Tag Archives: Burt Lancaster

A Child is Waiting (1963)

a child is waiting

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Help for retarded children.

Jean Hanson (Judy Garland) is a woman looking for direction in her life. She takes a job with Dr. Matthew Clark (Burt Lancaster) who runs a school for children with mental handicaps. She finds the work to be more taxing than expected, but also forms a strong attachment to one of the boys named Reuben Widdicombe (Bruce Ritchey).  Dr. Clark notices this bonding and considers it to be a potential problem so his has Jean moved to another building, which causes Reuben to become very upset and displays his anger in all sorts of anti-social ways.

This film is raw and compelling and offering a refreshingly vivid non-sanitized look into work with the mentally handicapped. Director John Cassavetes and screenwriter Abby Mann take off all of the Hollywood gloss and shows things in a real and uncompromising way. The majority of the children are disabled and not actors. Their responses and behaviors are genuine. Some of the best moments are when Cassavetes turns on the camera and then just let things happen particularly when Garland and Lancaster visit a hospital for mentally handicapped adults as well as when they put on a play celebrating Thanksgiving with the children as the performers.

The film is tastefully done and avoids showing some of the cruelties people with these disabilities go through and instead only talks about them lightly. What I really liked though was that it shows things from the adult perspective particularly those of the parents and the difficult adjustment they have as well as the array of emotions. The meeting between a group of doctors discussing which schools for which handicapped children should be given more money and which one of them had a better potential to being more self-sufficient was equally interesting. The movie also makes great use of silence to help propel the emotion and thankfully keeps the music to a minimum.

Garland was a good choice simply for her perpetual look of concern on her face, which remains throughout. However, she has a very worn and haggard appearance and looking much older than the forty years that she was and by looking at her here it should come as no surprise that a mere seven years after filming this she would be dead.

Lancaster is splendid and this may be one of his best roles of his already illustrious career. His soothing and calm voice is perfect for the part and his best moment comes when he patiently tries to teach the children how to correctly annunciate certain words.

Ritchey is good as the child and has a face that is very cute and full of expression. However, he seems to suffer from a severe speech impediment that makes it difficult to understand what he is saying. I wasn’t sure if he suffered from this in real-life, or it was just done for the part, but since he never appeared in any other film role makes me believe that he did.

Steven Hill is also superb playing Reuben’s father a man who turned his back on his son and virtually abandoned him when he was diagnosed as being mentally handicapped only to at the very end have a change of heart.

My Rating: 7 out of 10

Released: January 14, 1963

Runtime: 1Hour 42Minutes

Not Rated

Director: John Cassavetes

Studio: United Artists

Available: VHS

Cattle Annie and Little Britches (1981)

cattle annie and little britches

By Richard Winters

My Rating: 6 out of 10

4-Word Review: She needs a spanking.

Based very loosely on actual events this film looks at Annie McDoulet (Amanda Plummer) and Jennie Stevens (Diane Lane) two adolescent girls traveling in the Oklahoma Territory of the late 19th century looking for excitement and adventure. Annie becomes transfixed with the stories that she reads about the western outlaws particularly the ones about Bill Doolin (Burt Lancaster), but when they finally do catch up with his gang they find the men to be old, haggard, and tired as well as just one-step ahead of the relentless pursuit of famed western lawmen Bill Tilghman (Rod Steiger).

Plummer, in her film debut, is nothing short of electrifying. She is the daughter of Christopher Plummer and actress Tammy Grimes and she makes her presence strongly felt here. Her vulgarity and tenaciousness are infectious and help propel the film and easily steal every scene that she is in. She has her mother’s distinctively reedy voice and although not beautiful in the conventional sense her facial features still have an alluring quality that she makes the most of.

Lane as her cohort is good as well although not as strong, or riveting. Her plus is the fact that she is simply beautiful with perfect and delicate features of a young lady blooming into adulthood. The fact that her character is more shy and unassuming plays off well against the abrasiveness of Plummer’s and the tussle that the two have near the end is fun.

Lancaster is badly miscast. For one thing the real Bill Doolin was much younger and in fact was shot dead at the young age of 38 and yet here Lancaster was already 66 when he did the part. I also felt that the character was a little bit too good to be true. It just seemed too hard to believe that a rugged western outlaw would be so kind, gentle, understanding and wise. I suppose his fans wouldn’t want it any other way and the part seems to be written to conform to his star status, but the effect hurts the film’s overall authenticity.

Steiger on the other hand is quite strong and director Lamont Johnson makes perfect use of Steiger’s legendarily intense manner. In fact I was disappointed that he wasn’t in more of the film as his presence helps create some much needed tension in a film that at times seems too slow and laid back. His finest moment, and the best part in whole film, comes when he tackles Annie and gives her a nice long hard spanking.

The score, like the film, seems unfocused and creates an unnecessary mish-mash of moods. The vocal ballads done with a minimum of instruments is good as they have a country twang and fit the period, but there are other points when a jazzed up score with modern rock elements is played, which takes the viewer completely out of the setting. There is also too much music played when the natural sound and ambience would have been better especially with a western.

Watching the girls interacting with the gang as well as surprising them with their unexpected toughness is what makes the film interesting. The climatic sequence in which the two decide to go by themselves to get Bill out of jail and the very brazen and clever way that they do it is special. Why Universal decided to abandoned what is otherwise a pleasing little western is baffling. This film is long overdue for a DVD/Blu-ray release and fans of the cast should let the people in charge know as well as taking the studio exec, if he is still around, who decided to put the kibosh on this movie and throw him into a lake.

My Rating: 6 out of 10

Released: April 24, 1981

Runtime: 1Hour 35Minutes

Rated PG

Director: Lamont Johnson

Studio: Universal

Available: None