Category Archives: Mystery

The Innocents (1961)

innocents 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Children frighten their governess.

Legendary British actress Deborah Kerr plays Miss Giddens, the governess hired to care for two children at a sprawling English estate. However, the children are not exactly as they seem. Strange occurrences and behaviors begin to manifest as well as several ghostly sightings, which leads Miss Giddens into believing that the children may actually be possessed.

The film is based on the Henry James novel The Turn of the Screw. I have not read the book, but those that have feel this is a pretty satisfying adaptation. I did like the slow, methodical pacing. It helps to build the tension as well as enhance the mystery. Things are revealed in deliberate layers, which kept me intrigued throughout.

Director Jack Clayton shows a marvelous handle on the material.  The estate that they chose for the setting is perfect and captured well in glorious black and white by famed cinematographer Freddie Francis.  There is a lot of spooky imagery throughout including a creepy nightmare sequence in the middle.  The garden with its hulking, strange statues is used quite effectively especially in the haunting finale.  The music also grabs your attention right from the start with a very eerie song that is played before you see a single image on the screen. The song is similar to the one used in Rosemary’s Baby.  In fact there are several things here that reminded me of that film as well as The Shining.

Kerr was a good choice for the increasingly frightened governess.  I loved that scared expression on her face, which becomes progressively more frequent. Yet she is also effective when the character decides to become proactive by taking matters into her own hands and singlehandedly trying to ‘cure’ the children herself.  This also helps make both the character and the story a more multifaceted because you are never sure if this stuff is really happening or all just inside her head.

What really impressed me the most though was the performances of the two children especially Martin Stephens who plays Miles the young boy. His character shifts through many different moods, playing an innocuous child one minute and then a menacing, volatile one the next. He does each one flawlessly and becomes practically mesmerizing in the process.  Pamela Franklin is also fine in the role of Flora. This was her film debut. Eight years later her career would peak playing her signature role as Maggie Smith’s nemesis in The Prime of Miss Jean Brodie.

Another thing that I liked about the children is that they are initially portrayed as being normal and even engaging.  This is unlike other films with a similar theme like Children of the Damned or Children of the Corn where the kids are given creepy features right from the start. Here it works better and is more chilling to the viewer because the children’s dark side is unsuspected.

Unfortunately, despite the film’s impeccable technical quality, I still went away feeling unsatisfied. Part of the problem is that nothing really happens.  The ghosts appear but then do nothing but just stand there, which quickly becomes tiresome. One scene in particular has the camera constantly cutting back to the lady ghost standing across the lake until she starts to look like a mannequin, which I suspect she was.  The buildup is good, but I would have liked more of a payoff.  The ending is much too vague and gives no explanation as to why this was happening, if it was happening, or whatever became of the main character.

I couldn’t help but feel that this story would have worked better as an episode from one of the old horror anthology series like The Alfred Hitchcock Hour or even The Twilight Zone where it could have all been compacted into an hour. A hundred minutes seems like much too long for such little to happen. It is also interesting to note that in 1972 a film came out entitled The Nightcomers starring Marlon Brando that attempts to speculate what happened to the children before the main character of the governess arrives and before James’s original story begins.

My Rating: 6 out of 10

Released: December 25, 1961

Runtime: 1Hour 40Minutes

Rated NR (Not Rated)

Director: Jack Clayton

Studio: 20th Century Fox

Available: VHS, DVD

The Late Show (1977)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Quirky couple solve mystery.

Ira Wells (Art Carney) is a crusty, old-fashioned detective from a bygone era who has settled down into retirement while renting out a small bedroom in the house of a sweet old lady (Ruth Nelson). One night he is visited by his old friend and fellow detective Harry Reagan (Howard Duff) who has been shot and dies before he can tell him the identity of his killer. Ira makes it a pledge to avenge the death of his friend and bring the killer to justice.  At the funeral he meets a flighty, free-spirited woman by the name of Margo Sperling (Lily Tomlin). She tries to hire Ira to get him to find out who has kidnapped her pet cat and holding him for ransom. Ira initially refuses until he finds out that his friend Harry had been investigating the case before he was shot.

