Tag Archives: Jim Henson

The Muppet Movie (1979)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: How they became famous.

Kermit (Jim Henson) is a lonely frog living in a Florida swamp who dreams of one day making it to Hollywood and becoming famous. He then meets talent agent Bernie (Dom Deluise) who hears Kermit singing a song with a banjo and becomes convinced that the frog has what it takes to become a star. He hands him his card and tells him to give him a visit when it makes it to California. Kermit then sets-off on a cross-country trip and along the way meets several other characters all looking for their big-break including Fozzie Bear, a struggling comedian, and Miss Piggy (Frank Oz) who wants to become a fashion model. They tag along on the trip with Kermit while pilling into Fozzie’s Studebaker as he drives them to the west coast, but then they meet up with Doc Hopper (Charles Durning), an owner of restaurants who specializes in frog legs, who wants Kermit to be his new spokesmen in some commercials that he’s producing, but Kermit declines. However, Doc refuses to take no for answer and chases after the gang and using increasingly more sinister methods in order to get the frog to change his mind. 

Due to the success of ‘The Muppet Show’ creator Jim Henson was given financing to produce his own movie featuring the same puppet characters audiences had grown to love from the program. Since this would be a large-scale production great effort had to be put into making the muppets appear real and able to blend into an actual outdoor setting versus having everything done on a sound stage like it was in the TV-show. Henson refused to compromise on anything and insisted that money would not be a limitation, and this included the segment where Animal, one of the muppet characters, grows to giant proportions. Initially the idea was to keep the puppet the same size and place him on a miniaturized set, which would’ve cut down on costs, but Henson felt this didn’t look convincing enough, so instead they constructed Animal’s head to gigantic proportions that measured over sixty feet, which called for way more money and was very time consuming, but ultimately worth the effort. 

The story itself is pedestrian and relies, similar to the TV-show, with rapid fire quips and comebacks much like in old vaudeville. On the surface the humor is corny, and some could find the whole thing silly, but enjoyment comes with the puppet characters that are made to be like caricatures of humans, and their amusing responses and reactions. It’s also filled with a lot of great songs all written by the talented Paul Williams, who appears briefly. Normally in movie musicals the songs end up sounding the same and it starts to feel like we’re just listening to the same loop done over and over, but here each music bit has a distinct beat and a good toe-tapping quality, which not only adds to the fun, but actually helps move the story along versus holding it up. 

The only drawback is the massive amount of guest star appearances. There are many familiar faces, but most of them are only in it for a half-minute, or so and few of them have anything that’s actually funny to say, or even moderately clever. Performers like Bob Hope, Richard Pryor, Madeline Kahn, and Edgar Bergen, in his last screen appearance before dying just a couple weeks later, are essentially wasted in bits that add nothing and could easily have been excised and not missed. However, there’s a few cameos that do work including Steve Martin as an annoyed waiter, Cloris Leachman as a receptionist allergic to animal hair and Orson Welles who comes on near the end and has the film’s best line. Mel Brooks also quite memorable in an over-the-top send-up of a German mad scientist. 

Durning though is the one exception as he is more like a main cast member and in it quite a bit. Of course, he’s an outstanding character actor and a personal favorite and he shines here as well particularly with his attempt at a Cajun accent, but it seemed a bit ridiculous for a guy to go to such extreme measures just to get Kermit to be in his commercials. A better storyline would’ve had Kermit witness Durning turning one of his family members, perhaps one of his distant frog cousins, into a frog legs meal and thus threaten to turn Durning into the authorities and this would cause him to chase after him in order to try and keep him from squealing.  It also would’ve been nice had he shown a change-of-heart at the end and come around to being a friend to the muppets versus remaining an adversary. It comes close at one point when Durning realizes he doesn’t have any real friends like Kermit does, but I would’ve liked to have seen him come to grips with his aggressive personality and make amends to do better moving forward. 

My Rating: 7 out of 10

Released: June 22, 1979

Runtime: 1 Hour 35 Minutes

Rated G

Director: James Frawley

Studio: Associated Film Distribution

Available: DVD, Blu-ray, Amazon Video, YouTube

Labyrinth (1986)

labyrinth 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Lost in a maze.

Sarah (Jennifer Connelly) is a fifteen-year-old girl forced to stay home and babysit her fussy baby brother Toby (Toby Froud). In order to try to get him to go to sleep she starts telling him a story, but conjures up Jareth, The Goblin King (David Bowie) who kidnaps Toby and threatens to turn him into a goblin unless Sarah can rescue him in thirteen hours by getting to a castle that is in the middle of a long and winding labyrinth.

Initially I wasn’t too excited to see this film as it was produced by George Lucas, directed by Jim Henson and starring Bowie, which is three big egos too many and in most cases usually amounts to a lot of creative clashes and a disjointed, mishmash of a  product that has a big budget, but no soul. However, I was pleasantly surprised to find that the film managed to be captivating with a good distinct atmosphere. The special effects are excellent and this is the first film to ever show a computer generated animal, which is in the form of an owl. I probably enjoyed the puppet characters the most. I was afraid they would resemble the muppets, but they are much more creative and varied than that and sometimes pop up in the most unlikely places and times.

Connelly is excellent in the lead. In fact without her presence this film wouldn’t have worked at all. Not only is she cute, but can hold her own amongst the crazy effects and weirdness while showing confidence and poise.

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Bowie on the other hand seems quite stale. His songs do little to enliven anything and the film could have done just as well without them. The character has no flash or campiness. A kid’s movie always needs a memorable villain like Cruella De Ville, or the wicked queen in Snow White, but this guy doesn’t even come close to those and is never frightening or scary.

There are a couple of ill-advised song routines that do nothing, but bog the film down and take away what little tension there is. The song number that features a group of creatures with removable heads is the only time that the special effects look fake as it is clear that the characters are being digitally matted onto the backdrop. Bowie’s routine in which he dances around with a bunch of puppets and the baby look laughable and embarrassing. I also thought that the Swamp of the eternal stench, which featured noises quite similar to flatulence and formations resembling rectums, was much too explicit for a film aimed at children and preteens.

Overall though this is an imaginative variation of the ‘Alice in Wonderland’ theme, but the film could have gone a lot further with it. I would have liked a few darker elements, some genuine tension or scares (of which this film has none) and less formulaic to the kiddie crowd. The ending also leaves a lot to be desired, but for most children as well as those that are young-at-heart it is an agreeable time-filler.

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My Rating: 7 out of 10

Released: June 27, 1986

Runtime: 1Hour 41Minutes

Rated PG

Director: Jim Henson

Studio: Tri-Star Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video