Tag Archives: Lane Smith

Night Game (1989)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Baseball score and murder.

Mike Seaver (Roy Scheider), a police detective, is put in charge of investigating a series of bizarre murders where women, some of them prostitutes, are murdered along the beaches of Galveston, Texas after each Houston Astros home game where pitcher Silvio Baretto achieves a victory. There are initially no suspects and it all seems to be a coincidence until Seaver ties the clues together and hones in on the killer while quarreling with Witty (Lane Smith) a state investigator brought in to help him with the case, but who has opposing ideas as to how to approach it.

The story is a strange mixture wanting to feed-off of the slasher films of the 80’s while also tying it to a sports themed flick, that was also popular during that decade, but manages to fail on both ends. The killings aren’t imaginative enough to attract a horror audience while the gore is much too graphic for those just looking for a slick thriller and thus both types of viewers will get put-off with this pretty quickly. Fans of sports movies won’t like it either as the baseballs scenes are brief and fleeting. While it’s kind of fun to see the Astros old color bar uniforms as well as watching actual game footage shot inside the old Astrodome, which at one time was coined ‘the 8th wonder of the world’ it hardly seems necessary especially since a TV-movie ‘Murder at the World Series’, which came out in 1977, had a very similar storyline that also included the Astros and Astrodome making this seem like a cheap, uninspired rip-off of that one.

The plot at least, while still dated especially on the technology end, takes a realistic approach to being a detective and how hard it is to find clues that can help piece the case together and lead to an actual suspect. Scheider, who was 57 at the time and looking it, manages to give it some energy and this was helped no less than by casting Richard Bradford as his nervous and pensive superior whose white hair and old school ways helps to offset Scheider’s wrinkles despite the fact that Scheider was in real-life 2 years older. The side stories though dealing with Smith coming in to butt heads with Roy doesn’t get played-up enough to be interesting and Scheider squabbling with his mother-in-law over a color TV that he got her drags the pacing down and hurts the tension of the mystery, which is where the sole focus of the script should’ve stayed.

Spoiler Alert!

What really ruins it though is the stupid ending. For one thing people in big cities, and Houston is the 4th largest one in the US, get murdered all the time, so having a cop able to somehow tie it to when a pitcher wins a game was too much of a stretch as technically there’s likely to be a murder happening somewhere whenever ANY pitcher wins a game and there needed to be more direct clues, like the killer sending cryptic notes to the police, or media, stating what his intentions were for it to realistically come together for the investigators.

The man playing the murderer, Rex Linn, who is supposedly a former pitcher who got cut from the team and then ultimately loses his hand in an accident and has it replaced with a hook, looks more like an disheveled, beer bellied truck driver who never played a sports game in his life. His motivations, to kill someone whenever the pitcher, who replaced him on the rotation, wins a game, in order to steal media attention away from the new pitcher’s success, is poorly thought out. It would’ve made more sense had the disgruntled man gone after the pitcher directly by either threatening his life, or those of his family, or maybe even attempting to kill the general manager, or owner, since they were the ones directly responsible for cutting him instead of no-name hookers who usually don’t get a lot of news attention anyways when they’re killed and thus making the whole premise pretty vapid.

My Rating: 4 out of 10

Released: September 15, 1989

Runtime: 1 Hour 35 Minutes

Rated R

Director: Peter Masterson

Studio: Epic Productions

Available: DVD, Blu-ray, Amazon Video, Tubi

Honeysuckle Rose (1980)

honeysuckle rose

By Richard Winters

My Rating: 4 out of 10

4-Word Review: On the road again.

Buck Bonham (Willie Nelson) is a country music singer who enjoys life on the road traveling to different concert venues with his band much to the consternation of his wife Viv (Dyan Cannon) who wants him to stay home more and help raise their child. When his longtime guitarist Garland (Slim Pickens) decides to retire they bring in Garland’s daughter Lily (Amy Irving) as a temporary replacement. Then Buck starts fooling around with Lily, which creates turmoil both with Buck’s relationship with his wife as well as Lily’s relationship with her father.

After his successful stint in Electric Horseman this film was supposed to send Nelson to the next level as a leading man, but fails miserably because the guy just can’t act. In fact he conveys his lines in such a laid back manner it’s almost like he’s half-asleep and not even there. His screen presence is nil and he ends up being badly upstaged by both Cannon and Pickens. I realize he is considered a country music legend and has many adoring fans, but personally his trembling voice type of singing is not for me. Out of the many, MANY songs that he sings during the course of this picture the only one I even remotely liked was ‘A Song for You’ and even then I consider the Leon Russell version to be far superior.

The film like its star is too laid back. It takes a full 30 minutes before we get anything even resembling a plot going. There’s lots of concert footage and scenes taken on their traveling bus, which to some extent gives the viewer a good taste of what life on the road is like, but then it becomes excessive. It’s almost like a concert movie with the slightest of plots intermittingly mixed in for good measure. The story itself is too obvious and takes too long to play out and then when it finally gets going and we have some actual dramatic tension it then resolves too quickly.

Cannon is pretty good and even does her own singing. Irving on the other hand seems in-over-her-head and looks quite uncomfortable playing on stage. She got nominated for a Razzy award for worst supporting actress and I felt it was well deserved. Rodeo clown-turned-actor Pickens is super in one of his best roles that allows him to show both his comedic and dramatic side. Lane Smith is hilarious in a brief, but funny stint as an aggressive agent looking to get his client, a guitarist who wears some very loud suits, into the band while also trying to push some cheesy money making schemes on the side.

The part where Pickens attacks Nelson with a gun and chases him all around a lonely beach is amusing as is their drunken bus ride along an isolated Mexican highway. I also liked Irving meeting with her father after the secret of her affair has come out as well as her moment of apology to Cannon, but this all comes during the film’s final 20 minutes. Before then it’s just a lot of stock footage of Nelson on stage, which is nice if you enjoy his singing, but not if you’re looking for an actual movie, which at times this barely seems to be.

My Rating: 4 out of 10

Released: July 18, 1980

Runtime: 1Hour 59Minutes

Rated PG

Director: Jerry Schatzberg

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video