Tag Archives: Dino De Laurentiis

Hurricane (1979)

hurricane

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Tropical cyclone strikes island.

Charlotte (Mia Farrow) is the daughter of Navy Captain Charles (Jason Robards) who was appointed governor of a small island of Alava, which is under U.S. control. She comes to the island for a visit as she hasn’t seen her father in quite a while and immediately becomes attracted to Matangi (Dayton Ka’ne) who works as a houseboy at her father’s estate. A romance blossoms between the two and when her father finds out he puts Matangi in jail on trumped-up charges, but Charlotte is able to find a way for him to escape, but as they go on the run her father sets out to find them and put Matangi back behind bars just as a massive hurricane descends.

The film is a remake of the 1937 movie that was directed by John Ford and in itself an adaptation of the novel of the same name by James Norman Hall and Charles Nordhoff. After completing the runaway hit King Kong, another remake of a 1930’s movie, producer Dino De Laurentiis became inspired to tackle a second classic from the same era. He was most enthused with this one due to the hurricane effects as he was convinced that with modern technology it could be more vivid than the original and even hired the same man, Glen Robinson, who did the special effects for that one to recreate it here, but with modern film capabilities that had been unavailable when the story was first produced. So much focus was admittedly put into the ending that things like character development, which director Jan Troell had come onboard to work-on, were largely ignored causing Troell to consider it an unpleasant experience and he spent the remainder of his career making films in his homeland of Sweden as he felt after this that working on a Hollywood project wasn’t to his liking.

The casting of Farrow is part of the problem as the role called for a woman in her 20’s even though she was already well into her 30’s, but since she had what Dino described as an ‘eternal face of an 18-year-old’ he decided to hand her the part anyways. Her character though is so one dimensional that her time on the screen isn’t captivating. Ka’ne, who was an Hawaiin surfer with no acting experience, does better than expected though he only did one other movie after this before retiring from the business and working the rest of years as a compost truck driver and hotel doorman. Max Von Sydow is good in support playing a doctor who utters the film’s best line, most likely ad-libbed from his well-known atheist roots where he asks why a painting of Adam would require him to have a belly button since if he was created from dust then he’d have no need for an umbilical cord.

The biggest issue is the romantic angle as it occurs too quickly. An interesting relationship is one that has a challenge and this one should’ve had several as Mia’s father was clearly not going to be happy about her seeing Ka’ne and therefore she should’ve been apprehensive about getting involved, or even suspicious as how did she know he wasn’t just using her for leverage to get the old man to soften his stance on policies Ka’ne wanted changed? Instead, they fall into each other’s arms in a seamless few minutes and the whole first hour is spent with them dreamily swimming around in the ocean in a lovesick fashion, which is dull. Having the character of Moana appear, played by Ariirau Tekararere, who was the woman Ka’ne was arranged to marry, offers some potential, but since she barely speaks and when she does it’s in her native tongue without the benefit of subtitles, her presence doesn’t offer much.

Spoiler Alert!

The finale, which is all about the hurricane, is somewhat exciting, but it’s not perfect. The destruction of the homes appear like they’re miniature models and seeing constant shots of blowing rain becomes tiring, but watching the people leave the church while Priest Trevor Howard continues to pray at the pulpit is kind of funny and having the ship burst through the wall was cool too.

However, I wasn’t exactly sure that the couple really got ‘saved’ at the end like the viewer is supposed to believe. Yes, they survived the storm but were now stuck on a tiny sandbar in the middle of the ocean with no source of food, or transportation. Unless some help came along, which wasn’t guaranteed, they weren’t going to survive long. Thus, it’s not a real ‘happy’ ending because although they weren’t killed right away like the others doesn’t mean they won’t die an even more painful death of starvation.

My Rating: 3 out of 10

Released: April 12, 1979

Runtime: 2 Hours

Rated PG

Director: Jan Troell

Studio: Paramount

Available: DVD, Blu-ray (Import Reg. A/B/C)

Mandingo (1975)

mandingo1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Slave turned into fighter.