Although billed as a comedy this is really much more of a gritty crime-drama molded as a modern day film noir. I think this is what threw me off when I first saw the film as well as audiences of the time.  With those two leads I was expecting a lot of zaniness especially with the pairing of such divergent characters. There is some subtle humor at times and one instance where Margo drives a van throw the front yards of some houses while escaping the bad guys, but overall the emphasis is really on the characters and the mystery. On this end it is okay. The mystery is intriguing enough to keep you involved and has a few nice twists and an array of weird suspects. Eugene Roche is the most amusing as Ron Birdwell, a man who is constantly trying to sell merchandise that he has stolen and has cluttered throughout his house.

The two lead characters propel the film and are well developed. Both actors play their parts well. I thought this was quite possibly Lily Tomlin’s best performance. It is also one that mostly closely resembles her true personality.  I enjoyed how at first both disdain the other, but then quietly come to appreciate each other and even grow a certain fondness and attachment.  However, I was disappointed that the film did not go further with this.  I thought the characters were highly believable and would have liked to have seen more conclusion as to what happens with their budding friendship. Personally I would have liked the first hour of the movie dealt with the initial case and then had them team up to solve an even more complex one in the second hour. A sequel or series would have been even better as it is certainly a potent premise.

One thing that really impressed me was writer-director Robert Benton’s keen eye for detail even with the little things. Although not always consciously noticed by the average filmgoer, the little things such as lighting, set decoration, and staging can having a very strong effect as to whether the film succeeds, or not.  A good director will always pay close attention to this while the poor one will overlook it, or cut corners. One example of this is Ira’s bedroom, which had the cluttered look most people’s homes have, but most movies fail to effectively recreate, as well as pictures and artifacts from years past that helped explain the character in a visual way. There is also a scene where Ira is doing his laundry at the local Laundromat while Margo talks to him about the case. I thought this was a nice touch as usually movie characters are never shown doing mundane daily tasks even though it is something most regular people have to spend a lot of their time doing. I noticed that he put in his clothes first and then the detergent, which I thought was a mistake. I presumed it was because actor Carney was just going through the motions and not paying attention, but then Margo mentions the error. This might have been an ad-lib on Tomlin’s part, but it is nice that they left it in as it helps accentuate the reality and shows even further how meticulous the detail was. I appreciated the scene involving actor Bill Macy who plays a bartender. Being a recently trained bartender I can attest that he mixed and served the drinks in the correct way, which isn’t always the case in other movies.

The Ira character also wears a hearing aid as did actor Carney in real life. There is one scene where Ira aims his gun and gets ready to shoot at a fleeing suspect, but just before he does he takes out his hearing aid. This makes sense as the loud sound from the blast at such short range would probably destroy the mechanism. The scene is so unusual that they added it into the film’s trailer and actress Tomlin even mentions it when she is interviewed about the film on the Dinah Shore show, which is part of the DVD’s special features. The only quibble I had here was that on the very next shot Ira has the hearing aid back in his ear and I thought it would have been too quick for him to have done that.

The only area where this film fails is in the use of the blood, which is a problem in a lot of movies. Blood is always a very dark red and yet here it is a bright red and looking almost like cherry syrup. When Ira investigates a murder scene he finds a long streak of this bright red stuff going along the carpet that looks quite evident that it was put on with a paint brush.

If you like a mystery that closely resembles the feel and pace of an old Phillip Marlowe case than you may enjoy this. It is technically well made in just about every aspect, but I still went away feeling that the films from the 30’s and 40’s end up doing it better.

My Rating: 6 out of 10

Released: February 10, 1977

Runtime: 1Hour 33Minutes

Rated PG

Director: Robert Benton

Studio: Warner Brothers

Available: VHS, DVD