romance

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Bloody Birthday (1981)

Posted on October 26, 2016 | Leave a comment

bloody-birthday

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Sociopathic children become murderers.

Three children (Billy Jacoby, Elizabeth Hoy, Andrew Freeman) who were born during a solar eclipse become cold-blooded killers ten years later. The reason is because during their births the sun and moon blocked Saturn, which is the planet for emotions, so they’re devoid of any feelings and kill for the pure enjoyment of it and even proudly keep a scrapbook filled with newspaper articles of their dirty deeds. Because they’re just children nobody believes that they’re the actual culprits to the rash of murders that are happening. Only Timmy (K.C. Martel) and his older sister Joyce (Lori Lethin) are on to them, but can they get the rest of the town to believe them before it’s too late?

Minor, but still watchable horror outing requires the viewer to buy into the astrology nonsense in order to enjoy it, but manages to be paced well enough to remain mildly entertaining. The murders aren’t too gruesome and if it weren’t for an abundance of nudity, which includes actress Julie Brown fully in the buff, this could’ve been a TV-Movie where it might’ve fared better.

The kids are fun as the killers. Both Hoy and Jacoby have a good menacing quality to their facial expressions, which helps. Jacoby, who now goes by the last name of Jayne, has an older brother Scott who already played a similar psycho kid in Rivals.

The murders are okay, but cannot hold up to even minor scrutiny.  The kids kill the sheriff (Bert Kramer) by bashing him over the head with a baseball bat and then try to make it look like it was an accidental fall, which would’ve only caused one blow, but an autopsy would’ve confirmed several blows and the freak accident theory would’ve immediately crumbled. The idea that such a small girl would be able to effectively use a bow-and-arrow is not believable and the opening sequence features a young couple who decide to go into a hole in the ground to make-out, but how many real-life couples would consider jumping into a dirt hole to be sexy or romantic?

I found the Joyce character to be annoyingly goody-goody, but was still impressed with her resourcefulness. The entire scenario though goes on too long and becomes derivative with a twist ending that’s only marginally acceptable. The film also offers familiar faces in small, pointless bits including Jose Ferrer, Susan Strasberg, and Joe Penny.

My Rating: 5 out of 10

Released: April 28, 1981

Runtime: 1Hour 24Minutes

Rated R

Director: Ed Hunt

Studio: Judica Productions

Available: DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Cult, Horror, Movies with Nudity

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Don’t Go in the House (1980)

Posted on October 23, 2016 | Leave a comment

dont-go-in-the-house

By Richard Winters

My Rating: 5 out of 10

4-Word Review: He burns his victims.

Donny (Dan Grimaldi) is a grown son living at home with his mother (Ruth Dardick) and suffering from the nightmares of his childhood where she would routinely burn his arms on an open flame every time he misbehaved. When she dies he decides to use his new found freedom to pick-up women at random, bring them back to his place and then burn them to death with his blow torch. Afterwards he dresses the corpses up, puts them into a bedroom where he routinely visits them and has ‘conversations’.

The film uses its low budget to great effect by becoming a grainy, starkly realized journey into a madman’s mind. The large, rundown 21-bedroom home that Donny lives in and has now become the Strauss Mansion Museum in Atlantic Highlands, New Jersey offers a terrific backdrop. The decayed, rundown interior becomes a motif to Donny’s deteriorating mind. The faded color matches the grim subject matter and even the sound, which has a constant popping noise like it was taken from a corrupted tape, gives off an eerie feeling like listening to muffled dialogue from a secret, underground source. The cold, gray, wintery landscape adds even more to the bleak ambience.

Director Joseph Ellison seems intent on forcing the viewer to get inside the killer’s head and understanding things from his point-of-view. Instead of having a robotic, evil killing machine we get an overgrown man-child, so tormented from his upbringing that he is unable to know right-from-wrong and burns his victims under a misguided notion that it is somehow ‘cleansing’ them from their sins. The surreal dream done along a lonely beach in which Donny sees his victims come back to life and who drag him down a hole is well captured with just the right amount of atmosphere that easily makes it the best moment in the movie.

Some viewers have found the scene where Donny burns a woman alive inside a metal room while she dangles from a rope to be ‘repugnant’ and ‘going too far’ and has helped the movie achieve a notorious reputation. The scene though is really not all that graphic. We never see the victim actually burned just the lighted blow torch coming towards the screen and then it cuts away. The masks worn by the burn victims isn’t any different from those worn by dead decomposed bodies in other films, so it’s really more what’s implied that upsets some people than what is actually shown.

The film’s only real drawback is that it is much too similar to William Lustig’s Maniac that starred Joe Spinell and came out at around the same time. Both film’s deal with killer’s that have a severe mother complex, hear voices inside their heads, dress the bodies of their victims up, store them in their homes, have ‘conversations’ with them and even harbors visions of them coming back to life to seek revenge. The similarities between the two movies are so striking that they come off like a carbon copy to the other, which seriously hurts the tension because you feel like you’ve seen it all before.

My Rating: 5 out of 10

Released: March 28, 1980

Runtime: 1Hour 30Minutes

Rated R

Director: Joseph Ellison

Studio: Film Ventures International

Available: DVD, Amazon Instant Video

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Posted in 80's Movies, Cold Climate/Wintertime Movies, Cult, Horror, Kidnapping Movies, Low Budget, Movies with Nudity, Psychological, Slasher/Gore

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