Hammond (Perry King) is the son of aging plantation owner Warren (James Mason) who purchases a Mandingo slave named Mede (Ken Norton). Mede proves himself as having superior fighting skills, so Hammond turns him into a prize fighter and makes money off of him. Meanwhile Hammond is also having an ongoing sexual affair with a slave named Ellen (Brenda Sykes), but his father orders him to find a white woman in order to supply him with an offspring, so Hammond marries his cousin Blanche (Susan George), but on their wedding night he rejects her when he realizes she is not a virgin. Blanche becomes jealous of Ellen, whom is secretly carrying Hammond’s child, and causes her to miscarry. She then forces Mede to have sex with her, so she’ll become impregnated with a black baby and bring humiliation to Hammond. After the birth, when Hammond realizes what has happened, he then goes on a violent revenge not only against Blanche, but also Mede whom he once considered his prize possession, but will Mede just accept his punishment, or use his strength to finally turn on his master?

The story is based on the 1957 novel of the same name written by Kyle Onstott. Onstott had written a book about dog breeding with his adopted son, but that didn’t do too well, so at the age of 65 he became motivated to write a book that he hoped would be a bestseller and make him a lot of money. He decided a sensationalistic material was the way to get attention and thus choose to write a story based on many ‘bizarre legends’ he had heard growing up. It was printed by a small publisher and it soon got him the national attention that he craved and sold 5 million copies that not only lead to a series of books on the same theme, but also a 1961 stage play that starred Dennis Hopper. The film rights was purchased by noted producer Dino De Laurentiis and became a very rare exploitation film that was given a big budget and a major studio release.

Critics at the time gave it almost unanimously negative reviews including both Roger Ebert and Leonard Maltin, but today it’s seen in a slightly more favorable light. Personally, if you’re going to do a movie on slavery, a notoriously dark moment in human history, and you’re want to do it honestly, then a graphic portrayal of it such as this should be in store. It may make the viewers cringe throughout, but that’s kind of the purpose. On a purely shock value scale this thing delivers in an almost mechanical sense. It’s just one scene after another that should leave even the most seasoned audiences with their mouths agape. While it’s hard to pick just one moment that’s the most shocking as there are an incredible amount of them I felt the fight sequence where both men literally bite the flesh off the other until blood spurts out of the one’s neck is for the me the infamously top moment though having Mason using a black child as his own personal foot stool, or hanging a 60-year-old black man, played by Richard Ward, naked and upside down to be paddled not only by Hammond, but also by Charles (Ben Masters) who stops by to visit and immediately takes part while another black child looks on amused by it, comes in as a close second.

On the technical end I liked the way it was shot by cinematographer Richard H. Kline. Initially I found the decrepit look of the mansion, which was filmed at the Ashland-Belle Helene Plantation in Geismer, Louisiana, to be problematic as everything looked old and rundown, but you’d think if it had really been done in the time period it was lived-in then it should look new and just built. The overgrown lawn was an added issue as it made it seem like it was an abandoned place, but back then maybe they didn’t all use manually powered lawn cutters, or care to, so I was willing to overlook that portion. I did though love the use of natural lighting, electricity wasn’t a thing, so sunlight coming in from the windows was about it and the use of shadows nicely illustrated the dark personalities of the characters.

The acting is excellent and I was especially impressed with Mason who can seem to go from playing nice guys to villain with an amazing ease as most actors are usually just good at doing one or the other. Some complained about his attempt at a southern accent, but for a guy born and raised in Britain I thought he disguised it pretty well. Susan George, most noted for playing frightened damsel-in-distress types, does a terrific turn as an evil bitch who’ll stop at nothing to get her revenge. King is also impressive as he shows at times to have a certain conscious and appalled at what he sees, but ultimately is unable to get over the hump and becomes just as evil as the rest despite convincing himself and his slave girlfriend that he’s somehow ‘more reformed’.

My Rating: 7 out of 10

Released: July 25, 1975

Runtime: 2 Hours 7 Minutes

Rated R

Director: Richard Fleischer

Studio: Paramount

Available: DVD, Blu-ray, Amazon Video, YouTube